Compositions with purely (or largely) indefinite pitch

Started by ComposerOfAvantGarde, August 18, 2016, 04:32:11 PM

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ComposerOfAvantGarde

I thought it might be nice to have a thread where we can recommend music to each other which doesn't really have 'melody' as defined by a succession of definite pitches.

Varèse is probably the obvious place to start with his terrific Ionisation.

What are some others? It need not be limited purely to percussion music, electroacoustic music (including musique concrète, tape music etc.) is absolutely welcomed as well. :)

ComposerOfAvantGarde


ComposerOfAvantGarde

Thanks! Just really curious about indefinite pitches, which are of course kinds of pitches as you understand them :)

Cato

Check out the Scherzo to Alexander Tcherepnin's First Symphony: go to the 7:00 mark for the Scherzo.

https://www.youtube.com/v/H_cO8H55CdM


Lou Harrison's efforts:

https://www.youtube.com/v/StRcYYSoYpE



"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Mandryka

#4
Cage, Fraction 2

Penderecki's Anaklasis, towards the end.

Hans Joachim Hespos, Z

Possibly parts of  Gran Torso.

There's a very ancient piece of organ music which Guy Bovet recorded (called "Piece without stops") on one of his CDs on the organ at Valère.
Wovon man nicht sprechen kann, darüber muss man schweigen

GioCar

Steen-Andersen: Double up (2010)

https://www.youtube.com/watch?v=LBHhN9vniDc

I really like that piece.
It's lively, exuberant, ironic. It also has a sort of narrative structure imo.
Should be a great experience hearing it in a live performance.


bhodges

Quote from: GioCar on August 25, 2016, 06:40:40 AM
Steen-Andersen: Double up (2010)

https://www.youtube.com/watch?v=LBHhN9vniDc

I really like that piece.
It's lively, exuberant, ironic. It also has a sort of narrative structure imo.
Should be a great experience hearing it in a live performance.

Listening to this now -- wonderful. Have heard some of his work before, mostly chamber pieces, and this just reconfirms that he is one of the most exciting composers around. Thank you!

--Bruce

GioCar

Quote from: Brewski on August 25, 2016, 07:33:10 AM
Listening to this now -- wonderful. Have heard some of his work before, mostly chamber pieces, and this just reconfirms that he is one of the most exciting composers around. Thank you!

--Bruce

You're welcome  :)

Cato

Quote from: Cato on August 20, 2016, 06:31:14 AM
Check out the Scherzo to Alexander Tcherepnin's First Symphony: go to the 7:00 mark for the Scherzo.

https://www.youtube.com/v/H_cO8H55CdM


Lou Harrison's efforts:

https://www.youtube.com/v/StRcYYSoYpE

Just noticed the error in the entry above: here is the Scherzo of the First Symphony by Alexander Tcherepnin at the 7:00 mark
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

nathanb

Meh, pitches are frequencies, and frequencies are sounds. I hear Mozart, Lachenmann, Ferrari, Yoshihide and my wind shield wipers as pitched sounds.

I know what you mean though. But if you mean what I think you mean, I am not sure why anyone would post Steen-Andersen's "Double Up" or Lou Harrison's concerto here, so maybe I don't know what you mean?

bhodges


Cato

Quote from: nathanb on August 25, 2016, 02:09:17 PM
Meh, pitches are frequencies, and frequencies are sounds. I hear Mozart, Lachenmann, Ferrari, Yoshihide and my wind shield wipers as pitched sounds.

I know what you mean though. But if you mean what I think you mean, I am not sure why anyone would post Steen-Andersen's "Double Up" or Lou Harrison's concerto here, so maybe I don't know what you mean?

Here is what Jessop intended:

Quote from: jessop on August 18, 2016, 04:32:11 PM
I thought it might be nice to have a thread where we can recommend music to each other which doesn't really have 'melody' as defined by a succession of definite pitches.

Varèse is probably the obvious place to start with his terrific Ionisation.

What are some others? It need not be limited purely to percussion music, electroacoustic music (including musique concrète, tape music etc.) is absolutely welcomed as well. :)
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Monsieur Croche

#12
The question of determinate or indeterminate I leave up to the listener...

https://www.youtube.com/v/FOWaKXeaPO8

Fun.  Even more fun because it involved running around in the snow  :)


Best regards.
~ I'm all for personal expression; it just has to express something to me. ~


Monsieur Croche

#14
Quote from: GioCar on August 25, 2016, 06:40:40 AM
Steen-Andersen: Double up (2010)

https://www.youtube.com/watch?v=LBHhN9vniDc

I really like that piece.
It's lively, exuberant, ironic. It also has a sort of narrative structure imo.
Should be a great experience hearing it in a live performance.

Quote from: Brewski on August 25, 2016, 07:33:10 AM
Listening to this now -- wonderful. Have heard some of his work before, mostly chamber pieces, and this just reconfirms that he is one of the most exciting composers around. Thank you!
--Bruce

This composer seems to have a formidable technique, i.e. fluid grasp of getting his aesthetic and the same kind of sound from pitched instruments as set in traditional pitch notation (amplification being the only 'electronic' element in the below piece.)

https://www.youtube.com/v/jnonO8ekh_s

In this chamber piece where only a few distinct diatonic 'tuned' pitches stick out, either coming across as a bit of pathos or humor, depending upon the listener's temperament or mood [too, presented as dramatically isolated events placed directly in the spotlight via the cessation of all other activity when they do sound], the overall manner of writing so obfuscates listener perception of determinate chromatic pitch that a more literal or purist argument categorizing it as determinate pitch doesn't have much strength.  Illusion or actual, if the listener hears little or no chromatic and tuned pitch, then it necessarily falls into this other family of indeterminate pitch.
~ I'm all for personal expression; it just has to express something to me. ~

Monsieur Croche

Quote from: aleazk on August 25, 2016, 04:19:46 PM
What about this one?

Third Construction - John Cage

https://www.youtube.com/watch?v=E-5xIJJgzmo

This is an exceptionally fine performance of this piece, which is imo, a really nice piece :-)


Best regards.
~ I'm all for personal expression; it just has to express something to me. ~

Monsieur Croche

#16
Well, there would be a lot of percussion pieces falling within the parameter of the OP....

Another rather nice one, maybe even to listen to because it is (Gasp / Harumph!) relaxing.  :laugh:

Robert Moran: Rocky Road to Kansas (1995)

https://www.youtube.com/v/_ZwnT33BM0s
~ I'm all for personal expression; it just has to express something to me. ~

aleazk



(poco) Sforzando

The opening number to Meredith Willson's "The Music Man." Start at about :45 below.

https://www.youtube.com/watch?v=JZ9U4Cbb4wg
"I don't know what sforzando means, though it clearly means something."