Classical music sucks entirely

Started by Thatfabulousalien, August 09, 2016, 04:40:32 PM

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Cato

Quote from: karlhenning on August 10, 2016, 08:19:31 AM
Cavorting clarinetists have indeed been done much better by others.

"O Basset-Horn, Basset-Horn!"

Go to 3:40 or so:

https://www.youtube.com/v/fbKmF7KkB5Q

"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

nathanb

Quote from: Jeffrey Smith on August 10, 2016, 07:58:11 AM
I have yet to hear anything I actually liked by him, and I think that once the extramusical elements like costumed cavorting clarinetists are stripped away, there is little that others were not doing, and not doing better.

I do not wish to argue with you because you have expressed your opinion with such care and civility (more than I am typically used to), but I would like to express my disagreement here. A number of counterexamples come to mind, but hey, it's all good tunes man.

Karl Henning

And we're all for civil disagreement. Practically anything which one of us dislikes, may be someone else's especial favorite.

Sent from my SCH-I545 using Tapatalk

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

#23
Quote from: Thatfabulousalien on August 10, 2016, 06:19:57 PM
I guess I've never had a closet built into my house, I always listen to Stockhausen loud (even in public). He's not my absolute favorite composer but one I enjoy a lot.
What about Schoenberg? are people of this forum over tone rows? I swear some people are so far behind in music history  :laugh:

I like Schoenberg a lot, but I prefer his 'free atonal' period above all others, although there are some 12-tone pieces of his I do like. Berg is my favorite composer from the Second Viennese School. I dig some Webern, too. I know you were just joking around, but I think a lot of people, especially ones that frequent these kinds of forums are well aware of where classical went after the Romantic Era. Whether they like the music or not, is a subjective point, but I do think if you talk to a classical fan who's been listening for say 20 years, they'll know who Schoenberg is. If they don't, then they should perhaps pull their head out of the sand. :)

ComposerOfAvantGarde

Quote from: Thatfabulousalien on August 10, 2016, 06:22:16 PM
Oh, hi then COAG. Nice to see you around, you seem to have gained a reputation of sorts over there  :laugh:
I'd assume then that you like Specialism?  :)
Spectralism? I like spectralism quite a bit.

Hollywood

Greetings from a Yankee living in Beethoven and Mozart's Vienna. Welcome to the forum.  8)
"There are far worse things awaiting man than death."

A Hollywood born SoCal gal living in Beethoven's Heiligenstadt (Vienna, Austria).

ComposerOfAvantGarde

I'm not sure if Haas actually uses techniques from spectral analysis in his music....I've heard he is interested in the aesthetics of spectralism but I am not sure if he is strictly speaking a 'spectralist composer'

My two favourite spectral compositions are Nørgård's Voyage into the Golden Screen and Harvey's Mortuos Plango Vivos Voco.

ComposerOfAvantGarde

Btw I read an interview I read a while ago about haas....he says that nah he's not a spectral composer. He thinks overtones are cool.

ritter

#28
Welcome to the forum, Thatfabulousalien! I hope you enjoy it here.

Another admirer (with some reservations) of Stockhausen here, and most of the 1950s Darmstadt avant-garde for that matter. Although my enthusiasm for Stockhausen's music has waned slightly over the past couple of years, I still hugely enjoy many of his pieces (Michael Reise..., Gruppen, Inori and most of the early stuff), and seeing Kontra-Punkte performed live under Peter Eötvös a couple of years ago here in Madrid was a memorable experience.

Great you already have Box 4 of the Darmstadt series! That one is a must for me, as it contains Pierre Boulez playing his Third sonata (AFAIK including the unpublished--fragmentary?-- movements).

Cheers,





Karl Henning

Quote from: Thatfabulousalien on August 10, 2016, 06:19:57 PM
What about Schoenberg?

I'm a big fan (but, of course, a composer is apt to be).  Some here are, some aren't.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Monsieur Croche

Quote from: nathanb on August 10, 2016, 07:03:32 AM
Acceptance is the first step.

At least on this forum, people just claim indifference. It's a witch hunt where this alien just came from.

Without naming it I can, I think, well guess that 'place' you are speaking of....
Are they still as, uh... hypervigilant about suppressing that intransigent and terribly rude infidel modernist / contemporary crowd of theirs (of whom so many have fled / migrated to GMG? :-D


Best regards
~ I'm all for personal expression; it just has to express something to me. ~

nathanb

Quote from: Monsieur Croche on August 11, 2016, 02:39:41 AM
Without naming it I can, I think, well guess that 'place' you are speaking of....
Are they still as, uh... hypervigilant about suppressing that intransigent and terribly rude infidel modernist / contemporary crowd of theirs (of whom so many have fled / migrated to GMG? :-D


Best regards

Yes, they are.

PetrB, it has been too long.

kishnevi

Quote from: nathanb on August 10, 2016, 01:54:48 PM
I do not wish to argue with you because you have expressed your opinion with such care and civility (more than I am typically used to), but I would like to express my disagreement here. A number of counterexamples come to mind, but hey, it's all good tunes man.

Disagreement was not merely expected, but necessary.


Trivia of the day, but relevant:

In Jewish law, if a court voted unanimously for guilt in a capital case (which was decided by a court of seventy members),  a guilty verdict did not result.  The very fact that everyone agreed was grounds for assuming that something had gone wrong with the trial.

Cato

Quote from: Jeffrey Smith on August 11, 2016, 09:30:01 AM
Disagreement was not merely expected, but necessary.


Trivia of the day, but relevant:

In Jewish law, if a court voted unanimously for guilt in a capital case (which was decided by a court of seventy members),  a guilty verdict did not result.  The very fact that everyone agreed was grounds for assuming that something had gone wrong with the trial.

A wise skepticism of majority rule!  ;)
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Cato

#34
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Karl Henning

Much depends, friend, on what you mean by necessity  0:)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot