Crudblud's Craptacular C(r)ompositions

Started by Crudblud, September 30, 2016, 06:00:36 PM

Previous topic - Next topic

0 Members and 3 Guests are viewing this topic.

Crudblud

Quote from: Iota on February 02, 2025, 11:34:53 AMI enjoyed 'It's Really More of a Fuchsia' and the Duets nos. 2 and 5, very much, @Crudblud. A distinctive sound world and harmonies in each of them which I found very appealing.  : )
Thank you so much for taking the time to listen, I'm glad you enjoyed them.

Karl Henning

Revisiting this, Dan. Love it!

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Crudblud

Quote from: Karl Henning on March 08, 2025, 03:43:36 PMRevisiting this, Dan. Love it!
Thank you Karl. I'm glad you enjoyed it, and as ever it means a lot that you would take some time out of your day to listen to my work.

I was prompted by your post to revisit it myself. I don't think I'd heard it in full in some years. It definitely has interesting aesthetics. I think I manage to get some interesting effects, especially timbrel effects and textures. Because of the use of the 12- and 24-TET pianos, not to mention the copious pitched percussion, there are a lot of "shimmering" sorts of sounds, which I do like. Also, to pat myself on the back a little bit, the focus on contrasting durations of sounds is mostly well done.

In terms of the composition I think it would have benefited from more of a structural focus. When I listen to it now the things that I'm sure seemed deliberate to me at the time now seem a bit scattershot, and I see myself here being more concerned with effects than with structure, to the piece's detriment. Also I regret not using the whole step motif introduced in the final movement (18:27 in the video) in more complex ways. I do that once (19:50) but after that it just repeats like a flat idée fixe.

Karl Henning

Quote from: Crudblud on March 09, 2025, 03:54:57 AMI was prompted by your post to revisit it myself. I don't think I'd heard it in full in some years. It definitely has interesting aesthetics. I think I manage to get some interesting effects, especially timbrel effects and textures. Because of the use of the 12- and 24-TET pianos, not to mention the copious pitched percussion, there are a lot of "shimmering" sorts of sounds, which I do like. Also, to pat myself on the back a little bit, the focus on contrasting durations of sounds is mostly well done.

There is much delightful and playful invention in there.

Quote from: Crudblud on March 09, 2025, 03:54:57 AMIn terms of the composition I think it would have benefited from more of a structural focus.

My feeling is: sometimes structure, sometimes, maybe not so much. A Serenade or Suite is no less music for not being a symphony. I don't think this piece of yours suffers at all in that wise.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Rons_talking


Crudblud

New piece Brockley Hopscotch, it is hoped that it will be enjoyed.


Downloads with additional notes on the composition and some silliness are available in lossy Vorbis or lossless FLAC.

Rons_talking