German Expressionist Music

Started by Mirror Image, October 07, 2016, 07:47:01 AM

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Jo498

It is often not obvious why the Nazis found some art degenerate. They were not conservatives but regarded themselves as modern and claimed "fresh air" compared to fin de siecle decadence which made them sympathetic to some aspects of (then) modern art. Of course they also subordinated art to the greater glory of the nation and, like socialist realism, art was also supposed to appeal (to some extent) to popular tastes, so anything "critical" or destructive would not find favor.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

Mahlerian

Quote from: vandermolen on October 09, 2016, 01:23:52 AM
Schulhoff managed to assimilate Dada/Expressionism. His Symphony 5, drawn to my attention through a contact on this site, is a marvellous score. Sadly he died in a Concentration Camp.

Dada was a completely separate movement that grew up in a different environment and for different reasons.  The only composers I know associated with Dada were Satie and Varese*.  Expressionism lacked Dada's desire to destroy the traditional notions of art.

*Who later denied the connections.
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

North Star

Quote from: Mahlerian on October 09, 2016, 03:13:38 AM
Dada was a completely separate movement that grew up in a different environment and for different reasons.  The only composers I know associated with Dada were Satie and Varese*.  Expressionism lacked Dada's desire to destroy the traditional notions of art.

*Who later denied the connections.
Schulhoff was definitely linked to Dada. See e.g. Sonata Erotica.
"Everything has beauty, but not everyone sees it." - Confucius

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Mahlerian

Quote from: North Star on October 09, 2016, 03:50:49 AM
Schulhoff was definitely linked to Dada. See e.g. Sonata Erotica.

I'm sure you're correct there.  It was the link between Dada and Expressionism that I meant to reject, not the link between Schulhoff and Dada.
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Jo498

Besides the "Sonata Erotica" Schulhoff had a precursor piece of 4'33 containing only rests... "In futurum" from 5 Pittoresken op.3, dedicated to "the Painter and Dadaist George Grosz"
Although different in many respects, both Dada and Expressionism could serve pour épater le bourgeois who pined for the belle époque. So while not systematically linked they could be linked in quite a few artists, such as Schulhoff or the painter Grosz.
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

Mirror Image

#25
Quote from: Mandryka on October 08, 2016, 10:40:21 PM
This is something which I think is expressionist according to the BBC definition, bad sound and in German unfortunately

https://m.youtube.com/watch?v=sGwOXGwspXc

And Frau Ohne Schatten? Another one to think about is Turn of the Screw. Also maybe some things by Janacek, the second quartet, the mass.

Did Gesualdo write expressionist madrigals? Is Grosse Fuge expressionist? See how a definition can free you up.

Yes, I suppose we could also say there are quite some Expressionistic moments in Shostakovich's Lady Macbeth as well since, if I read correctly, Shostakovich was influenced by Berg's Wozzeck when composing this opera. There's always a way to look beyond what typifies a style of composition as we have all found out. Nothing is really concrete when it comes to definitions of individual musical movements.

vandermolen

I've always liked Expressionist painting, especially Beckmann, Heckel and Jawlensky. Not all are German of course and painters like Munch, Ensor and Rouault all mean a lot to me although none of them are German. Kandinsky is interesting as he regarded his paintings, or some of them, as visual symphonies and his book 'Concerning the Spiritual In Art' is of interest.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).