What Opera Are You Listening to Now?

Started by Tsaraslondon, April 10, 2017, 04:29:04 AM

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Tsaraslondon

Quote from: Der lächelnde Schatten on May 14, 2025, 02:39:14 PMActually, now that I'm thinking about it @Iota, there are a number of other Britten works that use children's voices that I enjoy like Noye's Fludde and Children's Crusade.

And of course Miles is always played by a child, but it is interesting to note that Britten cast the role of Flora as a soprano, Olive Dyer in the original production and on the recording.
\"A beautiful voice is not enough.\" Maria Callas

Iota




Rameau: Castor et Pollux
Les Arts Florissants, Christie


A joyous, buoyant experience for the large part of its considerable duration (nearly 3 hours), with some lovely music/arias of lament to contrast. I was a little confused as the disc states this is the 1754 version, yet it includes the Prologue which I understand Rameau had removed for this later incarnation. Whatever the reason for its inclusion, I'm very pleased it was, as I loved the music for it.
Rameau's wellspring of ideas never seems to dry up, irresistible melodies run riot throughout, sometimes hard on the heels of the last, and I can't think of a better conductor to catch the joy, energy and colour of the score than Christie. All the singers were fine, though I thought the trio of sopranos, Gens, Piau and Mellon shone brightest.

Der lächelnde Schatten

Quote from: Iota on May 18, 2025, 05:19:14 AM


Rameau: Castor et Pollux
Les Arts Florissants, Christie


A joyous, buoyant experience for the large part of its considerable duration (nearly 3 hours), with some lovely music/arias of lament to contrast. I was a little confused as the disc states this is the 1754 version, yet it includes the Prologue which I understand Rameau had removed for this later incarnation. Whatever the reason for its inclusion, I'm very pleased it was, as I loved the music for it.
Rameau's wellspring of ideas never seems to dry up, irresistible melodies run riot throughout, sometimes hard on the heels of the last, and I can't think of a better conductor to catch the joy, energy and colour of the score than Christie. All the singers were fine, though I thought the trio of sopranos, Gens, Piau and Mellon shone brightest.

Thanks for this review. I've got a whole stack of Christie's Rameau that I need to get around to at some point. Rameau is a brilliant composer without a doubt. His attention to color, texture and general approach to orchestration was quite ahead of its time.
"To send light into the darkness of men's hearts - such is the duty of the artist." ― Robert Schumann

André

#4663


André-Cardinal Destouches (1672-1749) was born after Campra but before Rameau. He was not a cardinal, by the way, it was simply part of his given name. As a last name Cardinal is quite common. Destouches was Louis XIV' Master of Opera.

The story is about Télémaque, son of Ulysses and Penelope, who gets stranded on an island and is prisoner of the nymph Calypso. Lots of amorous entanglements ensue between the characters before Télémaque is finally let free and sails toward Ithaca, his father Ulysses's kingdom.

The music is very much what one'd expect of its period and genre (mythological figures portraying noble emotions and virtues). Arias, recitatives, duets, ensembles, dances and instrumental interludes follow one another melodiously. The cast is fine, the superb PI ensemble very mellifluous and expressive. Super Deluxe packaging. A nice discovery.

nico1616

Quote from: Iota on May 18, 2025, 05:19:14 AM


Rameau: Castor et Pollux
Les Arts Florissants, Christie


A joyous, buoyant experience for the large part of its considerable duration (nearly 3 hours), with some lovely music/arias of lament to contrast. I was a little confused as the disc states this is the 1754 version, yet it includes the Prologue which I understand Rameau had removed for this later incarnation. Whatever the reason for its inclusion, I'm very pleased it was, as I loved the music for it.
Rameau's wellspring of ideas never seems to dry up, irresistible melodies run riot throughout, sometimes hard on the heels of the last, and I can't think of a better conductor to catch the joy, energy and colour of the score than Christie. All the singers were fine, though I thought the trio of sopranos, Gens, Piau and Mellon shone brightest.

I love this opera, the Christie recording is in my collection but I don't know it well. I love the Rousset video in this opera, but he uses a different Castor version than Christie's.

The first half of life is spent in longing for the second, the second half in regretting the first.

Tsaraslondon



Just Act I so far this morning of this wonderful performance.
\"A beautiful voice is not enough.\" Maria Callas

nico1616

Quote from: Tsaraslondon on Today at 01:39:59 AM

Just Act I so far this morning of this wonderful performance.

Yeah this is the one that always tops the lists of best Meistersinger recordings. Only there is never an affordable copy on sale...
The first half of life is spent in longing for the second, the second half in regretting the first.

Tsaraslondon

Quote from: nico1616 on Today at 10:05:56 AMYeah this is the one that always tops the lists of best Meistersinger recordings. Only there is never an affordable copy on sale...

I know, but I managed to get one on ebay for £20.78 including postage.
\"A beautiful voice is not enough.\" Maria Callas