Favorite Bach recordings on all the major non-organ keyboard stuff

Started by milk, April 23, 2020, 05:44:06 AM

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milk

Give me 2 favorites for each please:
WTC I :
WTC II:
Partitas:
French:
AOF:
Goldbergs (don't say Jeff Garlin):



SergeCpp

(First in each section is preferred, but not always and not so strict.)

  • Partitas

    • Harpsichord

      • Masaaki Suzuki (2001)
      • Edward Parmentier (1991)
    • Piano

      • Gianluca Luisi (2005-07)
      • Andras Schiff (1983) — early recording
  • English Suites

    • Harpsichord

      • Christophe Rousset (2003) — caution: somewhat fast
      • Carole Cerasi (2005)
    • Piano

      • Murray Perahia (1997-98)
      • Angela Hewitt (2002-03)
  • French Suites

    • Harpsichord

      • Pieter-Jan Belder (2006)
      • Blandine Rannou (2001)
    • Piano

      • Evgeni Koroliov (2006)
      • Edward Aldwell (1997)
  • Goldberg Variations

    • Harpsichord

      • Pierre Hantai (2003) — later recording
      • Maggie Cole (1990)
    • Piano

      • Evgeni Koroliov (1999)
      • Rosalyn Tureck (~1988) — so called "home recording" of 1980-s, timed ~75 mins
  • WTC (I & II)

    • Harpsichord

      • Masaaki Suzuki (1996 & 2005)
      • Ottavio Dantone (2000)
    • Piano

      • Angela Hewitt (2008) — later recording
      • Bernard Roberts (1998)
  • Art of Fugue

    • Harpsichord

      • Davitt Moroney (1985)
      • Menno van Delft (1999) — partially Clavichord
    • Piano

      • Grigory Sokolov (1979)
      • Evgeni Koroliov (1990) — desert island disc for Gyorgy Ligeti
//
There is a strangeness in simple things.

vers la flamme

Sure, let me try this.

WTC I: Sviatoslav Richter, Gustav Leonhardt
WTC II: Richter
Partitas: András Schiff
French: Leonhardt, Bob van Asperen
AOF: Leonhardt, Charles Rosen
Goldbergs: Glenn Gould ('55), Pi-hsien Chen (need to find a good harpsichord recording of this—I have Rübsam's on the lute-harpsichord but find it too mannered)

Jo498

Can't decide for the WTC, do not care enough about the Italian concerto and don't have enough recordings of the b minor Ouverture, so I am leaving out all of these

Partitas: p: Gould, Sheppard, hp Mortensen (but admittedly, I have not heard enough on harpsichord)
French: p: Gavrilov/EMI, hpschd: Koopman/Erato
English: p: Schiff/Decca, hp: van Asperen/Brilliant
Inventions and Sinfonias: P: Koroliov/hänssler, hp Belder/Brilliant
AOF: probably Koroliov/Tacet on piano, get bored too quickly on harpsichord (I still have three recordings, Hill, Van Delft and the one on Naxos), prefer orchestration or organ (this preference is also usually in favor of piano).
Goldbergs: p: Gould/1981, Rosen, hp: probably Pinnock/DG
Tout le malheur des hommes vient d'une seule chose, qui est de ne savoir pas demeurer en repos, dans une chambre.
- Blaise Pascal

amw

WTC I & II: Céline Frisch, Evgeni Koroliov
Partitas: Masaaki Suzuki, Wolfgang Rübsam
English: Masaaki Suzuki, no piano contenders yet
French: Bob van Asperen, Vladimir Ashkenazy
AOF: no harpsichord contenders yet, Joanna MacGregor
Goldbergs: Ottavio Dantone, Ekaterina Derzhavina
Toccatas: Mahan Esfahani, Wolfgang Rübsam

Bob van Asperen is second place choice in the English suites but left out due to my arbitrary rule of one choice per type of instrument. Same with Evgeni Koroliov in the AOF.

SergeCpp

Quote from: vers la flamme on May 22, 2020, 02:29:36 AMPartitas: András Schiff
There are two quite different recordings: 1983 and 2007 (live).

Quote from: vers la flamme on May 22, 2020, 02:29:36 AMGoldbergs: Pi-hsien Chen
There are two recordings with substantial differences: 1985 and 2001.
There is a strangeness in simple things.

vers la flamme

Quote from: SergeCpp on May 22, 2020, 04:46:21 AM
There are two quite different recordings: 1983 and 2007 (live).
There are two recordings with substantial differences: 1985 and 2001.

Whoops, I meant to specify. Schiff is ECM, Chen is Naxos.

Sergeant Rock

WTC I: Gould; Barenboim
WTC II: Gould; Barenboim
Partitas: Tipo; Ashkenazy
French: Gould; Pogorelich (not complete)
AoF: Isolde Ahlgrimm; Hewitt
Goldbergs: Gould (55); Kempff
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"