Uhor's desk

Started by Uhor, March 09, 2018, 06:09:19 PM

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Uhor

I've been sketching a serial piece, hope you can judge whether it's worth the great pains of revising or not.

https://soundcloud.com/richannes-wrahms/excerpt-op12

Instrumentation is:

Flute, Oboe, Clarinet in Bb,
Horn, Trumpet, Trombone,
Harp, Celesta,
Violin, Viola, Cello, Double Bass.

ComposerOfAvantGarde

Richannes Wrahms?????? Is it really you???? :O

Nice piece btw. The orchestration sounds very well considered.

Uhor

#2
(It is really me)

Wrote a thing for cello, quite boring honestly.

I'm working on adding a viola and a violin part to make a string trio out of it, it's turning much more interesting.

Uhor


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Crudblud

Quote from: Uhor on April 08, 2018, 10:31:23 AM
Here's the resulting Trio, sorry for the midi.

https://soundcloud.com/richannes-wrahms/string-trio

I feel like there is something interesting in there but it's just not suited to the sounds you're using. I would be happy to take a look at rendering this piece, all I need is the individual MIDI tracks for each instrument and some notes (with times) regarding tempo and dynamic changes, articulations etc.

Karl Henning

Quote from: Uhor on April 08, 2018, 10:31:23 AM
Here's the resulting Trio, sorry for the midi.

https://soundcloud.com/richannes-wrahms/string-trio

Should work very nicely with actual players, well done!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Uhor

I'm writing a quartet for flute, clarinet, horn and double bass. I think it's going to be from simple to complex. If you are curious, this is how the little thing is doing, it only has two sections by now. Hope a real hornist can also deal with the jumps!

https://soundcloud.com/richannes-wrahms/quartet

Uhor

Haven't really progressed with the aforementioned quartet much but I did composed a pretty little thing (Bagatelle being used just as a dismissive title) for string quartet entirely by ear.

https://soundcloud.com/richannes-wrahms/bagatelle-for-string-quartet-no2

Karl Henning

Very nice, nothing to dismiss about it.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Uhor

Another rather sketchy little thing I've written before I work into something more thorough.

https://soundcloud.com/richannes-wrahms/for-eight-instruments

MarkMcD

Hi Uhor,

Your work has a very cinematic feel, most of the pieces could work well in film, by that I mean they seem to have a narrative.  I like the unusual tonality, it's never jarring and unnecessarily aggressive.

Regards
Mark

Rons_talking

I like this piece! What really works is the use of ever-changing density. No long, boring, serial solo cadenzas, rather harmonies melding into other harmonies. Well-done.

Uhor

I wrote a little duet for Oboe and Viola, not really the best of me and quite rough in places but at least it's something finished.

https://soundcloud.com/richannes-wrahms/duo-for-oboe-and-viola

Uhor

In these times I've been doing some exercises "in the style of Palestrina" (to greater and lesser success)

https://soundcloud.com/richannes-wrahms/palestrina-excercises-1

https://soundcloud.com/richannes-wrahms/palestrina-exercises-2

and a little sketch of a cello piece.

https://soundcloud.com/richannes-wrahms/cello-sketch

shirime

The cello sketch is excellent, I hope you flesh this out into something really interesting. What are your plans for it?

Uhor

I used pitch multiplication to derive material from the initial row, I might use another row to keep expanding the piece or add a violin and make it a duo, whatever I end up doing I must keep in mind the different textural possibilities that would provide a clearer sense of form to the piece.

shirime

Hmm depends if you want a clear sense of form or not, though. Keeping options open regarding different textural possibilities sounds like a good thing.

Uhor

#18
I've expanded the sketch a bit but I'm not sure about it. I might have gone too chaotic in search of variety.

I consider it finished, with the possibility of recomposing it at a later date.

https://soundcloud.com/richannes-wrahms/for-cello

Uhor

I think I finished another solo piece, if I leave dynamics to the performer. Please tell me what you think.

https://soundcloud.com/richannes-wrahms/for-flute