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Author Topic: Uhor's desk  (Read 26319 times)

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Offline Mahlerian

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Re: Uhor's desk
« Reply #40 on: April 02, 2020, 06:52:41 AM »
It's much fuller than last time. I think you need a major contrast of some kind at this point, harmonic and textural.
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"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Offline Uhor

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Re: Uhor's desk
« Reply #41 on: April 03, 2020, 03:57:20 PM »
Thanks for listening, much appreciated advice though I may move on to another piece under different constraints like I usually do. Finding my voice and whatnot.
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Offline Uhor

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Re: Uhor's desk
« Reply #42 on: April 13, 2020, 08:14:01 PM »
I started yet another string quartet in a new rather dissonant style, might be only computer playable. Tell me what you think.

https://soundcloud.com/richannes-wrahms/broken-glass
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Offline Uhor

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Re: Uhor's desk
« Reply #43 on: April 14, 2020, 07:38:11 AM »
These are the counterpoint rules.

Melodically everything is allowed except the octave, the tritone and the outlining of triads.

Vertically:

A voice may enter on a soft dissonance.

No octave doubling is allowed.

Direct (and parallel) fifths are prohibited.

Soft dissonances are approached in contrary or oblique motion.

Hard dissonances only by oblique motion. (No parallel dissonances of the same type.)

No resolution required.
« Last Edit: April 17, 2020, 01:15:02 PM by Uhor »
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Offline Uhor

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Re: Uhor's desk
« Reply #44 on: April 17, 2020, 01:17:08 PM »
I've been hard at work with this, I think it is my best so far. I'd gladly recieve (more) criticisms so I can continue expanding it.

https://soundcloud.com/richannes-wrahms/concerto-for-6-musicians
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Offline Uhor

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Re: Uhor's desk
« Reply #45 on: April 25, 2020, 07:43:05 PM »
So I've expanded it and written some more parts over it. As always, commentaries would be excelent.

https://soundcloud.com/richannes-wrahms/chamber-concerto
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Offline Uhor

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Re: Uhor's desk
« Reply #46 on: April 30, 2020, 08:56:42 PM »
I've been working on this for a while now. It's a flute, english horn, bass clarinet, cello and double bass quintet. Pending revision/expansion.

https://soundcloud.com/richannes-wrahms/quintet
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Offline Uhor

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Re: Uhor's desk
« Reply #47 on: May 07, 2020, 08:34:36 PM »
A different mixed quintet finished.

https://soundcloud.com/richannes-wrahms/cloud-works
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Offline Uhor

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Re: Uhor's desk
« Reply #48 on: May 13, 2020, 11:01:06 AM »
The first quintet now finished.

https://www.youtube.com/watch?v=kncyPcmOit4
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Offline Mahlerian

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Re: Uhor's desk
« Reply #49 on: May 13, 2020, 12:05:26 PM »
Quote from: Uhor on May 13, 2020, 11:01:06 AM
The first quintet now finished.

https://www.youtube.com/watch?v=kncyPcmOit4

I think the best part is the winding-down staccato/pizzicato section at the end. It maintains a clearer direction than the rest of the piece and has an interesting texture.
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"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Offline Uhor

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Re: Uhor's desk
« Reply #50 on: May 13, 2020, 04:05:20 PM »
Spoken like a true Webernite; that bit came out better than expected "like a hide and seek game" said my father. I quite like the flute above low clarinet, cello and bass section.
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