Ormandy’s Bruckner is not intrinsically bad, but the constant legato, rather quick tempi and reluctance to observe real pauses make the music sound…oily. The fifth is probably Bruckner’s most ‘blocky’ structure. Its execution should emphasize big dynamic contrasts, raspy winds/brass tones and respect the silences between paragraphs. In that respect the exact opposite of Ormandy’s 5th is the Klemperer version(s).