Heard this week:
Symphony no 5. Otmar Suitner, Berlin Staatskapelle (Berlin Classics, 1990 recording). And another one by the BRSO under Sawallisch (Orfeo). I slightly prefer Suitner's orchestra and Berlin Classics' fabulous recording job. The maestro has some peculiar ideas about tempo, but in the end he carries the day with a very convincing performance. The Sawallisch is clearly more mainstream in terms of conception. An almost straussian reading (late Strauss, that is: Capriccio, not Frau ohne Schatten). Clear-headed, with incisive rythms and quite transparent textures. But slightly less well played and recorded. Not that it's deficient in any way, but the Berlin version is truly outstanding.