Bruckner's Abbey

Started by Lilas Pastia, April 06, 2007, 07:15:30 AM

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Mirror Image

Quote from: mjmosca on July 04, 2016, 03:10:33 AM
Thank you Sarge and Mirror Image - I appreciate your advice. I am certainly going to get the Jochum performance that you recommended, Sarge, and the Wand performance that you, Mirror Image recommended. I have their recordings of the Bruckner 9 and enjoy each very much. Thanks!

You're welcome. I hope you enjoy Jochum more than I do. Not that it matters to me as I don't like either of Jochum's 5th performances (or any of his Bruckner recordings for that matter), but which Jochum did you end up getting? DG or EMI (errr....Warner)? I seem to recall many people preferring Jochum's DG performances to his later ones with the Dresden Staatskapelle.

Mirror Image

Here's a challenge for some of my fellow Brucknerians, what are your favorite performance(s) of Symphonies 1-9?

No. 1 -
No. 2 -
No. 3 -
No. 4 -
No. 5 -
No. 6 -
No. 7 -
No. 8 -
No. 9 -

Autumn Leaves

Quote from: Mirror Image on July 04, 2016, 08:08:34 PM
Here's a challenge for some of my fellow Brucknerians, what are your favorite performance(s) of Symphonies 1-9?

I'll give it a shot:

No. 1 - Karajan
No. 2 - Jochum (EMI)
No. 3 - Tintner
No. 4 - Bohm
No. 5 - Celibidache (EMI)
No. 6 - Karajan
No. 7 - Karajan (VPO)
No. 8 - Celibidache (EMI)
No. 9 - Jochum (EMI)


Cato

Quote from: Mirror Image on July 04, 2016, 08:08:34 PM
Here's a challenge for some of my fellow Brucknerians, what are your favorite performance(s) of Symphonies 1-9?


0:)Eugen Jochum 0:) for all 9, followed by Guenter Wand on RCA for the Sixth, and Simon Rattle and the Berlin Philharmonic with the completed Ninth.

"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Karl Henning

Quote from: Cato on July 05, 2016, 03:05:09 AM
0:)Eugen Jochum 0:) for all 9, followed by Guenter Wand on RCA for the Sixth, and Simon Rattle and the Berlin Philharmonic with the completed Ninth.

Interesting.

As for John's query, I am too neophytely to presume to have an opinion.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

#2686
Quote from: Mirror Image on July 04, 2016, 08:08:34 PM
Here's a challenge for some of my fellow Brucknerians, what are your favorite performance(s) of Symphonies 1-9?


Why leave out Die Nullte?

No. 0 - BLUNIER/BEETHOVEN O BONN
           MAAZEL/SOBR

No. 1 - WAND/KÖLNER RSO (VER.1891)
           TINTNER/ROYAL SCOT (UNREVISED 1866)
           MAAZEL/SOBR (VER.1877)

No. 2 - BARENBOIM/BERLIN PHIL
           STEIN/VIENNA

No. 3 - CELIBIDACHE/MUNICH (VER.1889)
           SZELL/CLEVELAND (SCHALK 1890)
           NAGANO/DSO BERLIN (ORIG.VER.1873)

No. 4 - KARAJAN/BERLIN PHIL (EMI)
          JOCHUM/DRESDEN

No. 5 - DOHNÁNYI/CLEVELAND
           JOCHUM/CONCERTGBOUW

No. 6 - KLEMPERER/NEW PHILHARMONIA
           DAVIES/BRUCKNER O LINZ
           NORRINGTON/STUTTGART

No. 7 - CHAILLY/RSO BERLIN

No. 8 - MAAZEL/BERLIN PHIL
           CELIBIDACHE/MUNICH

No. 9 - GIULINI/VIENNA
           HAITINK/CONCERTGEBOUW (1981 recording)
           JOCHUM/DRESDEN
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

Quote from: Sergeant Rock on July 05, 2016, 03:44:01 AM

Why leave out Die Nullte?

No. 0 - BLUNIER/BEETHOVEN O BONN

No. 1 - WAND/KÖLNER RSO (VERS.1891)
           TINTNER/ROYAL SCOT (UNREVISED 1866)
           MAAZEL/MUNICH (VER.1877)

No. 2 - BARENBOIM/BERLIN PHIL
           STEIN/VIENNA

No. 3 - CELIBIDACHE/MUNICH (VER.1889)
           SZELL/CLEVELAND (SCHALK 1890)
           NAGANO/DSO BERLIN (ORIG.VER.1873)

No. 4 - KARAJAN/BERLIN PHIL (EMI)
          JOCHUM/DRESDEN

No. 5 - DOHNÁNYI/CLEVELAND
           JOCHUM/CONCERTGBOUW

No. 6 - KLEMPERER/NEW PHILHARMONIA
           DAVIES/BRUCKNER O LINZ
           NORRINGTON/STUTTGART

No. 7 - CHAILLY/RSO BERLIN

No. 8 - MAAZEL/BERLIN PHIL
           CELIBIDACHE/MUNICH

No. 9 - GIULINI/VIENNA
           HAITINK/CONCERTGEBOUW (1981 recording)
           JOCHUM/DRESDEN

Most interesting, thank you.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

Quote from: Conor248 on July 04, 2016, 11:16:20 PM
No. 3 - Tintner

Tintner and the Scots are magnificent here (the original version of the D minor). I had a hard time choosing between his and Nagano's Third. In the end I flipped a coin  ;)

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Heck148

Quote from: Mirror Image on July 04, 2016, 08:08:34 PM
Here's a challenge for some of my fellow Brucknerians, what are your favorite performance(s) of Symphonies 1-9?

No. 3 - Solti/CSO, Barenboim/CSO
No. 4 - Walter/ColSO, Barenboim/CSO
No. 5 - Solti/CSO
No. 6 - Solti/CSO
No. 7 - von Matacic/CzPO, Solti/CSO, Walter/ColSO
No. 8 - Solti/CSO
No. 9 - Solti/CSO, Walter/ColSO, Barenboim/CSO, von Matacic/CzPO

Mirror Image

Here are mine (for now):

No. 1 - Sawallisch/Bavarian State Orch., HvK/Berliners
No. 2 - Inbal/Franfurt RSO
No. 3 - Kubelik/Bavarian RSO
No. 4 - Bohm/Wiener Phil., Wand/Berliners
No. 5 - HvK/Berliners, Haitink/Bavarian RSO
No. 6 - Sawallisch/Bavarian State Orch., HvK/Berliners
No. 7 - Skrowaczewski/Saarbrucken RSO, HvK/Berliners (DG)
No. 8 - HvK/Berliners (DG), Wand/Berliners, Boulez/Wiener Phil.
No. 9 - Wand/Berliners, Giulini/Wiener Phil.

Dancing Divertimentian

I'm with Cato: Jochum's Dresden cycle rocks!!

For me:

1: Chailly
2: Jochum/Dresden
3: Nagano/DSO Berlin
    Kubelik/Bavarian Radio
4: Blomstedt/San Francisco (the San Franciscans really play their hearts out!)
5: Dohnanyi
6: Chailly
    Nagano/DSO Berlin
7: Blomstedt/Dresden
    Dohnanyi
8: Boulez
9: Kubelik/Bavarian Radio


Veit Bach-a baker who found his greatest pleasure in a little cittern which he took with him even into the mill and played while the grinding was going on. In this way he had a chance to have the rhythm drilled into him. And this was the beginning of a musical inclination in his descendants. JS Bach

Drasko

2 - Stein VPO
3 - Sinopoli Dresden, Bohm VPO
4 - Bohm VPO
5 - Sinopoli Dresden
6 - Stein VPO, Gielen Baden-Baden
7 - Matacic CzPO
8 - Schuricht VPO, Furtwangler VPO, Bohm VPO
9 - Mehta VPO, Furtwangler BPO, Kubelik BRSO

Drasko

Quote from: jlaurson on July 06, 2016, 12:53:24 AM
Speaking of Drasko: Did I get your Furtwangler Choces right? With him, it's always a bit tricky in Bruckner, given the many non-official and officialish recordings that are out there.

Yes, I think you did. The VPO 8th is the 17.10.1944 recording and the 9th is the only one there is, 7.10.1944 with BPO. I have them in those pastel DG Furtwangler boxes.

jlaurson

Quote from: Draško on July 06, 2016, 10:52:11 AM
Yes, I think you did. The VPO 8th is the 17.10.1944 recording and the 9th is the only one there is, 7.10.1944 with BPO. I have them in those pastel DG Furtwangler boxes.

With the Ninth, it's easy: There's only one recording, as it turns out. If you have them in Universal boxes, then I'm right about the 8th, too... the '49 recording is on EMI and the '54 recording was never released on a major label.

Cato

Quote from: Sergeant Rock on July 05, 2016, 04:23:08 AM
Tintner and the Scots are magnificent here (the original version of the D minor). ...
Sarge

Yes, an excellent performance which makes a good case for the original version!

Quote from: Dancing Divertimentian on July 05, 2016, 05:32:51 PM
I'm with Cato: Jochum's Dresden cycle rocks!!


The usual wisdom calls the Dresden orchestra "raw" or less polished, but even if one hears such a nature in the orchestra, it lends a certain power to the cycle.

And not to be forgotten:

"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

André

#2696
I don't know "00" well enough to suggest there might be a top contender among the select few who recorded it.

*** is the separator from one version to the other, no indicator of a particular quality.

- "0" : Marriner, Stuttgart Radio s. O. *** Haitink, RCOA
- 1: After 40 years of listening to it (one of my fav Bruckners), Haitink RCOA stil comes up on top. *** Neumann, Leipzig Gewandhaus.
- 2: Zender, SWF Baden-Baden *** Stein, WP   *** Karajan, BP
- 3: Böhm, WP, *** Nézet-Séguin (one of his few interesting interpretations), ***Kubelik BRSO,  ***Haitink RCOA
- 4: Barenboim CSO, *** Klemperer BRSO, ***Celibidache MPO, ***Kubelik BRSO, ***Rögner, BerlinRSO, ***Konwitschny, ***Suitner Berlin RSO
- 5: Klemperer NPO, ***Wand NDRSO, ***Suitner Berlin RSO
- 6: Klemperer (NPO), ***Bongartz, ***Stein WP, ***Keilberth BP, ***Rögner, ***Swoboda, ***Leitner (2 versions)
- 7: Blomstedt Dresden, ***Schuricht (The Hague or Berlin PO), ***Giulini or ***Böhm in Vienna
- 8: any of at least ten, including Jochum in Bamberg (1982), ***Haitink RCOA 1969 (yes!), ***Celibidache MPO (more than one), ***Klemperer NPO, ***Schuricht WP, ***Böhm WP (my favourite), ***Furtwängler BPO, etc. Even Prêtre, various Wands and Karajan WP (overrated but still very impressive)
- 9: Walter, ***Leitner, ***Klemperer, ***Mehta, ***Rögner, ***Kubelik (Berlin PO), Keilberth (Hamburg and Berlin) and many others.

I have hundreds of Bruckner discs in my collection, and my taste tends to vary. Generally speaking I favour swift, direct, abrasive, no-nonsense conducting, but occasionally welcome expansive, ruminative, morose performances as long as they don't stint on the power and gravitas.

mc ukrneal

I don't do much comparative Bruckner listening. But I have heard several 9ths (and 6ths from the blind listening) and I would add a vote for the '81 Haitink. It's a phenomenal recording. In this, I agree whole-heartedly with Sarge.
Be kind to your fellow posters!!

Daverz

Quote from: jlaurson on July 06, 2016, 12:53:24 AM
No. 4 - Böhm WPh (x4)

Beautiful sounding as this is, I'm not sure this one has ever really grabbed me the way the Klemperer/BRSO does.   

jlaurson

Quote from: André on July 06, 2016, 08:27:25 PM
I don't know "00" well enough to suggest there might be a top contender among the select few who recorded it.

*** is the separator from one version to the other, no indicator of a particular quality.

- "0" : Marriner, Stuttgart Radio s. O. *** Haitink, RCOA
- 1: After 40 years of listening to it (one of my fav Bruckners), Haitink RCOA stil comes up on top. *** Neumann, Leipzig Gewandhaus.
- 2: Zander, Philharmonia *** Stein, WP   *** Karajan, BP
- 3: Böhm, WP, *** Nézet-Séguin (one of his few interesting interpretations), ***Kubelik BRSO,  ***Haitink RCOA
- 4: Barenboim CSO, *** Klemperer BRSO, ***Celibidache MPO, ***Kubelik BRSO, ***Rögner, BerlinRSO, ***Konwitschny, ***Suitner Berlin RSO
- 5: Klemperer NPO, ***Wand NDRSO, ***Suitner Berlin RSO
- 6: Klemperer (NPO), ***Bongartz, ***Stein WP, ***Rögner, ***Swoboda
- 7: Blomstedt Dresden, ***Schuricht (The Hague or Berlin PO), ***Giulini or ***Böhm in Vienna
- 8: any of at least ten, including Jochum in Bamberg (1982), ***Haitink RCOA 1969 (yes!), ***Celibidache MPO (more than one), ***Klemperer NPO, ***Schuricht WP, ***Böhm WP (my favourite), ***Furtwängler BPO, etc. Even Prêtre, various Wands and Karajan WP (overrated but still very impressive)
- 9: Walter, ***Klemperer, ***Mehta, ***Rögner, ***Kubelik (Berlin PO), and many others.

I have hundreds of Bruckner discs in my collection, and my taste tends to vary. Generally speaking I favour swift, direct, abrasive, no-nonsense conducting, but occasionally welcome expansive, ruminative, morose performances as long as they don't stint on the power and gravitas.

So as not to skew the tally, could I ask you to indicate THREE performances per symphony (where you have listed more) that you'd particularly want counted/think are particularly special? (i.e. as above)