What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Harry

#122040
WILLIAM LAWES(1602–1645)
CONSORTS TO THE ORGAN.
See back cover for details.
A Guide to the Perplexed
Phantasm.
Recorded: 2011.


A winner on all counts. Lawes his works broke with musical rules and listening habits of his time, but with their contrapuntally processed thematic constructions, often sprawling harmonies, and a voice leading that is distributed over several instruments. Fantastic performances and SOTA sound. A Lawes disc that should be in every collection. I would say a Reference interpretation.

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Madiel

#122041
Dvorak: String Quartet in A flat, op.105



My only resentment of Jamil Burghauser is that he caused this to be called "no.14" and op.106 "no.13"...

EDIT: I think I appreciate the A flat quartet a lot more now. It's less immediate in its appeal than its G major companion, and so it used to suffer when playing them together. The tempo changes in the 1st movement now feel really natural, the rhetoric makes sense.
Nobody has to apologise for using their brain.

Traverso


Madiel

I'm listening to Paderewski's piano concerto just before I go to bed, and liking it very much.

(Antoni Wit as conductor again, don't ask me about the soloist right now!) edit: Janina Fialkowska.
Nobody has to apologise for using their brain.

Brian

Quote from: Madiel on January 10, 2025, 02:04:25 AMI really went for Antoni Wit recordings in the course of the day.

All of this was reasonably good to listen to without any of it really grabbing me. It was interesting to hear a couple of earlier Lutosławski works and I found them slightly more engaging, but then of course I realised they probably weren't all that characteristic. The Moskowski "From Foreign Lands" is rather colourful and probably the most fun listen here. Wieniawski's 2nd violin concerto is quite good.
A day with Antoni Wit is a good day. Wieniawski's Second is one of the forgotten romantic gems that has fallen out of core rep that I'd most like to see back in (Bruch 1 should not hog all the glory!). I too find Lutoslawski's uncharacteristic earlier period to be my favorite - the Concerto for Orchestra, Little Suite, Symphony No. 1, Dance Preludes, Paganini Variations for two pianos, Piano Sonata...I have forgotten the Symphonic Variations and will use this as a reminder to try them again.

Harry

Giovanni Felice Sances, (ca 1600-1679)
Dulcis amor Jesu.
Motetti- a 1,2,3,4 voci.
Scherzi Musicali.
Recorded: église de Sart-lez-Spa, 2009.


The singers of the Scherzi Musicali emphasize the compositional structure of this composer through unaffected performance and clear balance amongst them. That's a huge plus in my ears. The presence and beauty of their interpretation is startlingly beautiful, not to say gorgeous, and shows what a fabulous composer Sances actually was. And then the abundance of instruments used to realize the basso continuo is also awesome. And last but not least you got SOTA sound too. Impressive.

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

ChamberNut

Quote from: Madiel on January 10, 2025, 04:46:23 AMI'm listening to Paderewski's piano concerto just before I go to bed, and liking it very much.

(Antoni Wit as conductor again, don't ask me about the soloist right now!) edit: Janina Fialkowska.

Yup, Janina is a Canadian pianist. I have the same recording.
Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Brian

Quote from: Franco_Manitobain on January 10, 2025, 06:03:12 AMYup, Janina is a Canadian pianist. I have the same recording.
This is reminding me of the days as a kid when I listened to CBC Radio and they tried to play as many Canadian artists as possible - Norbert Kraft, Janina Fialkowska, Marc-Andre Hamelin, the Vancouver Symphony...

ChamberNut

Quote from: Brian on January 10, 2025, 06:12:44 AMThis is reminding me of the days as a kid when I listened to CBC Radio and they tried to play as many Canadian artists as possible - Norbert Kraft, Janina Fialkowska, Marc-Andre Hamelin, the Vancouver Symphony...

I miss those days. In my exploration infancy, I learned a lot from CBC Radio II. At that time, they had terrific and nearly all day classical music programming.
Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Spotted Horses

Krenek, String Quartet No 8. Just weird.



Martinu, some pieces from the Koukl solo piano music series, Volume II



Spring in the Garden, Butterflies and Birds of Paradise, The Fifth Day of the Fifth Moon. The latter brief piece is pure magic.

Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

AnotherSpin


Karl Henning

Quote from: Spotted Horses on January 10, 2025, 06:54:24 AMMartinu, some pieces from the Koukl solo piano music series, Volume II



Spring in the Garden, Butterflies and Birds of Paradise, The Fifth Day of the Fifth Moon. The latter brief piece is pure magic.


Yes!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Traverso


Traverso


André



The concerto is played by Paul Tortelier. Gerontius is sung by Heddle Nash. I'll write a comment oh the performances in the Elgar thread. Briefly: the concerto is one of the best performances ever (and sounds great even if over 70 years old). There are reasons why this Gerontius from 1945 is a classic, even though it's not the last word in terms of singing and (obviously) sound.

71 dB

Live on TV:

Radion sinfoniaorkesterin konsertti, Musiikkitalo. Yle Teema & Fem

Claude Debussy - Prélude à l'après-midi d'un faune
Claude Debussy - La Mer
Richard Wagner - Prelude and Liebestod from Tristan und Isolde
Richard Wagner - Suite from Die Meistersinger von Nürnberg

Finnish Radio Symphony Orchestra
Sir Mark Elder, conductor
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

Mandryka

#122056
Quote from: Traverso on January 10, 2025, 08:13:03 AMPachelbel







Here's my favourite Pachelbel Tone 1 fugues, by far.

https://www.youtube.com/watch?v=fLcvmswgqog
Wovon man nicht sprechen kann, darüber muss man schweigen

Linz

Bruckner Symphony No. 3 in D Minor, 1890 Thorough revision Bruckner with Joseph and Franz Schalk Ed. Theodor Raettig, Cleveland Orchestra, George Szell

Number Six


Lisztianwagner

Béla Bartók
The Miraculous Mandarin

Pierre Boulez & Chicago Symphony Orchestra


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg