What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Que

Quote from: Mandryka on February 23, 2025, 12:44:13 AMFor me it helps to orientate yourself around the caesura in each motet. But really, I don't rate this sort of post- Josquin music very highly. Too academic. And it's certainly not suited to a whole CD IMO, one motet in a programme more like.

And this ensemble did 6 discs of his motets!  :laugh:

Karl Henning

Quote from: Que on February 22, 2025, 11:13:26 PM

Nicolas Gombert liked his polyphony complex and dense...

The challenge of listening can be either very satisfying or off putting.

Advanced Early Music listening, I'd say. :)
Back to the Future!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Que

Quote from: Traverso on February 23, 2025, 08:45:26 AMStravinsky



I got that set in the nick of time, but still have to break it in... ::)

Traverso

Quote from: Que on February 23, 2025, 08:53:15 AMI got that set in the nick of time, but still have to break it in... ::)

Chailly is a fine Stravinsky conductor. :)

Que

Quote from: Traverso on February 23, 2025, 08:57:06 AMChailly is a fine Stravinsky conductor. :)

I know! I heard some of it live at the Concertgebouw back in the day, the main reason why I purchased this set.

Karl Henning

Quote from: Iota on February 23, 2025, 05:27:15 AM

Hindemith: Kammermusik No.1, Op.24 No.1
Royal Concertgebouw Orchestra, Chailly


The opening with heavy hints of Stravinsky's Petrushka such a great start to this wild, razzmatazz-y trip, the oasis-like refuge from the mayhem in the slow movement a lovely thing, and the whole piece just fizzing with creative energy.
Thanks. High time I listened to this again!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Cato on February 23, 2025, 06:45:36 AMUntil I attended a 7th and 8th grade Honors Musicians Concert yesterday, (over 150 students ages 12-14 from our semi-rural region were performing in choirs and orchestras) I had never heard of Pavel Chesnokov !

The student orchestra performed a version of his Salvation is Created:





An incredible work for Basso Profundo, at one point the music sinks to the note G1 for the Bass soloist!

Oh, haven't heard this in an age,either!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

SonicMan46

Danzi, Franz - Bassoon Concertos w/ Jane Gower and the Kölner Akademie/Michael Willens, all period instruments - a new WAV DL from Prestomusic which came with the booklet (notes written well by Gower); her bassoon is a copy by David Mings (Amsterdam) of Biihner Et Keller. Strasbourg, ca. 1806.  Dave

 

Karl Henning

Thanks to the R-K thread, this is a test:

Nikolai Rimsky-Korsakov
Symphony № 1 in e minor, Op. 1
Bergen Phil
Dmitri Kitaenko
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

brewski

Quote from: ritter on February 22, 2025, 06:48:23 AMAt two hours, it's as if Stravinsky's Rite of Spring and much  of Varèse's work had somehow merged and expanded. And it's a must for anyone who likes OTT percussion writing.

Quite wonderful!


As a fan of OTT percussion writing, *raises hand.*

Thanks, despite being a Rihm fan, never heard this piece, and sounds like a must.
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

VonStupp

George Lloyd
Piano Concerto 1 'Scapegoat'
Piano Concerto 2

Martin Roscoe, piano
BBC PO - George Lloyd

Lloyd at his most volatile and explosive.
VS

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Madiel

Quote from: Der lächelnde Schatten on February 23, 2025, 06:29:54 AMA truly lovely set. I need to get back to listening to it. I should've bought the Schubert Hyperion set when it was still in-print, but my love for this composer hadn't quite reached its apex, so I stupidly passed on it. But that's okay, the Matthias Goerne set of various Schubert lieder on Harmonia Mundi has been incredibly enriching.

I never persuaded myself to go for the Schubert set. To be honest I don't find Schubert Lieder as engaging as Schumann. Although it might also be I don't want more Graham Johnson and his liner notes in my life...

I do want to try the Goerne sometime.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

hopefullytrusting

The score from Minding the Gap: minimalistic, stark, heart-wrenching, beautiful.


vandermolen

#124594
Copland: Statements for Orchestra
I do not know a better performance of Copland's 3rd Symphony than the one featured here.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Karl Henning

Quote from: Karl Henning on February 23, 2025, 10:29:08 AMThanks to the R-K thread, this is a test:

Nikolai Rimsky-Korsakov
Symphony № 1 in e minor, Op. 1
Bergen Phil
Dmitri Kitaenko
I like this fine.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Linz

#124596
Wolfgang Amadeus Mozart Mozart Szell Original Jacket Cleveland Orchestra CD3, Symphony No. 4o in G minor, K. 550, Symphony No. 41 in C Major, K. 551 "Jupiter", The Impresario Overture, K. 486,  Georg Szell

Lisztianwagner

Johann Sebastian Bach
Orchestral Suites

Ton Koopman & Amsterdam Baroque Orchestra


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Karl Henning

Again:

Quote from: Karl Henning on February 23, 2025, 10:29:08 AMNikolai Rimsky-Korsakov
Symphony № 1 in e minor, Op. 1
Bergen Phil
Dmitri Kitaenko
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot