What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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JBS


CD 6


Which includes
Rapsodia EspañolaT16
Orchestral Version
NavarraT106
Completed by Pilar Bayona
Piano Sonata No. 5T85
Troisème Suite AncienneT76
AzulejosT107
Completion by Granados with new ending by the pianist
Piano Concerto No 1 "Concierto Fantástico"Torres 17

Hollywood Beach Broadwalk

hopefullytrusting

Quote from: hopefullytrusting on March 17, 2025, 03:57:12 PMBrahms, Op. 116



Good Brahmsian pianism is difficult to find, or at least what I am looking for. Too much of the Brahms pianists, I've heard, are far too romantic, which makes sense given his era, and some of his works are definitely romantic, but his last piano works require a different touch - one in which each finger can act independently of all the others. I think, sometimes, his late work gets lumped in with the "lyrical" movement of that period (Grieg, Medtner, etc.), but I view it much more in line with the late piano sonatas of Beethoven (not in scope, obviously, but in style), but this recording has a great set of op. 116 - concise and precise.

High recommendation. :)

Found the perfect Brahms late set for me: Koroliov (but, and this will sound funny, I think the price is too steep for a digital download, lol).

Der lächelnde Schatten

Quote from: Karl Henning on March 14, 2025, 06:55:16 AMThose early one-act operas are a blast!

I agree, Karl! Fun pieces for sure.

Der lächelnde Schatten

NP:

Adams
The Wound-Dresser
Georg Nigl, baritone
Berliner Philharmoniker
Kirill Petrenko


From this set -


Der lächelnde Schatten

NP:

Stenhammar
String Quartet No. 4 in A minor, Op. 25
Stenhammar Quartet



Der lächelnde Schatten

Closing the night out with two back-to-back works from Prokofiev:

Piano Concerto No. 5 in G, Op. 55
Vladimir Krainev, piano
Frankfurt RSO
Kitajenko


From this set -



Piano Sonata No. 5 in C major, Op. 38
Matti Raekallio, piano


From this set -


Madiel

Mozart: Davide penitente



In a move worthy of Bach, a lot of the music in this cantata is re-used from the (unfinished) Mass in C minor, plus a couple of newly composed arias. Which raises lots of interesting questions. Did Mozart re-use the music because he knew he was never going to finish the mass? Did he only decide not to finish the mass after he used the music here?

Apparently nobody really knows. Though it wouldn't surprise me if Mozart worked on the mass (some of which was performed) before realising that he didn't really have a market for one in Vienna.
Nobody has to apologise for using their brain.

Harry

Quote from: foxandpeng on March 17, 2025, 04:55:54 PMSergei Prokofiev
Symphony 4
Neeme Jarvi
Scottish National Orchestra


I like Prokofiev's symphonies under Jarvi.

Me too, the moment this series was released I bought them.....
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

AnotherSpin

Quote from: Mandryka on March 17, 2025, 08:12:25 AMI've just made another discovery where I sense a masterpiece - Ave Maris Stella. The ending is so extraordinary that it makes me want to listen to the whole thing again straight away.

Strange coincidences happen. The moment I opened the forum and read this message, Ave Maris Stella was playing in my room — but Josquin's (Cappella Pratensis).

Que

#125789


Early 12th century music from the Codex Calixtinus. The interesting thing with Medieval music is that the various approaches by performers can be very different indeed, so the choice is very much up to personal preferences!

https://www.classicalacarte.net/HarmoniaGold/Fanfare/HMG507156_fanfare.htm

Mandryka

Quote from: AnotherSpin on March 17, 2025, 11:44:08 PMStrange coincidences happen. The moment I opened the forum and read this message, Ave Maris Stella was playing in my room — but Josquin's (Cappella Pratensis).

 Synchronicity
Wovon man nicht sprechen kann, darüber muss man schweigen

Traverso

Hildegard von Bingen

Ave Maria O Autrix Vite
Responsorium

I think this is the most beautiful thing I have heard from Hildegard.
In all its apparent simplicity it evokes in me an image of an imperishability to which you can surrender. The creation in which we may be partakers for a moment.

 

Traverso

Charpentier


David & Jonathas


Madiel

Haydn: Missa Sancti Bernardi von Offida, also known as the 'Heiligmesse'

Nobody has to apologise for using their brain.

Madiel

Poulenc: Mass in G major



I'm fairly sure this is a first ever listen. Poulenc's choral style is very interesting.
Nobody has to apologise for using their brain.

AnotherSpin

Quote from: Mandryka on March 18, 2025, 01:18:48 AMSynchronicity

It is possible. The question is whether:

a) this emerging manifestation is a simultaneous expression of the same underlying process,

or

b) the connection, imbued with profound meaning, arises solely within our perception?

Mandryka

Quote from: AnotherSpin on March 18, 2025, 03:14:54 AMIt is possible. The question is whether:

a) this emerging manifestation is a simultaneous expression of the same underlying process,

or

b) the connection, imbued with profound meaning, arises solely within our perception?

Have you read Slavoj Žižek on Edgar Allan Poe's The Purloined Letter?
Wovon man nicht sprechen kann, darüber muss man schweigen

ChamberNut

Quote from: Madiel on March 17, 2025, 05:16:10 PMNow, I haven't listened to these for a very long time. Since 2011.

Books 1 and 2 (the first 10 dances).



I want to get a piano duet version.

Why not get the whole enchilada?  :)





Formerly Brahmsian, OrchestralNut and Franco_Manitobain

Madiel

Quote from: ChamberNut on March 18, 2025, 04:14:55 AMWhy not get the whole enchilada?  :)







Because the legitimate piano duet works occupy only a couple of discs. Unlike the people of the 19th century, I can easily import an orchestra or chamber group into my house for listening.
Nobody has to apologise for using their brain.

Madiel

#125799
Alicia de Larrocha.



This album had different names in some countries. It has music by Halffter, Surinach, Nin-Culmell, Mompou and Montsalvagte.

All of which I have on one of the Decca 2-disc sets that I bought, but it's interesting to hear it in the original context. The order is different, and of course 48 minutes of music leaves a different impression to 137 minutes. I already think that Halffter is making a better impression as an opening act.

EDIT: Gosh, this is highly enjoyable.
Nobody has to apologise for using their brain.