What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

Previous topic - Next topic

0 Members and 7 Guests are viewing this topic.

ritter

Let's not stray further off-topic, please. Thanks!
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

brewski

Ives: Three Places in New England (Ormandy/Philadelphia, recorded 1964). From this recording, I'd heard the Copland before but not the Ives, and it's quite something. Not many conductors were doing Ives in the 1960s — Bernstein comes to mind, of course.

Anyway, a superb performance. The middle movement, "Putnam's Camp, Redding, Connecticut" is a riot.
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

AnotherSpin

I daresay I may have rather overdone it with organ versions of late, or perhaps there's another reason, but I do find Mr. Power Biggs's take on the pedal harpsichord a bit hard to warm to. Still, I've no intention of giving up just yet.


Madiel

Mozart: K.512 and K.513 are both concert arias for bass. They were written only a few days apart but apparently for different singers.

Nobody has to apologise for using their brain.

Florestan

Quote from: Madiel on May 10, 2025, 05:06:46 AMMozart: K.512 and K.513 are both concert arias for bass. They were written only a few days apart but apparently for different singers.



My favorite bass concert aria of Mozart, actually quite possibly my favorite concert aria by Mozart period, is Per questa bella mano KV 612, with obbligato double bass.
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

prémont

Quote from: AnotherSpin on May 10, 2025, 03:27:33 AMThe SQ is impeccable, with excellent clarity and balance, perfectly capturing the delicate interplay of the three independent lines.



Thanks for mentioning this excellent recording which I have given far too little attention.
Reality trumps our fantasy far beyond imagination.

prémont

Quote from: AnotherSpin on May 10, 2025, 04:58:54 AMI daresay I may have rather overdone it with organ versions of late, or perhaps there's another reason, but I do find Mr. Power Biggs's take on the pedal harpsichord a bit hard to warm to. Still, I've no intention of giving up just yet.


It's a bit laboured IMO. Try this instead:

https://www.baroquemusic.org/759Web.html

Reality trumps our fantasy far beyond imagination.

Roasted Swan

Quote from: brewski on May 10, 2025, 04:45:08 AMIves: Three Places in New England (Ormandy/Philadelphia, recorded 1964). From this recording, I'd heard the Copland before but not the Ives, and it's quite something. Not many conductors were doing Ives in the 1960s — Bernstein comes to mind, of course.

Anyway, a superb performance. The middle movement, "Putnam's Camp, Redding, Connecticut" is a riot.

Morton Gould - 1966

Leopold Stokowski - 1965

Madiel

Quote from: Florestan on May 10, 2025, 05:14:40 AMMy favorite bass concert aria of Mozart, actually quite possibly my favorite concert aria by Mozart period, is Per questa bella mano KV 612, with obbligato double bass.

I'll let you know when I get to it.  ;D To be honest I'm tending to do the Mozart chronology faster than most, especially now that I'm in the Vienna period.
Nobody has to apologise for using their brain.

brewski

Quote from: Roasted Swan on May 10, 2025, 05:29:48 AMMorton Gould - 1966

Leopold Stokowski - 1965


Oh of course, the Stokowski! And might not have been aware of the Gould. Thanks for the memory jog.
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Selig

Quote from: prémont on May 10, 2025, 05:24:31 AMIt's a bit laboured IMO. Try this instead:

https://www.baroquemusic.org/759Web.html

Who is Lorenz Mikulas? Google doesn't find anything on him.

Madiel

#129211
Mozart: String Quintet no.3 in C major, K.515



This and no.4 are really BIG chamber works, on the sort of scale I'd expect more from the Romantic period.

Allegedly this one was part of the inspiration for Schubert's own, even bigger quintet in the same key.

EDIT: Great recording, but I'd forgotten how silly the liner notes are. I own a couple of La Dolce Volta releases that I can recall, and they both have booklets that are vapid.
Nobody has to apologise for using their brain.

Der lächelnde Schatten

Now playing Beethoven Piano Sonata No. 31 in A-flat, Op. 110


Dry Brett Kavanaugh

Bloch: Israel, Nigun, and Schelemo. Evgeny Svetlanov & Russian State Symphony Orchestra.





prémont

Quote from: Selig on May 10, 2025, 05:47:01 AMWho is Lorenz Mikulas? Google doesn't find anything on him.

I think it's a faked name. Baroque music club has listed fake performers before. Concerning the recording I haven't found it elsewhere.
Reality trumps our fantasy far beyond imagination.

Der lächelnde Schatten

Now playing Debussy Prélude à l'Après-midi d'un faune



This recording comes from earlier in Nézet-Séguin's career. Beautiful interpretation and performance of an oft-recorded masterpiece.

VonStupp

FJ Haydn
Symphony 40 in F Major
Symphony 41 in C Major
Symphony 42 in D Major
Austro-Hungarian HO - Ádám Fischer

I am excited to move on to Haydn's middle-style symphonies.
VS

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Der lächelnde Schatten

Now playing Enescu Chamber Symphony, Op. 33


Roasted Swan

Quote from: brewski on May 10, 2025, 05:41:01 AMOh of course, the Stokowski! And might not have been aware of the Gould. Thanks for the memory jog.

The Gould is very good - a premiere recording too I think....?

Roasted Swan

Quote from: brewski on May 10, 2025, 05:41:01 AMOh of course, the Stokowski! And might not have been aware of the Gould. Thanks for the memory jog.

I just checked - Harold Farberman's cycle of the symphonies on Vox was late 60's too....