What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Madiel

Today's home office listening included the next 2 Vivaldi Naive albums. Pleasing without being anything truly remarkable I think.



Still considering whether the pretty covers, the good documentation (certainly from what I've seen of the operas in particular) and my obsession for sets might lead me to pursue all the volumes of this series...
Nobody has to apologise for using their brain.

Tsaraslondon



Tonus Peregrinus - Antony Pitts
\"A beautiful voice is not enough.\" Maria Callas

Carlo Gesualdo

Hello dear folks I,m listening to three new purchase, very good Franco-Flemish stuff.

Now Johannes Regis
-missa Ancilla Domini-
-missa Sum sacrum mysterium-
Kevin Moll Schola Discantu, release in 2000

After this Johannes Prioris
Requiem and Missa super ''Allez regrets'' ensemble Daedalus & Roberto Festa, release in 2004

Than finally Philippe Rogier Missa Domine Dominus/ Matheo Romero anotther Missa + motets and magnificat Coeur de Chambre  de Namur, release 2008

Awesome release for sure did not knew the first two composer so far, this is so exiting, yep, have a nice day!!!

Mandryka

#13763
Quote from: deprofundis on April 01, 2020, 12:36:19 AM
Hello dear folks I,m listening to three new purchase, very good Franco-Flemish stuff.

Now Johannes Regis
-missa Ancilla Domini-
-missa Sum sacrum mysterium-
Kevin Moll Schola Discantu, release in 2000

After this Johannes Prioris
Requiem and Missa super ''Allez regrets'' ensemble Daedalus & Roberto Festa, release in 2004

Than finally Philippe Rogier Missa Domine Dominus/ Matheo Romero anotther Missa + motets and magnificat Coeur de Chambre  de Namur, release 2008

Awesome release for sure did not knew the first two composer so far, this is so exiting, yep, have a nice day!!!

See if you can get this, I like it very much. It used to be pretty easy to find and inexpensive, maybe not any more. It comes with a good booklet too.



https://www.discogs.com/Johannes-RegisClerks-Group-Edward-Wickham-Opera-Omnia/release/11950523
Wovon man nicht sprechen kann, darüber muss man schweigen

Tsaraslondon



This Mahler 1st has always been a top contender and is still an excellent choice even if it has been superseded in sonic terms at least. That said there are no real complaints about the 1968 sound.

Fischer-Dieskau's wonderful performance of the Wayfarer songs makes an apt coupling.
\"A beautiful voice is not enough.\" Maria Callas

Que


Madiel

Shostakovich, Dances of the Dolls



A heck of a lot sweeter than other things on this album!
Nobody has to apologise for using their brain.

Traverso


Harry

From the SEON box. CD 68/69.

Mozart.

Violin Concertos, K 207 & 211.
Concertante Movements, five of them for Violin and miscellaneous instruments.

Jaap Schroder, Violin.Mozart Ensemble Amsterdam, Frans Bruggen.


Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Madiel

Nobody has to apologise for using their brain.

Madiel

Faure, op.104 piano pieces (Nocturne no.11 and Barcarolle no.10)



Some of his bleakest music I think.
Nobody has to apologise for using their brain.

Tsaraslondon



Lucia Popp (soprano), Gerhard Unger (tenor), Raymond Wolansky & John Noble (baritones)
New Philharmnia Chorus, Wandsworth School Boys' Choir
New Philharmonia Orchestra - Rafael Frühbeck de Burgos

Not a particular favourute work of mine but I like to get it out for an airing from time to time. I've always had a soft spot for this recording, and Lucia Popp is aboslutely divine in the soprano solos.
\"A beautiful voice is not enough.\" Maria Callas

vers la flamme



Dmitri Shostakovich: Symphony No.10 in E minor, op.93. Vasily Petrenko, Royal Liverpool Philharmonic Orchestra

Trying again with the Shostakovich 10th.

Biffo

Alban Berg: Concerto for Violin and Orchestra "To the Memory of an Angel"  - Isabelle Faust Violin with the Berlin Philharmonic Orchestra conducted by Claudio Abbado - more from the Digital Concert Hall

aligreto

Mozart: Don Giovanni [Bohm]


   

Biffo

Quote from: aligreto on April 01, 2020, 04:39:23 AM
Mozart: Don Giovanni [Bohm]


   

I have that set - yours looks considerably less battered than mine!

Biffo

Bartok: Concerto for Orchestra - Berlin Philharmonic Orchestra conducted by Sir Simon Rattle

Harry

From the SEON box. CD 70 & 71.

Mozart.
Sonatas for Piano and Violin.
KV 8/26/301/306/360.434.

Jaap Schroder, Violin.
stanley Hoogland, Fortepiano.


Could not find an image.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Mahlerian

Schoenberg: Moses und Aron
Franz Mazura, Philip Langridge, Chicago Symphony Orchestra and Chorus, cond. Solti


This isn't the mishap that one might imagine, but it's far from perfect. Textures in the "crowd scenes" get quite muddy and the violin section (to say nothing of the chorus) seems to struggle with intonation in Schoenberg's very frequent stratospheric writing. Still, Langridge makes for a pretty good Aron, and Mazura is a convincing enough Moses. The dramatic power of this opera comes through regardless of quibbles.

A new studio recording of this work, now that it's been performed much more, would be much appreciated.
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Mandryka

Quote from: Mahlerian on April 01, 2020, 05:42:39 AM
Schoenberg: Moses und Aron
Franz Mazura, Philip Langridge, Chicago Symphony Orchestra and Chorus, cond. Solti


This isn't the mishap that one might imagine, but it's far from perfect. Textures in the "crowd scenes" get quite muddy and the violin section (to say nothing of the chorus) seems to struggle with intonation in Schoenberg's very frequent stratospheric writing. Still, Langridge makes for a pretty good Aron, and Mazura is a convincing enough Moses. The dramatic power of this opera comes through regardless of quibbles.

A new studio recording of this work, now that it's been performed much more, would be much appreciated.

I like Mazura very much.
Wovon man nicht sprechen kann, darüber muss man schweigen