What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mandryka

Quote from: "Harry" on October 15, 2021, 12:10:34 AM
Josquin Desprez, included in Tielman Susato's Septiesme livre, Antwerp 1545.
Josquin the Undead.
Laments, deplorations and Dances of Death.

Graindelavoix, Bjorn Schmelzer.


For me the Counter tenor is just acceptable, it must not go any further or I stop buying records made by them. This trend to use counters instead of women is getting on my nerves, and I deeply lament the loss of female voices.

No more Binchois Consort/Kirkman for you! I mention it because I was listening to their Josquin CD recently, Josquin's contemporaries it's called, and I said to myself that sometimes these altos sound a bit like girls!
Wovon man nicht sprechen kann, darüber muss man schweigen

Que


Mandryka

And now for obvious reasons listening to this, which for some reason is sounding like fabulous music making - I think the trick is to set the volume at the right level. There are some real rarities on the disc, but the countertenors do sound a bit girly to me.

Wovon man nicht sprechen kann, darüber muss man schweigen

vandermolen

#51703
Frank Bridge, Oration and Enter Spring.
The great thing about this CD is the (unique I think) coupling of Frank Bridge's greatest orchestral works (I like 'The Sea' as well).
The performances are not my favourites, however - I prefer Groves's performance of the life-affirming and inspiriting 'Enter Spring' (arguably Bridge's masterpiece) and I prefer the Lloyd-Webber/Braithwaite recording of 'Oration' on Lyrita (the beautiful Epilogue is played much too fast in the Cologne recording, robbing it of some of its emotional impact; the contrast between the Epilogue and the turbulence which precedes it should surely be greater). Still, these are two most enjoyable performances, with a nice photo of the Sussex countryside on the front.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Spotted Horses

Janacek, String Quartet No 1, New Zealand Quartet.



This was an impulse purchase, made when I saw it for an attractive price as a lossless download, I think on eClassical.

The work is amazing, with lots of innovative use of the string quartet, producing remarkable sonorities without seeming overtly "experimental." I'm not sure anyone will list this as the best recording ever, but I enjoyed it and find it worth having just because this music admits such a wide latitude of interpretation.

Harry

Pyotr, Ilyich Thaikovsky.

Symphony No. 1 in G minor, "Winter Daydreams".
The Snow maiden, Orchestral excerpts.
Romeo and Juliet, Fantasy overture after Shakespeare.

Gothenburg SO, Neeme Jarvi.

Topnotch.
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Papy Oli

A first listen to Pisendel.

Concerto in D, Sonata in C minor.

From the Freiburger Barockorchester DHM edition.

Olivier

Brahmsian

Quote from: Papy Oli on October 15, 2021, 02:57:46 AM
A first listen to Pisendel.

Concerto in D, Sonata in C minor.

From the Freiburger Barockorchester DHM edition.



Olivier, we feel like we have lost you to the GMG Baroque Clan.  :'( :D ;) :P

Papy Oli

no idea what you mean, Ray...  :o

Now playing:

Handel - Concerto Grosso no.6, Il duello Amoroso (Freiburger Barockorchester).



:laugh: :P
Olivier

prémont

Quote from: Mandryka on October 14, 2021, 09:54:19 AM


A load sound and fury, signifying nothing. To me. Now. Maybe tomorrow it will be better, tomorrow and tomorrow and tomorrow.

Yes, I stopped my purchases of Hantaï's series after vol.3, finding the playing to be too "much ado about nothing" - sometimes Scarlatti's sonatas even beg for that kind of interpretation.
Reality trumps our fantasy far beyond imagination.

Brahmsian

Quote from: Papy Oli on October 15, 2021, 03:17:35 AM
no idea what you mean, Ray...  :o

Now playing:

Handel - Concerto Grosso no.6, Il duello Amoroso (Freiburger Barockorchester).



:laugh: :P

:laugh:

Traverso

Quote from: (: premont :) on October 15, 2021, 03:28:30 AM
Yes, I stopped my purchases of Hantaï's series after vol.3, finding the playing to be too "much ado about nothing" - sometimes Scarlatti's sonatas even beg for that kind of interpretation.

I hadn't listened to the recordings with Hantai before but I've listened to different sonatas on youtube and I can relate to this description
They sound like Hantai wants to convey something new, the result, at least in my opinion, is not very convincing and mannered.

Papy Oli

Olivier

Traverso


Traverso

Good idea to listen again to this disc,and indeed  .the alto's sound like girls,very nice.




Que

Joseph Wölfl performed by Laure Colladant:

   

Karl Henning

"Papa"
Symphony № 88 in G
Wiener Philharmoniker
Lenny
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

TheGSMoeller

Quote from: k a rl h e nn i ng on October 15, 2021, 05:35:44 AM
"Papa"
Symphony № 88 in G
Wiener Philharmoniker
Lenny



Brilliant, Karl! Speaking of, here's one of my favorite Bernstein videos...

https://www.youtube.com/v/uT8YsDI2yu4

Dry Brett Kavanaugh

Poulenc: Concert Champetre. Silvia Malquez et al.

Mirror Image

NP:

Prokofiev
Symphony No. 6 in E-Flat Minor, Op. 111
USSR State Radio & TV SO
Rozhdestvensky