What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mirror Image

Quote from: Spotted Horses on January 29, 2022, 04:14:50 AM
Another recording of Roussel Bacchus et Ariane, Cluytens, Paris Conservatory Orchestra



I have it in the complete Cluytens box, which claims to have been remastered.

Wow! This may be my favorite, up there with Markevitch/Lamoureux, although it is only the orchestral suite (No 2) and not the full ballet as performed by Martinon/ORTF. Beautiful playing which conveys a lot of intensity and energy without being overpowering, in the best French tradition.

Pounds the table! Yes, a fine recording, but, unfortunately, not complete. :(

Mirror Image

NP:

Bartók
Violin Sonata No. 2, BB 85, Sz. 76
Isabelle Faust, Florent Boffard


From this OOP 2-CD set -


MusicTurner

#60482
Cage - Works for prepared piano /B. Berman /naxos

A fine recording of these rather entertainingly silly & tribalesque pieces. I much prefer it to the Brilliant Classics one. This CD doesn't comprise any 'Sonatas & Interludes', they are in Vol.1 ...

vers la flamme



William Alwyn: Symphony No.1. David Lloyd-Jones, Royal Liverpool Philharmonic Orchestra

First listen. Wow, this is killer. I may prefer DL-J to the Hickox on Chandos in Alwyn's symphonies. As for the music, it's rather Holstian, no? Maybe Alwyn had not quite come into his own at this point (1949), but the music is clearly the product of a skillful mind. One of my favorite English symphonists, alongside Malcolm Arnold. I've greatly enjoyed coming into contact with his music over the past year or so—gradually at first, but I've been quite obsessed for a couple weeks.

Mirror Image

First-Listen Saturday

Hahn
Douze Rondels
Stephen Varcoe (baritone), Graham Johnson (piano), Dame Felicity Lott (soprano), Susan Bickley (mezzo-soprano)
The London Schubert Chorale
Stephen Layton




This is utterly enchanting.

Iota



Liszt Sonata in B Minor 
Philipp Kopachevsky (piano)


Stumbled across this on youtube, a nervous, restless performance, more rapier intensity than granitic splendour. I liked it.

(https://www.youtube.com/watch?v=ajNNTBObBZk)


Which had been preceded by this:



Brahms Op.116
Paul Lewis (piano)


Having found Lewis rather vapid in something or other a while ago, I have possibly unjustly avoided him since, but wanted to hear this Brahms and it's gone some way to restoring some faith in him. Sympathetic, unpretentious, engaging playing which I enjoyed very much. Look forward to the rest of the set.

Florestan

Quote from: "Harry" on January 29, 2022, 05:00:18 AM
I seem to recall an Alkan box on Brilliant, is that any good Andrei?

Don't have it, Harry, so can't comment.

I'strongly recommend you start with Hamelin, he and Alkan's music is a match made in heaven.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

Florestan

Quote from: Mirror Image on January 29, 2022, 06:18:06 AM
First-Listen Saturday

Hahn
Douze Rondels
Stephen Varcoe (baritone), Graham Johnson (piano), Dame Felicity Lott (soprano), Susan Bickley (mezzo-soprano)
The London Schubert Chorale
Stephen Layton




This is utterly enchanting.

I'm glad you're digging Hahn8)
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

Mirror Image

Quote from: Florestan on January 29, 2022, 06:29:41 AM
I'm glad you're digging Hahn8)

Thanks, Andrei. I'm not sure why I never gave his music much of a chance, but I'm glad I finally did --- it's exquisite music.

ritter

Quote from: Mirror Image on January 29, 2022, 06:18:06 AM
First-Listen Saturday

Hahn
Douze Rondels
Stephen Varcoe (baritone), Graham Johnson (piano), Dame Felicity Lott (soprano), Susan Bickley (mezzo-soprano)
The London Schubert Chorale
Stephen Layton




This is utterly enchanting.
Glad you're enjoying these songs, John!

Good day to you!

Mirror Image

#60490
Quote from: ritter on January 29, 2022, 06:44:47 AM
Glad you're enjoying these songs, John!

Good day to you!

Thanks, Rafael. And the same to you.

A little side note: I've been enjoying all of the Hahn works I've heard so far. Several of them I've already revisited 3-4 times. Such gorgeous music.

Harry

Quote from: Florestan on January 29, 2022, 06:27:13 AM
Don't have it, Harry, so can't comment.

I'strongly recommend you start with Hamelin, he and Alkan's music is a match made in heaven.

Yes I was already convinced that is the road to go with Alkan, Thanks!
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

JBS

Quote from: Florestan on January 29, 2022, 06:27:13 AM
Don't have it, Harry, so can't comment.

I'strongly recommend you start with Hamelin, he and Alkan's music is a match made in heaven.

Hamelin will give you all the virtuosity and pyrotechnica you'd want (possibly more than you want) so he's an obvious place to start. I seem to recall some of his Alkan is on Youtube, so you can judge it that way.

The Brilliant box has a hodgepodge of stuff, including CDs devoted to chamber music, organ music, and chamber concertos, so you'll probably want it (or the individual CDs it was compiled from).
When comparing Hamelin's recordings to the recordings of the same pieces in the Brilliant set, I prefer Hamelin, but 1)I like pyrotechnical pianism and 2)Brilliant has a bunch of stuff Hamelin didn't record.

[I don't have any of the Naxos CDs.  Lowenthal is Hamelin's equal but he recorded fewer works.]


Hollywood Beach Broadwalk

Florestan

Quote from: "Harry" on January 29, 2022, 06:58:38 AM
Yes I was already convinced that is the road to go with Alkan, Thanks!

Let us know what you make of it.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

Traverso

Jacques Duphly



Because Leonhart's father was an admirer of Mahler, he was called Gustav
Unfortunately, this did not apply to his son, who had little regard for his namesake. :)



Florestan

Quote from: JBS on January 29, 2022, 07:01:47 AM
(Alkan's) chamber music,

Which is not half bad either. This is what I have:

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

Florestan

Quote from: Traverso on January 29, 2022, 07:03:30 AM
Because Leonhart's father was an admirer of Mahler, he was called Gustav

I've always wondered about how come a Dutch was christened Gustav, so thank you very much for this trivia.  :)
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

springrite

Quote from: Traverso on January 29, 2022, 07:03:30 AM
Because Leonhart's father was an admirer of Mahler, he was called Gustav
Unfortunately, this did not apply to his son, who had little regard for his namesake. :)


Good thing it was not Havergal...
Do what I must do, and let what must happen happen.

Florestan

Quote from: JBS on January 29, 2022, 07:01:47 AM
Lowenthal is Hamelin's equal but he recorded fewer works.

True but there's no exaggeration in stating that Lewenthal single-handedly rescued Alkan's music from the oblivion in which it had been lingering.  :)
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

Florestan

Quote from: springrite on January 29, 2022, 07:10:29 AM
Good thing it was not Havergal...

Reynaldo Leonhardt sounds rather cool.  :D

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy