What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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SimonNZ



played four or five times over the last couple of days.

Karl Richter was my introduction to most of Bach's vocal music, and three decades later remains a pleasure to return to.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

foxandpeng

Daniel Jones
Symphonies 1 & 10
Bryden Thomson
BBC Welsh SO
Lyrita


Even though I really quite enjoy Daniel Jones' symphonies, I don't often reach for them. Oddly enough, I think it's because I don't have access to the full cycle, and I don't want to hear something incomplete  Pretty inconsistent of me, tbh, so 1 & 10 for bedtime listening!
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

vers la flamme



Pierre Boulez: Livre pour cordes. Pierre Boulez, New Philharmonia Orchestra

Haven't heard any Boulez in ages, and it seemed to make sense to jump back in with a random piece I know nothing about. It sounds good.

vers la flamme

Quote from: vers la flamme on September 17, 2022, 03:01:50 PM


Gustav Holst: The Planets, op.32. Adrian Boult, London Philharmonic Orchestra

Truly a fabulous recording, from a conductor in his 90s no less. Good to get back to this work after quite some time. (I also revisited the Ormandy/Philadelphia recording the other day, which is also absolutely stellar.)

& now back to this CD.

Edward Elgar: Enigma Variations, op.36. Adrian Boult, London Symphony Orchestra


vers la flamme



Ludwig van Beethoven: Missa Solemnis in D major, op.123. Eugene Ormandy, Philadelphia Orchestra, Singing City Choir

Just the Gloria for now. This is such a great performance, but it's so rare that I'm ever in the mood to hear the whole mass. Some day I will give this a listen start to finish.

vandermolen

Quote from: foxandpeng on September 17, 2022, 04:22:21 PM
Daniel Jones
Symphonies 1 & 10
Bryden Thomson
BBC Welsh SO
Lyrita


Even though I really quite enjoy Daniel Jones' symphonies, I don't often reach for them. Oddly enough, I think it's because I don't have access to the full cycle, and I don't want to hear something incomplete  Pretty inconsistent of me, tbh, so 1 & 10 for bedtime listening!

I certainly enjoyed this disc.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Operafreak






Bach, Beethoven & Medtner: Lucas Debargue-Lucas Debargue (piano)
The true adversary will inspire you with boundless courage.

Symphonic Addict

V. Novák: String Quartet No. 2

I find the neglect of this masterpiece quite shocking, let alone the No. 3 (there is no recording of the No. 1 yet), and both are cast in two meaty movements. The Smetana Quartet performs it and does it justice to the music.



There's another recording of this work, but it has a less adequate sound quality.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Daverz

Saint-Saëns: Symphony No. 2





All excellent.

Peter Power Pop


Symphonic Addict

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

vandermolen

Tippett: Symphony No.1 (LSO/Colin Davis)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Traverso

Bach


Suite in E flat major


Never have I heard the cello suite BWV 1010 in a more convincing performance than here in an arrangement by Leonhardt on cembalo. The Prélude begins, to put it freely, in a dancing cadence of church bells that drags you along in a driving but fluid movement, this as far as the part with which the suite opens. It's an arrangement by Leonhardt that I always enjoy listening to.









aligreto

Richafort: Missa Pro Defunctis "Requiem" [Cinquecento]





This music is simply divine. The quality of the writing is of the highest order. It is also very well sung here with a wonderful sonic balance within the ensemble. They certainly deliver the quality of the music through a quality vocal presentation. The only issue that I have with the recording is the constant presence of sibilance. I have noticed this before in recordings by this ensemble.

Traverso

Bach


Continuing with Bach's organ works, which have never charmed me as much as with these recordings played by Bram Beekman. After hearing them a number of times, they have only gained in luster. It is as if I have synchronized myself with these performances with the result that I am completely converting to his musicianship and interpretation.

The recordings sound almost ideal to me.


Vol 4


CD 2






Operafreak



Pixis & Thalberg pianoconcertos/  Howard Shelley (piano & conductor)

Tasmanian Symphony Orchestra
The true adversary will inspire you with boundless courage.

aligreto

Poulenc: Piano Music played by Eric Le Sage





From CD 2:

Napoli
Feuillets d'album Nos. 1-3
Impromptus, Nos. 1-5
Suite in C Maj.
Thème varié


vandermolen

#78138
Shostakovich 4th Symphony
Live performance (1997): Swiss Philharmonic Orchestra
Mario Venzago
A fine performance:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Lisztianwagner

Gustav Mahler
Symphony No.5


Herbert von Karajan & Berliner Philharmoniker

"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg