What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

Previous topic - Next topic

SonicMan46 (+ 1 Hidden) and 10 Guests are viewing this topic.

Karl Henning

TD:
Dvořák
Piano Quartet № 1 in A, Op. 23
Piano Quartet № 2 in Eb, Op. 87
Josef Hála, pf
Suk Trio


I think I've credited this aright, but I'm unsure
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Harry

I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Traverso

Quote from: Florestan on October 18, 2022, 05:17:56 AM
I was blown away by it recently. Music so pure and noble, in which simplicity is at the service of the profound. The perfect antidote to the madness around (and I'm not talking about the war only).



Indeed a very enjoyable recording,I'm glad to see that you love it too.

This one is also very impressive,this one I listened to yesterday.Let it touch your brain.... :)




https://www.youtube.com/v/%20youtu.be/pudGvpnkPXk?list=PLUFdQIfFgqCI3Ue8JFybsmTNRCN8vB6Mq





The new erato

This, first disc:



Gergiev is a corrupt a**hole and I will never buy one of his recordings again, but little is gained by throwing the set in the dustbin.

Rimskys operas are generally very fine (at least musically).

Pohjolas Daughter

Fantasia on the Old 104th with Peter Katin, piano & the London Phil. Choir & Orch with Adrian Boult conducting.

Nice change of pace to hear a choral work.  I was rather busy, so I didn't pay much attention to the lyrics to be truthful, but I did enjoy the singing and the music overall.

PD

Harry

Quote from: The new erato on October 18, 2022, 06:35:09 AM
This, first disc:



Gergiev is a corrupt a**hole and I will never buy one of his recordings again, but little is gained by throwing the set in the dustbin.

Rimskys operas are generally very fine (at least musically).

Agree on both counts!!!
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

j winter

Mozart PCs 21 & 22, Rudolf Serkin   This box comes to the desert island...

The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils.
The motions of his spirit are dull as night,
And his affections dark as Erebus.
Let no such man be trusted.

-- William Shakespeare, The Merchant of Venice

Mandryka

Wovon man nicht sprechen kann, darüber muss man schweigen


Roasted Swan

#79930
Quote from: vandermolen on October 18, 2022, 05:03:58 AM
Sir Arthur Bliss 'The Beatitudes' (1961)
I really need to get to know this work having read some laudatory comments about it recently (do I need the new Andrew Davis recording - that is the question?)
These late works by Bliss don't receive much interest but I think very highly of his last orchestral work - the Metamorphic Variations.


The Davis/Beatitudes is good but Chandos made a bit of a boob with the balancing of the organ.  It is MEANT to be a dominant/mighty cathedral-type organ and the part was written as such.  The best version I know was the BBC Broadcast with Paul Daniels conducting the BBC PO and choir and Sheffield Philharmonic Choir in Coventry Cathedral again - the work as a whole has an impact other versions simply don't (especially the organ!)

EDIT:  the soprano squalls around though!

JBS

Quote from: Roasted Swan on October 17, 2022, 11:46:33 PM
I actually rather like Coleridge-Taylor's music - clearly he was very talented if musically conservative.  But those comparisons are simply odd.  The two mentioned composers occupy a completely different sound world and musical aesthetic.  Unless you simply mean "good" as a qualitative comparison (with which I'd still disagree but each to their own) linking those names you might as well say "as good as Shostakovich".

Well, the other comparison I was thinking of was Vaughan Williams...

TD

The first two CDs of this 5 CD set
Haydn
Mass in B Flat "Harmoniemesse" Hob XXII:14
Symphony in G Flat Menetto (only one movement) Hob I:88
[Apparently they couldn't find any more Haydn or Mozart recordings to fill out the 47 minutes on CD1]
Beethoven
Symphony #4 in B Flat Op 60
Brahms
Symphony #4 in e minor Op 98

Hollywood Beach Broadwalk

Traverso

Bach

Not bad,certainly not a chewing machine..... :)

Partitas 1-5 & 6


Dry Brett Kavanaugh

Tveitt: Variations on a Folksong from Hardanger.



 

vandermolen

#79934
Quote from: Pohjolas Daughter on October 18, 2022, 06:35:15 AM
Fantasia on the Old 104th with Peter Katin, piano & the London Phil. Choir & Orch with Adrian Boult conducting.

Nice change of pace to hear a choral work.  I was rather busy, so I didn't pay much attention to the lyrics to be truthful, but I did enjoy the singing and the music overall.

PD
Oh, I really love that quirky work. My brother said that the opening reminded him of the children's record 'Sparky's Magic Piano'. I had a nice exchange on email with Peter Katin, who told me that the Fantasia on the Old 104th was very difficult to play. I've known that work since I was at (High) school as it was coupled with the 9th Symphony in Boult's EMI VW LP boxed set:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Linz

Bruckner Symphony in D minor "Die Nulte" CD2 of Skrowaczewski and Saarbrücken Radio Symphony Orchestra and the Adagio from the String Quintet in F major

j winter

First listen, this is some crazy stuff... Glenn Gould playing Handel, on a harpsichord.  It still manages to sound like Gould, and nothing like most other harpsichord recordings I'm familiar with.  He's playing a Wittmayer per the notes, which frankly at times sounds a bit more like Lurch in the Addams Family than any baroque-era instrument you'd expect to hear today -- not sure how much of that is the harpsichord, how much the way it was recorded, how much Gould being Gould.  A curiosity, to say the least...

The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils.
The motions of his spirit are dull as night,
And his affections dark as Erebus.
Let no such man be trusted.

-- William Shakespeare, The Merchant of Venice

Linz

Hans Rott Symphony No. 1 Mahler: Blumine And Bruckner: Symphonisches Präludium, Jakub Hrůša,  Bamberg Symphony Orchestra

Lisztianwagner

W.A. Mozart
Piano Concerto in D minor, K.466




Such great beauty, elegance and intensity, wonderful performance by Schiff.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg