What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Karl Henning

Quote from: Spotted Horses on February 10, 2023, 07:39:09 AMThey perform using gut strings and period bows, so they are HIP-ish. I've not hear any of their recordings, but am curious. I'm a little skeptical about a chamber music ensemble which has such a high profile first violinist, making it less of a conversation of equal voices.
But, could nevertheless be a team player....
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Spotted Horses

Quote from: Karl Tirebiter Henning on February 10, 2023, 07:54:39 AMBut, could nevertheless be a team player....

Yes, I shouldn't pre-judge before listening.

Papy Oli

Olivier

Harry

Eugene Zador.

Orchestral Works.
Volume II.
Elegie and Dance.
Oboe Concerto.
Divertimento for Strings.
Studies for Orchestra.
Laszlo Hadady, Oboe.
Budapest SO, Mariusz Smolij.
"adding beauty to ugliness as a countermeasure to evil and destruction" that is my aim!

Linz

Haydn London Symphonies, Symphony No. 96 in D major "The Miracle", Symphony No. 97 in C major and Symphony No. 98 in B flat major with the London Philharmonic Orchestra

Cato

In recent days:



And...


The other three movements should be available on the right.
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Dry Brett Kavanaugh

Bach Sax, Pierre-Stéphane Meugé.
Three (I think) saxophones are overdubbed by the artist.



Dry Brett Kavanaugh


classicalgeek

This week:

Rachmaninov
Symphony no. 3
The Bells
Royal Concertgebouw Orchestra
Vladimir Ashkenazy

(on CD)


Weill
Symphony no. 1
Symphony no. 2
Swedish Chamber Orchestra
HK Gruber

(on Spotify)


Dvorak
String Quartet in F major, op. 96
Terzetto in C major, op. 74
Bagatelles for two violins, cello, and harmonium, op. 47
Prazak Quartet

(on CD)


The music and the performances are just as spellbinding as the first Dvorak/Prazak disc (opp. 51 and 106.) Just lovely beyond words!
So much great music, so little time...

SonicMan46

Beethoven, LV - Piano Trios w/ the Castle Trio (period instruments w/ Lambert Orkis on three different fortepianos; 1990 recordings) - bought used for about $9 USD (Amazon MP) - a 2-disc set with about half of Beethoven's output in this trio format.  I own two more complete sets on modern instruments (Forestans & Trio Elegiaque), so just wanted 'some' period performances.

As to the composer's output in this area (quoted below from the most complete Elegiaque recordings which list 15 'works', although 12 have Opus numbers and 3 are transcriptions of other compositions, as indicated; the latter are not done by the Florestan Trio).  The Orkis trio does 4 of the Opus numbers and the two WoO works.  Dave :)

QuoteBeethoven's Piano Trios
(Trio Elegiaque 5-CD Brilliant set listing)
Op. 1 - No. 1, 2, 3
Op. 11 (B flat - Gassenhauer)
Op. 36 (D after Symphony No. 2)
Op. 38 (E flat after Septet Op. 20)
Op. 44 (E flat)
Op. 63 (E flat - after S. Quintet Op. 4)
Op. 70 - No. 1 (Ghost) & Op. 70 No. 2
Op. 97 (B flat - Archduke)
Op. 121a (G - Kakadu Variations)
Triosatz (E flat)
WoO38 (E flat)
WoO39 (B flat)

 

Wanderer


JBS

Quote from: pjme on February 10, 2023, 07:16:27 AMIs the music as strange as some of Segantinis paintings? Or is it some very late romantic tone painting?



The evil mothers /  Le cattive madri (1894)



Love at the fountain



The "Evil Mothers" was used as cover art for Zinman's Mahler 6

Hollywood Beach Broadwalk

aligreto

John Adams: Shaker Loops [Adams]





The first movement is an exercise in perpetual movement. It is wonderfully driven here by Adams himself and it is very exciting. He keeps the level of tension throughout the movement at a wonderfully taut level. Even at the low key passage towards the end of the movement the tension is palpable.
I like the musical language and atmosphere depicted in the second, slow movement. This gentle interlude is a wonderful contrast to the opening movement. I also like the textures and sonorities in the scoring.
The third movement begins where the second movement left off but gradually builds up the tempo and textural layers and ultimately returns to the exciting tension filled well driven atmosphere of the opening movement. Adams drives the orchestra very well in the second half of the movement, particularly the lower register strings. The fade out at the conclusion of this movement is wonderful, in my opinion.
That fade out leads seamlessly into the final movement which, to my ear, opens with a wonderful, questioning passage. This tone permeates the final movement and I find that there is something of an ambiguous conclusion but that adds to the appeal of the music for me.

aligreto

Quote from: Karl Tirebiter Henning on February 10, 2023, 07:31:00 AMIt is indeed superb!

Cheers Karl. I am pleased that someone other than myself finds it to be so.

Lisztianwagner

Found on youtube, first listen to this arrangement:

Arnold Schönberg
Verklärte Nacht (arr. Steuermann)

Prometheus Ensemble


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

prémont

Quote from: aligreto on February 10, 2023, 02:14:38 AMI recently posted a vinyl version of Thomas' presentations of JS Bach's Motets BWV 225-227.

I thought it was Gerhard Herwig.
Reality trumps our fantasy far beyond imagination.

Linz

Mozart Symphony No. 40 i G minor and Symphony No. 41 in C major, "Jupiter" on CD2

Traverso

Historic organs of Austria



Bachtoven

This is a very enjoyable new release. The Vaughan Williams is quite a powerful piece.

Maestro267

Penderecki: A Polish Requiem (inc. Chaconne)
Soloists, Warsaw National Philharmonic Choir
Warsaw PO/Wit