What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Madiel, Roasted Swan, Christo, ritter and 104 Guests are viewing this topic.

Symphonic Addict

Quote from: absolutelybaching on March 14, 2023, 07:33:53 AMComposer : Jean Sibelius
Recording : Symphony No. 2 (Karajan - 1970)
Performers : Herbert von Karajan, Berlin Philharmonic Orchestra

Wow. I am (as some may have observed!) not a natural Karajanite. However, this performance is blasting its way through my synapses, it's incredibly exciting and I paused to idly wonder who on Earth was the conductor. Well... there you go. Brilliant performance, I think.

Kamu conducted Nos. 1-3, Karajan the next four.
Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Brahmsian

Quote from: Løvfald on March 14, 2023, 11:17:34 AMKamu conducted Nos. 1-3, Karajan the next four.

The Kamu 2nd is fantastic!

Symphonic Addict

Myaskovsky: Symphonies 24 and 25 (Titov, St. Petersburg State Academic S.O.)

It's nice to have alternative interpretations of some of these symphonies, they're satisfyingly performed here.

Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Lisztianwagner

Quote from: Løvfald on March 14, 2023, 11:14:24 AMA lovely, endearing, voluptuous work. The opening melody never fails to melt my heart.
Agreed, it starts so delicately and poetically, but with the impression there's something restless and tense behind too; such an enchanting, metamorphic, persuasive composition anyway, I've found the second movement with the pizzicato particularly compelling, very enthralling.
"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

foxandpeng

Quote from: Løvfald on March 14, 2023, 11:27:04 AMMyaskovsky: Symphonies 24 and 25 (Titov, St. Petersburg State Academic S.O.)

It's nice to have alternative interpretations of some of these symphonies, they're satisfyingly performed here.



Nice.

Nicolai Miaskovsky
Complete Symphonies
Symphonies 1 - 6
Svetlanov
State Academic Symphony Orchestra of Russia


Today has been a lovely day with Miaskovsky. I'm surprised just how much of these I remember, to be honest. All of the first 6 symphonies have something enjoyable, and none receded to wallpaper. I'm going to try and traverse them chronologically, I think, just to redefine my grasp on them and get to know all those I don't.

Has been such a good day listening. 3, 4 and 6 in particular. The others were also enjoyable too, mind. Relistening to 6, for the second time as we speak.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Lisztianwagner

To complete Schönberg's piano repertoire:

Arnold Schönberg
Piano Concerto

Maurizio Pollini (piano)
Claudio Abbado & Berliner Philharmoniker




Then:
Erich Wolfgang Korngold
Piano Concerto for the left hand

Howard Shelley (piano)
Matthias Bamert & BBC Philharmonic Orchstra


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Karl Henning

CD 4: Saison 1910

Robt Schumann
Carnaval, Op. 9 (variously orchestrated by some 11 composers from Arensky to Tcherepnin)
Philharmonia Orchestra
Robt Irving

Igor Stravinsky
L'oiseau de feu
BSO
Seiji Ozawa
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: Karl Henning on March 14, 2023, 12:47:22 PMCD 4: Saison 1910

Robt Schumann
Carnaval, Op. 9 (variously orchestrated by some 11 composers from Arensky to Tcherepnin)
Philharmonia Orchestra
Robt Irving

Igor Stravinsky
L'oiseau de feu
BSO
Seiji Ozawa
It may be argued (successfully) that he "bribed" me by assigning the tune to the clarinet, but I especially enjoyed Glazunov's scoring of "Chopin" (# 12)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Madiel

Quote from: VonStupp on March 14, 2023, 06:11:58 AMAntonín Dvořák
Silent Woods, op. 68 no. 5
Suite in A Major 'American', op. 98b
Seven Interludes for small orch., B15
Five Prague Waltzes, B99
Nocturne in B Major, op. 40
Mazurka for violin and orch., op. 49
Polka in B-flat Major, op. 53A/1
Rondo for cello and orch., op. 94
Polonaise in E-flat Major, B100

Alexander Trostianski, violin
Dmitry Yablonsky, cello
Russian PO - Dmitry Yablonsky

A bunch of orchestral and concertante miniatures I do not know.
VS



I think for some of these, it might be the only recording available. Or at least readily available.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Madiel

Currently partway through listening to Florian Uhlig's Schumann piano works, volume 3 (which is called "Character Pieces 1").

It's a bit of a mixed bag. Papillons has a fair amount of colour, but it's also somewhat staid. Other things on the disc generally strike me better.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Symphonic Addict

Sculthorpe: String Quartets 10 and 11

A huge improvement over the previous four quartets in terms of approachability and quality I reckon (there is no any complete recording of the first five quartets, only some movements of them). I like the touches of indigenous influences that appear here.



Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Brian

Quote from: Brian on March 14, 2023, 07:44:43 AMNext I am trying this but based on negative comments so far, I may abandon the concerto fairly quickly:



After that, I am trawling through the Naxos back-catalogue again!


The Teddy Abrams piece was as tawdry a pastiche as advertised. The Kraus "Symphonie funebre" is quite striking, like Sturm und Drang Haydn in its formal creativity and interesting orchestration (it begins with funeral march timpani strokes and ends quietly). There is a 45-second chorale movement leading into the finale. The Sor and Boccherini I found forgettable, while the Karlowicz is a longtime favorite.

Brahmsian

Quote from: Madiel on March 14, 2023, 03:03:08 PMI think for some of these, it might be the only recording available. Or at least readily available.

Also available in this box, which is an excellent box of goodies. @VonStupp


Karl Henning

CD 8

Piano Piece in Ab
Morceaux de salon, Op. 10
3 Nocturnes (1888/9)
Song Without Words in d minor
Canon in e minor (1890/1)
Fugue in d minor (1890/1)
4 Pieces (originally numbered Op. 1)
Prelude in F (1899)
Morceau de fantaisie (1899)
Fughetta in F (1899)
Oriental Sketch (1917)
Sad is the night (Ночь Печальна) Op. 26 № 12 (arr. Ashkenazy)
Nunc dimittis from All-Night Vigil, Op. 37 (arr. Rakhmaninov)

Vladimir Ashkenazy
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Keemun

#88054
Bruckner: Symphony No. 8 (Wand/Berlin Philharmonic, 2001)



Continuing my informal survey of Bruckner's 7th and 8th symphonies with this recording.  So far, it's quite good. 
Music is the mediator between the spiritual and the sensual life. - Ludwig van Beethoven

Symphonic Addict

Catoire: Piano Concerto

A new work to me from this Russian composer (1861-1926).

Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Karl Henning

Shostakovich
Symphony № 12 in d minor, « 1917 » Op. 112
Royal Phil
Vladimir Ashkenazy
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

San Antone

Elliott Carter : Esprit rudeesprit pour flute et clarinet


Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mapman

Pavel Vranický: Symphony in D, Op. 52
Gregor: Dvořák Chamber Orchestra

An excellent Classical symphony. It reminds me of Haydn, especially how the main theme enters a beat late near the end of the 1st movement.



Stravinsky: The Firebird
Rattle: CBSO

I forgot that I had a recording of the complete Firebird. I wasn't particularly impressed by this recording; some of the woodwind solos weren't the best. But the ending of the Firebird is great in any performance!