What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Traverso

Quote from: aligreto on January 26, 2020, 05:12:53 AM
Nor I but I was impressed.





Good luck with and enjoy that set. I am particularly fond of his Sibelius.

I always had a special relationship with Ashkenazy.
I remember listening to the Beethoven sonatas, I thought No.32 performed by Pollini.
I loved this recording and very curiously I suddenly got a very oppressive feeling and started listening to the same sonata but now with Ashkenazy and the music opened up and I could breathe again.
It was a turning point for my appreciation of Pollini. Just my opinion of course.

vers la flamme

Quote from: Traverso on January 26, 2020, 07:21:54 AM
I always had a special relationship with Ashkenazy.
I remember listening to the Beethoven sonatas, I thought No.32 performed by Pollini.
I loved this recording and very curiously I suddenly got a very oppressive feeling and started listening to the same sonata but now with Ashkenazy and the music opened up and I could breathe again.
It was a turning point for my appreciation of Pollini. Just my opinion of course.

Do you mean that after hearing the Ashkenazy, you no longer like the Pollini? Interesting, the Pollini is my favorite recording of that sonata. I haven't heard any of the Beethoven sonatas by Ashkenazy.

andolink

Stereo: PS Audio DirectStream Memory Player>>PS Audio DirectStream DAC >>Dynaudio 9S subwoofer>>Merrill Audio Thor Mono Blocks>>Dynaudio Confidence C1 II's (w/ Brick Wall Series Mode Power Conditioner)

andolink

#8883
Stereo: PS Audio DirectStream Memory Player>>PS Audio DirectStream DAC >>Dynaudio 9S subwoofer>>Merrill Audio Thor Mono Blocks>>Dynaudio Confidence C1 II's (w/ Brick Wall Series Mode Power Conditioner)

Traverso

#8884
Quote from: vers la flamme on January 26, 2020, 07:26:31 AM
Do you mean that after hearing the Ashkenazy, you no longer like the Pollini? Interesting, the Pollini is my favorite recording of that sonata. I haven't heard any of the Beethoven sonatas by Ashkenazy.

Yes that's what I mean to say,it is just my experience that I after much appreciation I suddenly  felt an almost fysical resistance to listen any longer and so to speak runned to the CD-player in order to change to it to the Askenazy recording. :)
My favorite Beethoven is Gilels and Ashkenazy.Richter is also fabulous but there are only a few sonatas available on CD.Beethoven in a straight jacket is not my cup of tea.I also like Backhaus no straight jacket here. ;)
It's all very personal,I have Brendel,Arrau but there is not the right connection wich I feel with Gulda to name another good Beethoven performer.

https://www.youtube.com/v/aZfXbVxjM8Q

https://www.youtube.com/watch?v=aZfXbVxjM8Q




aligreto

Stravinsky: Rite of Spring [Monteux]





This is a wonderful interpretation and performance. It is crisp, sharp and is filled with electric energy. It also has a taut bite and the performance has great inherent power and presence.

aligreto

Quote from: Traverso on January 26, 2020, 07:21:54 AM
I always had a special relationship with Ashkenazy.
I remember listening to the Beethoven sonatas, I thought No.32 performed by Pollini.
I loved this recording and very curiously I suddenly got a very oppressive feeling and started listening to the same sonata but now with Ashkenazy and the music opened up and I could breathe again.
It was a turning point for my appreciation of Pollini. Just my opinion of course.

Yes, that can happen sometimes when one comes across a new performance/interpretation of a work. A different approach can definitely unlock a work.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Traverso

Quote from: aligreto on January 26, 2020, 08:38:20 AM
Stravinsky: Rite of Spring [Monteux]





This is a wonderful interpretation and performance. It is crisp, sharp and is filled with electric energy. It also has a taut bite and the performance has great inherent power and presence.

Mine Monteux recording is not so old !957 and in early stereo  Paris Conservatoire Orchestra,

Karl Henning

Quote from: aligreto on January 26, 2020, 05:08:48 AM
Zelenka: Missa Sancti Josephi [Viktora]





This is my first listen to this work and I really like it. The performances from all concerned are also very good.

Brilliant!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: vers la flamme on January 26, 2020, 06:38:54 AM


Arnold Schoenberg: Variations for Orchestra, op.31. Robert Craft, Philharmonia Orchestra.

Love it!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Britten
Phaedra
The Rape of Lucretia


English opera doesn't get any better than this.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

San Antone


SonicMan46

Danzi, Franz (1763-1826) - Bassoon Concertos & Chamber Works for Various Instruments w/ the performers below; period instruments on the last two discs shown - except for a 2-CD set of his Symphonies, completes my Danzi collection; however, a list of compositions in his Wiki Aritcle shows much more, making much of his output unrecorded.  Dave :)

     

aligreto

Schubert: Piano Trio No. 1 [Oborin/Oistrakh/Knushevitsky]





This wonderful work is given a very fine, lyrical and engaging performance here.

aligreto

Quote from: Traverso on January 26, 2020, 09:07:56 AM
Mine Monteux recording is not so old !957 and in early stereo  Paris Conservatoire Orchestra,

Cheers, my friend. It is such an exciting work.


Florestan

Quote from: aligreto on January 26, 2020, 10:03:44 AM
Schubert: Piano Trio No. 1 [Oborin/Oistrakh/Knushevitsky]





This wonderful work is given a very fine, lyrical and engaging performance here.

I have it as part of this excellent set:



which I presume it is completely included in the Oistrakh box.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

aligreto

Quote from: Florestan on January 26, 2020, 10:20:04 AM




An interesting looking set. I will check if the contents are incorporated into the big Oistrakh box.
When you get a moment could you please tell me what the reference "Tchaikovsky A.O." refers to.