What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Linz

Bruckner Symphony No. 4 in E Flat Major, 1878/80 Version (1880 with Bruckner's 1886 revisions) - Ed. Leopold Nowak [1953], Martin Sieghart, Bruckner Orchester Linz

Symphonic Addict

Quote from: Peter Power Pop on April 18, 2023, 03:36:33 PMI'm a huge fan of Ross Edwards' Piano Concerto:




Work I don't know yet. I'll investigate. Thanks.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

vers la flamme



George Frideric Handel: Messiah, HWV 56. Andrew Parrott, Taverner Choir & Players

Excellent performance of a work that I really love.

vers la flamme



Johann Sebastian Bach: Motets, BWV 225-230. The Hilliard Ensemble, Hannover Knabenchor, London Baroque

First listen. Unlike the Hilliards' later traversal of these works, which I also have, this recording is accompanied instrumentally. It sounds awesome.

Symphonic Addict

Edwards: Symphonies 2 and 3

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

JBS

Beginning another new set tonight



So one of the quartets written in 1773, then one of the set dedicated to Haydn, then closing with one of the Prussian Quartets.

Hollywood Beach Broadwalk

vandermolen

Quote from: Løvfald on April 18, 2023, 06:10:39 PMEdwards: Symphonies 2 and 3


Interesting Cesar. How do they compare with 'Da Pacem Domine'?
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Que

#90607
Starting this morning with some more lute music. This time from France by Charles Mouton (1626-1710), pupil of Denis Gaultier:

 

Another recording I haven't listened to in years, but deserves to be heard!

Harry

CPE Bach.
Harpsichord Concertos.
Wq 45;3;44;32.
Les Amis de Philippe, Ludger Remy.
Recorded in 1997, Sendesaal Radio Bremen.
TT= 65:17.


I clearly forgot how beautiful these Harpsichord concertos are. I am duly impressed, by the performance and recording too. Alas, why in the olden days they always forgot to mention the solo instrument, is a bit of a downer for me, for I am always interested. I guess in this instant it is a Mielke copy, it sounds like it.
Ludger Remy is a thoughtful musician, aided by an orchestra that fits like a glove around the Harpsichord, very much integrated.
I have another CD with the same group with the concertos Wq-38;30;37. Will look in my collection if I have more, if there are more!
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Mandryka



Two lady masses on this CD, I'm listening to Missa De Beata Virgine. I think one thing I've become aware of generally is how beautiful Josquin's Kyrie settings are.
Wovon man nicht sprechen kann, darüber muss man schweigen

Que

This recording caught my eye in my French Baroque section:



I don't think anyone needs lots of Philidor on the shelves, but his writing for oboe is lovely and performances by Alfredo Bernardini et al elevates the music.

Florestan

"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

Traverso

Bach

Harpsichord Concertos

BWV 1053-1052 & 1054


Harry

CPE. Bach.
Sonatas for Fortepiano, Violin and Cello.
Wq 89, No. 1,5 & 6.
Wq 90, No.3.
Wq 91, No. 3 & 4.
Trio 1790, on period instruments.
Fortepiano after Matthäus Heilmann, about 1780, built by Derek Adlam, 1978.
Recorded in 1993, Sendesaal des DLF, Köln.
TT= 74:13.


Very good interpretations of the works on this disc. Harald Hoeren is a star on the fortepiano, and no less are his fellow musicians on this disc. Very successful enterprise all around. Well recorded too. CPE Bach is giving in these wonderful works a lot to consider, not least his fabulous control of the notes, in writing such good music.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

foxandpeng

Alexander Glazunov
Orchestral Works Volume 18
Masquerade
Dmitry Yablonsky
Gnesin Academy Chorus
Russian Philharmonic Orchestra
Naxos


"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Roasted Swan

Quote from: Brian on April 18, 2023, 02:54:06 PMfoxandpeng, I was upset this morning - tried streaming the Finnish album from that Glazunov series and Qobuz only played 30 second samples  :(

Any top favorites so far from the series, excluding the symphonies?


Harry

CPE Bach.
Cello concertos, 1-3.
Balazs Mate, Cello.
Concerto Armonico, Peter Szüts.
On authentic instruments.
Recorded in 1995-Hungaroton.
TT= 68:58.


Well considered recordings of the Cello concertos. Balazs is a very good cellist, and is using a Cello that sounds authentic, as is his playing. Clean and warm renderings, aided by a fine orchestra. Nothing amiss here! Sound is fine too. As it is, I have to play one concerto (Wq 172) with Tim Hugh on the cello, and with the Bournemouth Sinfonietta on Naxos, not authentic though. Lets see what comes of that!
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Spotted Horses

String Quartet No 17, in B-flat. Amadeus Quartet



Interesting to revisit these works that I used to listen to incessantly, but haven't heard in a while. The highlight of this one, for me, is the haunting slow movement which, against convention, comes third in this work.

Papy Oli

Amy Beach - Violin Sonata

Olivier

Bachtoven

Excellent playing and very vivid sound. If this is truly a "live" recording, then he's a remarkably clean player. Qobuz 24/96.