What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Florestan

#9060


Meh! Staccato all the way, bang bang all the way --- NO!

For God's sake, it's Mozart not Bartok.

Give me Fazil Say, if contemporary needs be. His moaning&groaming is at least human.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Florestan

Quote from: Florestan on January 28, 2020, 09:54:01 AM


Meh! Staccato all the way, bang bang all the way --- NO!

For God's sake, it's Mozart not Bartok.

Give me Fazil Say, if contemporary needs be. His moaning&groaming is at least human.

Fazil Say is very good. Donohoe is very meh.

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

SonicMan46

Devienne, Francois (1759-1803) - Bassoon & Oboe Sonatas w/ Danny Bond & Sergio Azzolini on bassoons; Ingo Goritzki on oboe - own a half dozen discs of Devienne's bassoon works - back in 2009, I started a thread on this short-lived French composer (HERE) that is still on the first page; plenty of other images of recordings of his works - visit and post, if interested.  Dave

P.S. Bond plays a period bassoon (Pieter de Koningh after Prudent, Paris ca. 1765); from the pics in the booklet to the other 2-CDs, Azzolini is on a period bassoon; Goritzki's oboe looks and sounds modern (no descriptions in the notes).

 

Mandryka

Quote from: Florestan on January 28, 2020, 10:08:07 AM
Donohoe is very meh[in Mozart]

I have a friend who plays piano and who raves about these releases. For that reason I've not given up on them. The more I listen to Donohoe,  the more the interpretations reveal something -- that he's open to the darker, weightier side of the music. But in truth I haven't listened enough to comment any more than that.
Wovon man nicht sprechen kann, darüber muss man schweigen

Florestan

Quote from: Mandryka on January 28, 2020, 10:36:51 AM
I have a friend who plays piano and who raves about these releases. For that reason I've not given up on them. The more I listen to Donohoe,  the more the interpretations reveal something -- that he's open to the darker, weightier side of the music.

Is it the darker, weightier side of the music, or of Mozart's music?
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Mandryka

Quote from: Florestan on January 28, 2020, 10:45:13 AM
Is it the darker, weightier side of the music, or of Mozart's music?

Wovon man nicht sprechen kann, darüber muss man schweigen
Wovon man nicht sprechen kann, darüber muss man schweigen

pi2000

Shostakovich  Qt 8 Quatuor Danel from here:
[asin] B018WD4STK[/asin]

https://www.youtube.com/watch?v=t3HmrqUfE0E&t=10s
:-*

listener

"Cabaret Songs' from Theresienstadt
Amelia DeMayo, Curt Buckler, Sergei Dreznin
lots of words, full English translations
BACH/MARCELLO Concerto in d, BACH/VIVALDI Concerto in D, ZIPOLI 4 short pieces,
MUFFAT: Toccata 12, Partita in d
Heldrun Hensel, Ahrend-Organ, Landshut
no stop-list, but an informative note on Italian influences in South-German organ music
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Traverso

Quote from: Florestan on January 28, 2020, 10:45:13 AM
Is it the darker, weightier side of the music, or of Mozart's music?

Your mailbox is full

I just ordered the Denon set  ;)

Mirror Image

Pärt
Symphony No. 1, "Polyphony"
NFM Wrocław Philharmonic
Tõnu Kaljuste




Interesting symphony, which I doubt I'll play again for a long-time. Not that it's bad, but Pärt like so many Eastern bloc composers, started off experimenting with Serialism à la Schoenberg or Webern, but after this early period, most of them turned their backs on this style. One of the main reasons, besides it being a stylistic dead-end, was the Soviet authorities would put a lot of pressure on all of the composers to write music that wasn't what they deemed 'morally contempt' (for lack of a better phrase). Of course, there were some composers that ignored them and continued to do their own thing like Gubaidulina, Denisov, etc., but others like Penderecki, Schnittke, Silvestrov, Górecki, and Pärt felt that this experimenting and dabbling in Serialism (amongst other avant-garde styles) had reached a saturation point. It's difficult to fathom that Pärt is now in his mid-80s.

André


JBS

Second listen
A very powerful Fourth
[asin]B07YTD412F[/asin]

Hollywood Beach Broadwalk

vandermolen

#9072
Quote from: JBS on January 28, 2020, 01:11:37 PM
Second listen
A very powerful Fourth
[asin]B07YTD412F[/asin]
Good to know Jeffrey. I must get round to No.4

Thread duty.
Einar Englund 'Epinikia' - a rather powerful, poetic, short yet inspiriting work - described as a 'triumphal hymn'.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Daverz

Quote from: vandermolen on January 28, 2020, 01:22:28 PM
Good to know Jeffrey. I must get round to No.4

Thread duty.
Einar Englund 'Epinikia' - a rather powerful, poetic, short yet inspiriting work - described as a 'triumphal hymn'.


I have some of that in this set:

[asin] B00002530M[/asin]

Too bad Warner doesn't seem to be doing anything with their Finlandia back-catalog.

TD:



https://open.qobuz.com/album/0794465959729

Poppy, jazzy post-minimalist orchestral/electro-acoustic works.  I like it.

vandermolen

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

SimonNZ


Roasted Swan

Quote from: JBS on January 28, 2020, 01:11:37 PM
Second listen
A very powerful Fourth
[asin]B07YTD412F[/asin]

This 4th really didn't get my pulse racing!  Where's the venom, the brutality?!  Well played and well engineered for sure but when you put it against the brutal 1st recording (also with the BBC SO) with the composer on the stick this just sounds "quite cross"!

André

Quote from: vandermolen on January 28, 2020, 01:38:26 PM
:-*
Very nice CD. Christo will be pleased.  8)

An excellent program. I was particularly taken with the colourful Mascherata suite/symphony.

JBS

Quote from: Roasted Swan on January 28, 2020, 02:09:39 PM
This 4th really didn't get my pulse racing!  Where's the venom, the brutality?!  Well played and well engineered for sure but when you put it against the brutal 1st recording (also with the BBC SO) with the composer on the stick this just sounds "quite cross"!

I've never heard the RVW conducted recording.  But this one had what I thought was a fairly brutal last movement.

TD
Ronald Brautigam on fortepiano playing various variations and dances by Beethoven, the best known ones on this CD being the variations on God Save the King and Rule Brittania. From his set of LvB's non-sonata works for keyboard.

Hollywood Beach Broadwalk

Christo

Quote from: vandermolen on January 28, 2020, 01:38:26 PM
:-*
Very nice CD. Christo will be pleased.  8)

He is. Yet volume III, with both the Third & Fifth ('Symphonie Concertante') symphonies is my stern favourite.


(Such a pity these four CDs are just numbered volumes 1-4, in stead of showing the symphonies & other orchestral works on the cover (this presentation doesn't sell, I'm afraid). Hope CPO will release them as a box, one day.)  ???
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948