What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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André


Daverz

Quote from: André on February 08, 2020, 05:14:38 PM


Love that recording of the Colour Symphony, and Adam Zero is great, too.

Now playing:

Hermann Koppel: Piano Concerto No. 3

[asin] B082PQMKT3[/asin]

JBS

Second listen
[asin]B07ZWBPMM9[/asin]

Hollywood Beach Broadwalk

Todd




Liszt playing so good that even the composer himself may have been jealous had he been able to hear it.  Unabashedly virtuosic and supremely well executed throughout, the Sonata is a scorcher, the Legendes are industrial strength (more so than in person!), as is the intense and super-heated, if not especially romantic Dante Sonata.  The Csardas obstinee makes for a fine closer.  Having heard Moog play Liszt in person, including the Legendes, and the fiendishly challenging Hexameron, I can say that what's on this disc is more or less what one would hear in person.  While my ultimate preference in Liszt interpretation includes a bit more flexibility and romanticism, for this style of approach, Moog simply cannot be faulted. 
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Karl Henning

A Shostakovich Romance, because even a Gadfly deserves some happiness.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

Quote from: Mirror Image on February 08, 2020, 04:04:38 PM
A great performance, indeed. I also absolutely love Boulez's earlier account on Columbia with the New York PO. Another favorite is Dohnányi with the Wiener Philharmoniker (an unlikely orchestra for this composer) on Decca. I'm not sure if you've heard this one, but it might be OOP.

I know that Boulez, but the Dohnanyi don't. Do you refer to this recording?

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!


Mirror Image

Quote from: Symphonic Addict on February 08, 2020, 05:57:17 PM
I know that Boulez, but the Dohnanyi don't. Do you refer to this recording?



Yes, that's the one. It's been reissued a few times, so it's good to see it's still in-print after all.

A direct link:

[asin]B07RJ9MFPK[/asin]

Karl Henning

Shostakovich
Symphony # 7 in C, Op. 60, Leningrad
Leningrad Phil
Mravinsky
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

Boulez
Le Marteau sans maître
Hilary Summers (alto)
West-Eastern Divan Orchestra
Pierre Boulez




I have several problems with this particular performance: 1. I don't like the up-close audio quality --- there's no sense of space whatsoever and 2. I don't think the performance was as inspired as the one Boulez conducted earlier for DG. I'll stick with the earlier performance.

San Antone

#9850
Quote from: Todd on February 08, 2020, 05:30:56 PM



Liszt playing so good that even the composer himself may have been jealous had he been able to hear it.  Unabashedly virtuosic and supremely well executed throughout, the Sonata is a scorcher, ...

I have to disagree.  His performance of the B Minor Sonata, a work for which I've invested a lot of listening time, is superficial and overly fast without any musical command of the work.  For recordings of this work that are technically and musically far superior, listen to Zimerman, Argerich or Demidenko.

Carlo Gesualdo

Tonight yes dear kind folks, I will be revisiting Hyeronymus Praetorius, a great German of late renaissance, whit three album two on CPO one on Arisis Label two great offering on CPO and a marvelous work on Arisis what else can I say, I don't know why I left him out in my huge library for so long, he a super composer coming from a family of musicians.

Germany can be proud of the Praetorius, all do not my favorite composer he an interresting composer to have if you like late renaissance.

You know deprofundis by now he stock in renaissance and late renaissance, I'm an old soul I guess. Who as these please and cherish his works.

Mirror Image

Boulez
Le Marteau sans maître
Hilary Summers (alto)
Ensemble intercontemporain




Much, much better. 8)

Todd

Quote from: San Antone on February 08, 2020, 06:34:42 PMFor recordings of this work that are technically and musically far superior, listen to Zimerman, Argerich or Demidenko.


I've not heard Demidenko, but have known both Zimerman and Argerich for decades.  I prefer Zimerman to Moog, but Moog to Argerich.  I prefer Freire and Angelich to all names listed.  I've listened to enough Liszt to know what I like and why I like it.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Mirror Image

Penderecki
The Dream of Jacob
Polish National Radio Symphony Orchestra
Krzysztof Penderecki




A fantastic piece. I don't know what it is but early Penderecki always sounded better to me than anything written by Xenakis. There's a beating heart in this music.

Mirror Image

#9855
Reich
Music for 18 Musicians
Steve Reich Ensemble




Has there ever been a better recording of this acknowledged Minimalist masterpiece other than this recording? Not to my recollection. Of course, I can call something a 'masterpiece' and still have ambivalent feelings about the music --- I recall turning a friend onto Reich back in '01 or '02. I guess you could say that Reich was one of the first classical composers I ever got into.

Edit: Okay, I turned this work off. I now have a headache. :-\

Mirror Image

One last work for the night:

Janáček
Pohádka
Paul Crossley (piano), Christopher van Kampen (cello)



Harry

The storm has started in the Netherlands. She has a name "Ciara". It's a heavy one, and a lot of damage is expected. Wind speeds up to 140 kilometers, heavy rains, up to 30 mm. Let's hope we stay safe. I am still repairing damages from the last storm in 2019. Pray for us if you can, and those that cannot, keep your fingers crossed that all goes well.
So no listening for me today. :(
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

vandermolen

Quote from: "Harry" on February 08, 2020, 10:18:48 PM
The storm has started in the Netherlands. She has a name "Ciara". It's a heavy one, and a lot of damage is expected. Wind speeds up to 140 kilometers, heavy rains, up to 30 mm. Let's hope we stay safe. I am still repairing damages from the last storm in 2019. Pray for us if you can, and those that cannot, keep your fingers crossed that all goes well.
So no listening for me today. :(

Keep safe Harry - it's going on here in Southern England too. Sounds like the wind machine from Sinfonia Antartica out the back window.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: Daverz on February 08, 2020, 05:19:26 PM
Love that recording of the Colour Symphony, and Adam Zero is great, too.

Now playing:

Hermann Koppel: Piano Concerto No. 3

[asin] B082PQMKT3[/asin]

+1 for the Bliss CD. I love both works and that's a great coupling.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).