What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Papy Oli

Didn't go beyond the SQ1 yesterday, replaying the whole album from scratch.

Olivier

Irons

Quote from: Papy Oli on June 30, 2020, 04:37:50 AM
Lol, Johan,
Thank you both for checking. I do not have enough familiarity or knowledge on Shostakovich as a whole so wouldn't know on that angle. I'll check Beni Mora. I am just surprised as to how familiar that snippet sounded to me. I do not own Rubbra SQ's in my collection, I may have sampled some briefly on YT last year but not to the extent that it would have created such a familiar impact yesterday.  :-\

Not much use to you Olivier but thanks for introducing such an impressive piece of music. Like Jeffrey I have also ordered a copy of the 1st Quartet.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Papy Oli

Quote from: Irons on June 30, 2020, 04:55:19 AM
Not much use to you Olivier but thanks for introducing such an impressive piece of music. Like Jeffrey I have also ordered a copy of the 1st Quartet.

Credit where it's due, you Brits know how to do a Lento  ;D

SQ1 will definitely be a purchase for me later on. I'll have a listen to the Dutton version as well to see which I'll get ultimately.

Listening to SQ3 now, definitely a bit harsher.
Olivier

Biffo

Vaughan Williams: Piano Concerto in C major - Howard Shelley piano with the London Symphony Orchestra conducted by Bryden Thomson

Mahlerian

Gubaidulina: Pro et contra
BBC National Orchestra of Wales, cond. Otaka
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Papy Oli

Checking out Rubbra SQ2 as well.

Olivier

Madiel

Decided to keep "Domus" and "Piano Quartet No.2", but switch from Brahms to Dvorak

I am now working on a discography of the works of Vagn Holmboe. Please visit and also contribute!

Mirror Image

Quote from: vandermolen on June 29, 2020, 10:39:20 PM
It does indeed. I remember my ears pricking up when, by chance, I heard 'Evocation' on the car radio. That lead me to that fine CD. I also like the Bloch CD (Poems of the Sea etc) that you posted earlier.

Yeah, Jeffrey. I've enjoyed all of the Ben-Haim I have on disc so far. I ordered the Toccata Classics recording with his SQ and String Quintet, so I'm looking forward to hearing those works.

Mahlerian

Beethoven: String Quartet No. 9 in C Op. 59 No. 3
Alban Berg Quartet
"l do not consider my music as atonal, but rather as non-tonal. I feel the unity of all keys. Atonal music by modern composers admits of no key at all, no feeling of any definite center." - Arnold Schoenberg

Mirror Image

String Quartet No. 2 in E-flat major, Op. 26





I'm really enjoying these SQs from Korngold. Beautiful works.

ritter

#20230
A short Straussian interlude chez ritter, with the a capella choral piece An den Baum Daphne.



This is a curious piece. Joseph Gregor, the much-maligned librettist of Strauss's opera Daphne (whom I must admit I find perfectly serviceable) envisaged to close that one-acter with a choral comment on the lead's transformation into a laurel tree, but the composer wisely opted for an orchestral piece (with vocalises by the soprano) instead—and giving us, as a result, one of those beautiful scenes for soprano and orchestra in which he excelled. Several years later, he decided to set Gregor's text for unaccompanied chorus, as a sort of epilogue to the opera, and using some of the musical themes of the original work. The result is attractive, and listening to the familiar tunes in a completely different sound world is quite interesting, but (lasting 15 minutes) it outstays its welcome a bit.

EDIT:

Well, the Straussian diversion won't be that short. I followed An den Baum Daphne with the closing scene of the opera, in the classic 1964 live recording from Vienna recording with Hilde Güden under the work's dedicatee Karl Böhm. Daphne is a favourite of mine, and this recording has been on my shelves—in one or another incarnation—for almost 40 years now.



And now, the Strauss soprano-fest continues with this beautiful recital disc:

[asin]B0084MD3NW[/asin]
Anne Schwanewilms is IMHO a straussian soprano of the highest rank, with a fragile but well projected, nuanced  and expressive voice. The whole program here showcases her abilities.

I had the chance to see Schwanewilms live in the Four Last Songs; she regrettably announced that she was indisposed, and after September I noticed conductor David Afkham indicate "four" with his fingers to the orchestra, which meant that Beim Schlafengehen was skipped and we only had "Three Last Songs"  :(. Still, what we got was very good (followed by an excellent rendition of Bruckner's Seventh).



Papy Oli

Olivier

vandermolen

#20232
Symphony No.5

Fabulous performance which, I think, brings out the sibelian influences (it is dedicated to Sibelius):
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Mirror Image

Now playing the Clarinet Concerto:


Madiel

Debussy: that Faun-Prelude thingy.

I am now working on a discography of the works of Vagn Holmboe. Please visit and also contribute!

Traverso

Beethoven

Dear Martha....I wish that she recorded more Beethoven

Choral Fantasy
Orchestra della Svizzera Italiana/Diego Fasolis
Coro della Radiotelevione Svizzera


Papy Oli

Beethoven - piano sonatas No.1 & 2 Op.2 (Lucchesini)

Olivier

ritter

Quote from: Traverso on June 30, 2020, 06:46:46 AM
Beethoven

Dear Martha....I wish that she recorded more Beethoven
....
...but not another recording (the 200th?) of PCs 1 and/or 2, please... ::) :D

Irons

Quote from: vandermolen on June 30, 2020, 06:34:00 AM
Symphony No.5

Fabulous performance which, I think, brings out the sibelian influences (it is dedicated to Sibelius):

In the event of a hypothetical fire the one recording I would grab first. 
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

vandermolen

#20239
Quote from: Mirror Image on June 30, 2020, 05:51:31 AM
Yeah, Jeffrey. I've enjoyed all of the Ben-Haim I have on disc so far. I ordered the Toccata Classics recording with his SQ and String Quintet, so I'm looking forward to hearing those works.

Very nice John (as you would say :))

Now playing: Vaughan Williams: Three Portraits from 'The England of Elizabeth'. I've always had a soft spot for this atmospheric and poetic work:

In the Previn boxed set it's coupled with Symphony No.5 and the Tuba Concerto, making a great programme.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).