What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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JBS

Symphonies 3 and 4
[asin]B087CP8SD7[/asin]
Have given most of this set a few listens.

The First is done well; the Second is the best performance I remember in a while; the Third, Fifth, Sixth, and Ninth are done well, but nothing outstanding; the Fourth, Seventh, and Eighth [note: these three happen to be my favorites out of all the Holy Nine] are extremely well done and make the whole set worth having. The fast movements in general have a little more energy than usual.

Hollywood Beach Broadwalk

Madiel

Quote from: Mirror Image on July 14, 2020, 02:19:41 PM
Má vlast from this outstanding collection of Smetana orchestral works:



To Vers la flamme, if you haven't heard this performance, then you should rectify this ASAP. You'll love it!

Which orchestra is that one? I was reading the other thread and there were so many Kubelik performances I was losing track...
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

JBS

#21402
Quote from: Madiel on July 14, 2020, 07:05:28 PM
Which orchestra is that one? I was reading the other thread and there were so many Kubelik performances I was losing track...

The DG recording seems to be with the Boston SO for Ma Vlast. The other tone poems on CD2 are with the Bavarian RSO. Levine's share is limited to the selections from the Bartered Bride (with the VPO).

This is the Amazon US listing
https://www.amazon.com/Smetana-Ma-Vlast-Orchestral-Works/dp/B000024577/

ETA
The "other tone poems" are on this CD coupled with Janacek's Sinfonietta. They actually interest me more than Ma Vlast, since the only recording of them I have is a rather blah one on Naxos.
https://www.amazon.com/Smetana-Richard-Wallensteins-Carnival-Sinfonietta/dp/B00000E55Y/

Hollywood Beach Broadwalk

JBS

TD
Brahms
String Sextets
Amadeus Quartet and friends

Hollywood Beach Broadwalk

Symphonic Addict

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Mirror Image

#21405
Quote from: Madiel on July 14, 2020, 07:05:28 PM
Which orchestra is that one? I was reading the other thread and there were so many Kubelik performances I was losing track...

The Boston SO.

Edit: I see JBS (Jeffrey) already beat me to it. :)

Mandryka



I'm not normally keen on two harpsichords, so I'm quite surprised to find myself enjoying this.
Wovon man nicht sprechen kann, darüber muss man schweigen

Madiel

Quote from: Mirror Image on July 14, 2020, 09:13:59 PM
The Boston SO.

Edit: I see JBS (Jeffrey) already beat me to it. :)

Thanks for replying nevertheless. That means it's the version I already have, on a single disc of just Ma Vlast.
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

vandermolen

#21408
Quote from: Irons on July 14, 2020, 01:19:55 PM
Vaughan Williams: Job.

Rubbra: Sonata for Cello & Piano.



Job is morphing from being my least to most favourite RVW work. Disparate parts making a glorious whole.

Sitting on the fence with Rubbra's Cello Sonata. Not the music itself, but the form is odd. The finale, which is as long as the first two movements, is complex and requires repeated hearings I think.
And that's a very nice performance of 'Job' Lol and a great VW disc altogether.

Early morning listening: Frank Bridge 'The Sea'.
I remember how much I enjoyed this LP when it first came out, especially for The Sea and the magnificent 'Enter Spring' which, together with 'Oration', I think is Bridge's greatest orchestral work. 'The Sea' obviously had a great influence on Britten's 'Sea Interludes from Peter Grimes' as Bridge was the teacher of Britten. 'The lovely 'Moonlight' is my favourite movement from 'The Sea' although I greatly admire the work as a whole.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: Symphonic Addict on July 14, 2020, 04:22:04 PM


Magical, subtle, ethereal music. Narcisse et Echo would come being like the Russian response to Daphnis et Chloé (?). Those wordless choruses provide an evocative effect.
+1
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

Quote from: Mirror Image on July 14, 2020, 05:03:40 PM
Concerto gregoriano



Such a gorgeous work. Could this be Respighi's greatest concerto? It's a likely candidate for sure.
That is a wonderful work. When I first heard it on the radio I thought that it must be by Finzi!
::)
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

SimonNZ


vandermolen

#21412
Quote from: deprofundis on July 14, 2020, 05:55:56 PM
Don't get me wrong, there is only one way in my head, Alexander Mossolov a genious but, his string quartet start  and terrified me, very spooky stuff, very good stuff, I have the album Bernard van Dieren , & Mossolov which I find genius , were Bernard van Dieren is conforting music Mossolov is unsettling, and bleak, I love it but it's sure is spooky, what do you think hey?

Great string quartets the best I heard so far in modern era, cough my ears solid...while Mossolov seem a bit hellish in a bizare way when it start, perhaps it's me and I'm a chicken wuss, so I confess to thee lord my chickenwussness, and bow down in shame...

;D
You might enjoy this CD dp. The Mossolov was my favourite work on it. Roslavets has also been a nice recent discovery for me:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Que

.[asin]B084C8QNH2[/asin]

A 2CD set with reissued recordings from the late '80s.
Amazing performances, everything in idiomatic style and done to perfection.
This reissue comes with a beautiful cover and at an attractive price, which unfortunately also means a "billfold" presentation with the discs squeezed in and a tiny booklet with brief liner notes and NO texts...

Q



Mandryka



A great pleasure to return to this. I have a feeling that this is a recording which repays repeated listening.
Wovon man nicht sprechen kann, darüber muss man schweigen

Harry

Quote from: Mandryka on July 15, 2020, 12:03:45 AM


A great pleasure to return to this. I have a feeling that this is a recording which repays repeated listening.

I like the organ works, but the vocal contributions are not to my liking.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

aligreto

JS Bach: Harpsichord Concertos BWV 1055 & BWV 1056 [[Pinnock]





I have always liked this set. The interpretations are clean, crisp and true and the pacing is very good. The playing is always of a high standard.




Harry

The Ear of the Huguenots
Huelgas Ensemble, Paul van Nevel.


Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Thom

Rubbra symphony no 4. Haven't heard this one for a long time but I remember it so well. It was one of my favourites of Rubbra's output which I like very much on the whole.


Harry

Dieterich Buxtehude, Complete Organ Works, 5- CD 2.
Nicolaus Bruhns, The Complete Organ Works.

Ton Koopman plays on the Bielefeldt organ (1736)  St. Wilhadi, Stade Germany.


Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"