What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mandryka

Quote from: Que on October 17, 2020, 01:59:13 AM
The ocassional instrumental accompaniment was something to get used to, but it is subtle and nicely done.

Looks good!  :) I'm  putting it on the playing list.

Q

Yes I really enjoyed it and this even more so (just because it's lighter music) -- I had a Senfl morning





Wovon man nicht sprechen kann, darüber muss man schweigen

amw

Quote from: Wanderer on October 17, 2020, 02:46:46 AM
It's like a train wreck you can't take your eyes (ears) off of. Tons of infectious energy, but oh-so-screechy.  :D
However, the rendition of Stravinsky's Les noces that follows is spectacularly good.
I like the Kopatchinskaja/Currentzis Tchaikovsky concerto but I also find that concerto a pretty hard piece to ruin; I like almost all of the other recordings I have of it (with Gluzman/Litton and Mutter/Previn probably at the top).

(thread duty: Mompou - Musica Callada - Steffen Schleiermacher; a performance evidently modelled off the composer's own)

Que


Traverso

John Adams


First listening for me


The new erato

A really excellent disc of some high-quality music:


Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Harry

Quote from: The new erato on October 17, 2020, 04:53:04 AM
A really excellent disc of some high-quality music:



Yes it is, rather!
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

kyjo

Quote from: MusicTurner on October 16, 2020, 05:07:01 AM
Francaix strikes a more serious or complicated note for example in the Apocalypse de St Jean, and some of the concertos and works for string orchestra; the Octet, A Huit played by the Esbjerg Ensemble is quite fabulous, IMHO.

Thanks, MusicTurner. That Apocalypse... oratorio sounds quite intriguing!
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

Iota



Bach: Trio Sonata No. 1 in Eb Major


Elegance incarnate.

kyjo

Quote from: Symphonic Addict on October 16, 2020, 11:32:10 AM


Cello Sonata No. 1

I only knew the No. 2 but not this one, and how great it is. An intense, expressive, eloquent work. The slow movement conveys a quite effective feeling of grief. This composer wrote some heartfelt music I find so moving.

Oh yes, Ornstein's cello sonatas are wonderful. The soulfulness and general language of his music recalls Bloch at times, but he has his own voice.
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

kyjo

"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

kyjo

Quote from: Florestan on October 16, 2020, 04:06:07 AM
Well, in my book "very pleasant" equals "very good" and I have yet to hear an unpleasant Wolf-Ferrari work. We can still be friends, though.  :)

I should clarify: the problem I had with the work is not because it's "pleasant" but because it lacked distinguished thematic material and interesting development, to my ears. :) That said, I have heard some works by Wolf-Ferrari that I enjoyed quite a bit (Sinfonia da camera, Piano Quintet) and I intend on exploring his output further. Maybe I should try one of his operas next?
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

ritter

Quote from: kyjo on October 17, 2020, 07:00:50 AM
I should clarify: the problem I had with the work is not because it's "pleasant" but because it lacked distinguished thematic material and interesting development, to my ears. :) That said, I have heard some works by Wolf-Ferrari that I enjoyed quite a bit (Sinfonia da camera, Piano Quintet) and I intend on exploring his output further. Maybe I should try one of his operas next?
I didn't find W-F's Violin Concerto interesting either (TBH, I found it extremely dull and tedious), but do admire some of his other works (e.g., the concerti for wind instruments), and am a great fan of his operas. The late Il campiello is W-F at the top of his game IMO. Do give it a try... :)

pjme

Quote from: kyjo on October 17, 2020, 06:44:13 AM
Thanks, MusicTurner. That Apocalypse... oratorio sounds quite intriguing!

Only one recording - and it it is not a very good one, alas. It is on YT.

I mentioned earlier a beautiful fragment on YT (two soprano arias) with Diana Damrau and, possibly Marcello Viotti as conductor.
This work shows a serious and ambitious Françaix - but IMO it remains a fairly gentle (and gently boring) Apocalypse....

Maestro267

Lajtha: Symphonies Nos. 5 & 6
Pecs SO/Pasquet

Myaskovsky: Symphony No. 3
RFASO/Svetlanov

Shostakovich: Symphony No. 1
Royal Liverpool PO/Petrenko

MusicTurner

#26315
Bruckner - Symphony no.7 - Haenchen,Netherlands PO/Laserlight Classics

Seems to be one of the better Sevenths, IMHO. It's a live recording.

EDIT: The work's ending was a bit too subdued, one didn't get the impression of a real conclusion.



Karl Henning

Quote from: Traverso on October 17, 2020, 04:46:55 AM
John Adams


First listening for me



Will be interested in your report, Jan.

Thread Duty:
Marcus Toren playing the Hindemith organ sonatas.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Traverso

Bach

"Triple Concert" Traverso,Violin & cembalo

Frans Brüggen,Marie Leonhardt & Gustav Leonhardt

Leonhardt Consort


Beautiful......





Traverso

Quote from: k a rl h e nn i ng on October 17, 2020, 10:28:44 AM
Will be interested in your report, Jan.

Thread Duty:
Marcus Toren playing the Hindemith organ sonatas.

Hi Karl, I first heard this recording today after a recommendation on another forum by a member who is also a composer who regards this is one of Adams' best works.
It is a very inviting work that immediately attracts attention, the music passes you like a movie, at least if you have any imagination. :)
It is a very accessible composition  and clearly in an American tradition, the melody formation in particular.
I think it is a very beautiful work with pastoral quiet moments.
Colorful is also one of the keywords and an appealing rhythmic pulse that feels beneficial.
The whole has a very positive optimistic view.


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