What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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aligreto

Quote from: SonicMan46 on June 14, 2021, 10:39:38 AM
Vivaldi, Antonio - Oboe Concertos w/ L'Arte dell'Arco and Pier Luigi Fabretti on a Baroque oboe copy by Pau Orriols (2008) after Thomas Stanesby Junior, c. 1720, and probably similar to the oboe shown below.  Dave :)

 

That is a great set, Dave, for anyone interested in that repertoire.

Brian

Quote from: Mirror Image on June 14, 2021, 12:56:24 PM
Anyway, for me, it's futile trying to pigeonhole someone of Walton's compositional prowess.
Wasn't pigeonholing. It was and remains a compliment! Whatever.

Mirror Image

Quote from: Brian on June 14, 2021, 01:04:44 PM
Wasn't pigeonholing. It was and remains a compliment! Whatever.

Okay. :-\

Mandryka

Quote from: steve ridgway on June 14, 2021, 06:31:40 AM
Stockhausen - Japan.



It's become increasingly clear that Stockhausen is the most Japanese of all classical music composers, including Japanese classical music composers.
Wovon man nicht sprechen kann, darüber muss man schweigen

Karl Henning

Quote from: Mirror Image on June 14, 2021, 11:48:37 AM
NP:

Vasks
Violin Concerto
Maxim Rysanov, viola/conductor
Sinfonietta Rīga




Viola Concerto, John?
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image


TheGSMoeller

I just wrote about this in the Pieces that have blown you away recently thread, so that's how I feel about it.


Karl Henning

Quote from: PaulR on June 14, 2021, 12:42:28 PM

Violin Concerto

I'm in!

Maiden-Listen Mondays!

Skalkottas
Largo Sinfonico from Suite № 2, AK 4
Vn Cto, AK 22
Georgios Demertzis, vn
Malmö Symphony
Christodoulou
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

NP:

Dvořák
In Nature's Realm, Op. 91
Carnival, Op. 92
Othello, Op. 93

LSO
Kertész


From this outstanding remastered set that is now OOP and quite expensive:



One of the joys of Dvořák is simply putting away all of your troubles, fears, etc. and enjoying the infectious enthusiasm he had for life, which even in his more somber moments, there's still light that penetrates the darkness. A composer that never grows fatiguing and that has continuously exceeded my expectations, which are difficult to win from time to time.

Daverz



Really enjoyed the Barber, and liked the Scriabin so much decided to listen to it again:



This recording isn't as transparent as the Reference recording, but makes up for it in heft and shear sound of the orchestra.

Mirror Image

Quote from: Daverz on June 14, 2021, 03:06:49 PM


Really enjoyed the Barber, and liked the Scriabin so much decided to listen to it again:



This recording isn't as transparent as the Reference recording, but makes up for it in heft and shear sound of the orchestra.

I have yet to hear one recording from Stern that I enjoy. Muti's Scriabin, on the other hand, is fiery and seething in intensity the way Scriabin ought to be performed, IMHO.

vers la flamme



Richard Wetz: Symphony No.2 in A major, op.47; Kleist Overture, op.16. Werner Andreas Albert, Staatsphilharmonie Rheinland-Pfalz

Wow, I'm really enjoying this disc. I don't often go for the "unsung late Romantics", but there is something in Wetz's music that speaks to me. Clearly, he drew much influence from the music of Anton Bruckner, but there is maybe something more intimate or even sentimental in Wetz's melodicism, and perhaps more early 20th century color to his orchestral pallet. I would love to hear more, though little has been recorded.

Karl Henning

Maiden-Listen Mondays!

Skalkottas
Tango and Foxtrot

Love this!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

André

Quote from: k a rl h e nn i ng on June 14, 2021, 02:38:07 PM
I'm in!

Maiden-Listen Mondays!

Skalkottas
Largo Sinfonico from Suite № 2, AK 4
Vn Cto, AK 22
Georgios Demertzis, vn
Malmö Symphony
Christodoulou


Coincidentally, just listening to a disc of string quartets by one of Skalkottas' teachers, Paul Juon.

Karl Henning

Quote from: André on June 14, 2021, 04:16:34 PM
Coincidentally, just listening to a disc of string quartets by one of Skalkottas' teachers, Paul Juon.

Nice!

For me now:

https://www.youtube.com/v/i0ZLl3SkRw8
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

bhodges

Britten: Violin Concerto (Augustin Hadelich / Detroit Symphony Orchestra / Jukka-Pekka Saraste, live recording March 24, 2018) - Rhetorical query: Is there anything Hadelich can't play?

https://www.youtube.com/watch?v=7lBxwqAbl1c

--Bruce

T. D.


Karl Henning

"Papa"
Symphony № 99 in Eb, Hob. I/99 « Le Chat »
The Hobbit, & al.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Symphonic Addict

Quote from: listener on June 14, 2021, 02:24:08 AM
That Dukas piece is very rare, what recording is it on?

It's on this CD. A very fine piece with a heroic quality to it.

Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky