What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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vers la flamme

Quote from: Dry Brett Kavanaugh on June 26, 2021, 04:58:38 AM
Nice album. I used to admire Dutoit before the scandal.

Right; I can only detest the guy for his alleged behavior, but seems he really had a way with French music of the 19th and 20th centuries.

Now playing:



Georges Bizet: Carmen. Claudio Abbado, London Symphony Orchestra, Ambrosian Singers

Part of an effort to listen to more opera. So far so good.

vers la flamme

Stopped after Act 1; seemed a good place for a break. Now something totally different:



Johann Sebastian Bach: Goldberg Variations, BWV 988. Wolfgang Rübsam

OK, fine; I confess: Rübsam's Goldberg is growing on me. Mandryka once gave me the advice that it helps to only listen to a few variations at a time, or at least not to try and listen to the whole thing at once; I forget what exactly he said. Must admit it works better this way. Currently listening to the variations starting from no.22. Still not convinced of the historicity of Rübsam's approach, but I enjoy the music making more and more.

Mirror Image

Quote from: Irons on June 25, 2021, 11:42:25 PM
Dvorak: Piano Quintet.

Unable to find image online but worth posting as a striking portrait of the composer.

A fine portrait, indeed:

Mirror Image

NP:

Schulhoff
String Quartet No. 1
Petersen Quartett




A superb SQ (the 2nd SQ is just as fine). I need to get back into Schulhoff, there's still several works of his in my collection that I haven't heard.

bhodges

Marking the death of Frederic Rzewski with The People United Will Never Be Defeated! (1975) and the composer at the keyboard. This live version was uploaded exactly one year ago.

https://www.youtube.com/watch?v=xiWwYsWWVSk

--Bruce

André

Quote from: Mirror Image on June 25, 2021, 09:17:29 PM
Last work for the night:

Weinberg
Piano Trio In A Minor, Op. 24
Gidon Kremer (violin), Giedre Dirvanauskaite (cello), Yulianna Avdeeva (piano)




A wonderful disc !

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Quote from: André on June 26, 2021, 06:25:05 AM
A wonderful disc !

I remain ambivalent about this Piano Trio --- it's almost impenetrable. I think I'll need a few more listens. The other two works are quite good.

Karl Henning

Quote from: Dry Brett Kavanaugh on June 26, 2021, 04:57:35 AM
Arthur Lourie piano works. Giogio Koukl.

How do you find it? (Disclosure: Giorgio is a friend)
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

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NP:

Schnittke
String Trio
Mark Lubotsky (violin), Alexander Ivashkin (cello), Theodore Kuchar (viola)



Sergeant Rock

Lambert Horoscope and Walton Facade (orchestral suite)




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

The Opus 16 is a first listen

Taneyev
Cello Quintet in G, Op. 14 (1901)
The Taneyev Quartet and Beynus Morovov

Viola Quintet in C, Op. 16 (1904)
The Taneyev Quartet and Yuri Kramarov
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Irons

Quote from: Mirror Image on June 26, 2021, 05:59:53 AM
A fine portrait, indeed:

I meant the LP cover, but yes a fine portrait.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

vandermolen

Cyril Rootham: Symphony No.1 (1931-2) - one of my favourite lesser-known British symphonies (his No.2 written at the end of his life and completed by Patrick Hadley is very moving). Rootham was the teacher of Arthur Bliss and I can't help thinking that the bracing 'open-air' quality of CBR's 1st Symphony rubbed off on his better-known pupil:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

steve ridgway

Ligeti - Requiem. Super intense. 8)


Harry

Edouard Franck.
Sonata in F major, opus 42.

Richard Franck.
Serenade in C major, opus 24.
Sonata in D major, opus 22.

Premiere recordings.

Thomas Blees, Cello.
Roswitha Gediga, Piano.


Due to the fact that my KEF Sub is in the repair shop, it defeats my attempts to play orchestral works in my office, so I stick to chamber music for the time being.  Since I bought almost the entire recorded works of both composers, if gives me ample room to enjoy these Cello sonates. Melodious, inventive and full of pure joy, like the Scherzo, Allegro vivace in the opus 42, second movement that is. Such a rapport between both musicians. Good sound.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

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SonicMan46

Quote from: Que on June 25, 2021, 11:55:16 PM
I think we agree the music is of excellent quality and surprisingly innovative!  :)

I'm a fan of Andrea Coen, and still eagerly waiting for a reissue of his recordings of the Cimarosa piano sonatas (3 discs on Italian Symphonia).

+1 -  8)  Just checking Spotify and there are three volumes of Cimarosa's Keyboard Sonatas with Andrea Coen there - setup a playlist and will listen later. Also Amazon is offering the 2-CD Brilliant set below w/ David Boldrini on fortepiano (also on Spotify) - appears that Boldrini goes to the recording max to get all 88 works on two discs; could find only a single review which is attached for those interested.  Dave :)

 

kyjo

Quote from: Roasted Swan on June 24, 2021, 12:27:38 AM
Kyjo - thanks for that list of diverse discs and the comments which I find really interesting to read (I always think this thread should be called "WHY am I listening to what are you listening to now"!

Thanks for the reminder about Alfano - I have that symphonies disc but no memories at all about it - so one to add to the rediscover list. 

Georg Schumann not sure I've ever even heard of so I'm intrigued

Kalliwoda's symphonies I don't know at all.  Back in the 80's when I worked briefly for an Artist's Agency in London, we represented Oscar Shumsky and when he came to do a recital/recording for the BBC with his viola-playing son Eric, he programmed one (possibly 2?) of the Kalliwoda violin/viola duets.  That was a complete discovery for me then - such such fun pieces - a kind of Rossini-esque pyrotechnics for 2 players

Thankyou for saying what you do about the Florence Price Symphonies.  Certainly as represented on that Naxos disc they are second rate musically.  People seem to be getting so OTT about the context of the music that they miss the point of it not being that good.  But I'm glad to hear that this Quintet comes up trumps.

The Clara Schumann concerto again I know but without any abiding memory so one to reacquaint......

Thanks for the reply, RS. I'm glad I'm not the only one who was disappointed by Price's symphonies. I have a feeling that her best compositions are the ones which involve her own instrument, the piano.
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

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NP:

Mysakovsky
Lyric Concertino in G, Op. 32/3
Russian Federation Academic SO
Svetlanov




Sounds great so far and all of the instruments and their registers are present in the writing. ::)

Florestan

Quote from: Madiel on June 24, 2021, 03:15:23 AM
I don't know if you saw the other day that I listened to no.2, I think for the first time ever. I was very taken with it.

Great minds etc --- but you already knew that regarding us both.  8)
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy