What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Harry

Herman Severin Løvenskiold.

La Sylphide.

Royal Danish Orchestra, David Garforth.


Garforth was a natural born ballet conductor, this much can be heard on this CD. Never knew him, but what he delivers on this disc is very good. Løvenskiold is a composer that was unknown to me, and just by chance did I find him when I browsed through the collect catalogue of Chandos. And the rest is history, bought it, and placed it immediately in my top list of preferred ballet compositions. The sound is top notch.
A review from me on GMG can be found (8-6-2021)
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Symphonic Addict

Quote from: kyjo on June 30, 2021, 08:22:41 PM

Raid: Symphony no. 1



I'm afraid I can't quite share Jeffrey's and Cesar's admiration for this work. It has the same "epic" atmosphere of Tubin's earlier symphonies and Walton's 1st but largely without their memorability and forward drive IMO. In particular, I found the first movement to be quite meandering. I thought the second movement was definitely the strongest, with an almost Braga Santos-like open-air quality to it. Perhaps part of the problem is that I found the sonics here to be curiously fuzzy for Chandos, blurring orchestral texture and softening dramatic impact - I don't believe it's the fault of Jarvi and the RSNO!

Sorry, I can't agree with you here, Kyle. It looks like you either listened to another different work or didn't pay attention to the music.  ;)

Did the heart-wrenching section beginning around 7:30 mark from the third movement go unnoticed for you? For me that's the highlight of the entire work. What an intense, fantastic and longing passage. Also the powerful ending of the first movement? It could be related to Tubin's idiom, but this symphony has its own personality. I even prefer it to Tubin's 1st. Just my two cents.  :)
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Sergeant Rock

Quote from: kyjo on June 30, 2021, 08:38:17 AM
And.....? ;)

Ref the Kalliwoda 7th: yes, a marvelous symphony but I prefer his Fifth on this CD. The sonics may be a factor here. The Fifth's sound is more vivid, impactful. The Seventh has fuzzy or recessed brass.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Brian

Quote from: Sergeant Rock on July 01, 2021, 06:19:02 AM
Ref the Kalliwoda 7th: yes, a marvelous symphony but I prefer his Fifth on this CD. The sonics may be a factor here. The Fifth's sound is more vivid, impactful. The Seventh has fuzzy or recessed brass.

Sarge
Agreed here.

Quote from: Symphonic Addict on July 01, 2021, 06:17:03 AM
Sorry, I can't agree with you here, Kyle. It looks like you either listened to another different work or didn't pay attention to the music.  ;)
I don't know this piece, but people are allowed to not like the things you like!

-

first listen on streaming:


Sergeant Rock

the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Mirror Image

NP:

Aho
Concerto for Soprano Saxophone and Chamber Orchestra
Anders Paulsson (soprano saxophone)
Lapland Chamber Orchestra
John Storgårds

Quintet for oboe, clarinet, bassoon, horn and piano
Markku Moilanen (oboe), Pekka Niskanen (clarinet), Antal Mojzer (bassoon), Ilkka Puputti (horn), Väinö Jalkanen (piano)




Two more magical works from Aho's pen. Man, this guy is something else.

Harry

Two pieces from this SACD.

"It's a Girl".

Louise Farrenc.
Trio for Flute, Cello, and Piano in E minor, opus 45.

Melanie Helene Bonis.
Soir-Matin for Piano trio.

Thomas Irnberger, Violin.
David Geringas, Cello.
Barbara Moser, Piano.

Both female composers are very dear to me, and in this performance they shine bright. Both works come from very talented people, who had to make their way through musical life, dominated by men, who liked their women in the kitchen and bear children. I am so glad that at least a few escaped, although nearly, and not entirely, such a fate that would have prevented them from composing. As it is, they stand firm, and express themselves in a powerful way, by both compositions. Wonderful performances, the SACD layer gives more definition and presence, thus the resolution is pristine.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Symphonic Addict

Quote from: Brian on July 01, 2021, 06:32:36 AM
I don't know this piece, but people are allowed to not like the things you like!

I know. I'm just giving my opinion.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Symphonic Addict

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Mirror Image

NP:

Bacewicz
Piano Sonata No. 2
Krystian Zimerman



Symphonic Addict

Quote from: Mirror Image on July 01, 2021, 06:42:03 AM
NP:

Aho
Concerto for Soprano Saxophone and Chamber Orchestra
Anders Paulsson (soprano saxophone)
Lapland Chamber Orchestra
John Storgårds

Quintet for oboe, clarinet, bassoon, horn and piano
Markku Moilanen (oboe), Pekka Niskanen (clarinet), Antal Mojzer (bassoon), Ilkka Puputti (horn), Väinö Jalkanen (piano)




Two more magical works from Aho's pen. Man, this guy is something else.

I concur with you.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Mirror Image


Harry

Quote from: Sergeant Rock on July 01, 2021, 06:38:44 AM
Raid Symphony No. 1, Järvi conducting

https://www.youtube.com/v/ToltuQztXMw


Sarge

I could only find one CD with the first symphony by Raid, (have that) and that was all, which seems a shame, for I like his music enormously.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Papy Oli

Bach - Trio Sonata for organ No.1 BWV 525
Karl Richter (Organ)

Olivier

Papy Oli

One last one :

Bach - Trio Sonata for organ No.1 BWV 525
Peter Hurford (Organ)

Olivier

Sergeant Rock

the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

kyjo

Quote from: vers la flamme on June 29, 2021, 04:21:08 PM


Eduard Tubin: Symphony No.6. Neeme Järvi, Swedish Radio Symphony Orchestra

Great playing from the Swedes, great BIS sound. Not sure I understand what the music is really all about (preferring Tubin's 2nd, 3rd and 4th symphonies), but I'm enjoying it nonetheless.

The 2nd and 6th (along with the 4th) are my favorites of Tubin's symphonies. I love the rhythmic intricacy of the 6th, which often takes on a jazzy (yet ominous) feel, due in part to the prominent saxophone part. Interestingly, some of the mechanistic, chugging ostinato passages in this work (and in the 2nd symphony) remind me quite strongly of Lutoslawski's Concerto for Orchestra which was written around the same time - I wonder if the two composers were familiar with each other's work?
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

kyjo

Quote from: Symphonic Addict on June 29, 2021, 05:17:55 PM
Many could prefer Tippett's first two symphonies because they sound more approachable, but for me it's the 4th which really catches my attention. What an intriguing and kaleidoscopic composition. The percussion and the orchestral textures have special relevance. A quite fascinating piece IMO.

Bortkiewicz's symphonies have good music. For me what matters the most is that the music sounds engaging and memorable, and effectively they are like that. I hear echoes of Tchaikovsky in them, but it's not an impediment to enjoy the vitality and the tuneful music. I don't necessarily need that the music is quite distinctive or very original.

That Vorisek symphony is a good example of a remarkable classical symphony, and I also include the one by Arriaga.

I need to give a serious listen to Tippett's 4th. And my opinion on Bortkiewicz still stands. :)
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

Karl Henning

Quote from: vers la flamme on July 01, 2021, 01:55:20 AM


Astor Piazzolla: Cuatro estanciónes porteñas. Gidon Kremer, Kremerata Baltica

Good stuff...

Love it!

TD:

Satie
Pièces froides: Danses de travers
Tharaud
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

VonStupp

#43599
Leo Sowerby
Classic Concerto
Festival Musick
Medieval Poem
Pageant
David Mulbury & David Craighead - organ
John Welsh - The Fairfield Orchestra


Sowerby sounds a little like Samuel Barber to my ears. The Medieval Poem, based on Let All Mortal Flesh Keep Silence, a favorite, minor-keyed church hymn of mine, also known as Picardy, really sold its mood.

Otherwise, there is nothing bombastic in these organ concertante works, which I think was ported over from Marco Polo. Never heard of NY's Fairfield Orchestra, but they do just fine, and the balance of organ to instruments is remarkably well done.



A decent American Classics entry.
All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings