What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mirror Image

#45280
NP:

Rachmaninov
Trio elegiaque No. 2 in D minor, Op. 9
Gidon Kremer, Daniil Trifonov, Giedré Dirvanauskaité




A superlative performance. This may be my favorite recording of this work. I think it's much more dynamic than my previously favored Borodin Trio performance on Chandos. Both performances make for nice interpretive contrasts.

Papy Oli

Completing the set of Bach Trios sonatas by Koopman (No.4,5,6).

Loving those.

Olivier

Karl Henning

Byrd
Mass for Five Voices
The Tallis Scholars
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: k a rl h e nn i ng on July 20, 2021, 08:29:43 AM
Myaskovsky
Opus 33 String Quartets
(i.e. "old style")
# 1 in a minor (1929-30)
# 2 in c minor (1930)
# 3 in d minor (1911-26)
Taneyev Quartet


So, # 3 was the first for him to set to writing, and # 1 the first to be completed. Interesting. All three are very good.

The work certainly paid off, the third quartet is exquisite: had to revisit the second mvt immediately:

https://www.youtube.com/v/z2oDU8lqOYQ
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

VonStupp

#45284
Camille Saint‐Saëns
Requiem, op. 54
10 Partsongs for mixed, women's, and men's chorus

Swiss Radio Chorus of Lugano
Swiss-Italian Orchestra - Diego Fasolis


Of course, Saint‐Saëns' Requiem is beautiful, although the ending Agnus Dei tune could slide right into an opera chorus.

The 40-minutes of mostly a cappella partsongs are most interesting to me. Some seem as forward sounding as Ravel and Debussy, while others are mere boisterous patriotism, and others still in a more conservative style that I associate SS's choral music. A good variety, though.

I also don't think I have heard Fasolis lead anything that wasn't Renaissance, Baroque, or Classical Era, although as always, this chorus is excellent. Fasolis uses another tenor soloist here whose timbre is not to my liking, the second for today. Must be his personal preference or a regional style.

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

MusicTurner

#45285
Back from a few days on the Stevns peninsula, now focusing a bit on Valen's piano works.

Riefling is a more expressive pianist here, than I remember him to be from the earlier LP years (this one originally came on LP too, but somewhat later in his career).

Btw, Valen is said to have written 20-30.000 piano etudes; none have been recorded. They might just be mechanical exercises (I don't know), but one would think that just a small selection would be of interest for people who like the major, Norwegian composers, also if presenting some other piano works by Valen or his contemporaries.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

SonicMan46

Farrenc's Nonet - the Nonet that I owned was w/ Dieter Klöcker and the Consortium Classicum and was purchased as a MP3 download  (DL) years ago; well, yesterday numerous glitches were present on listening, so I searched for a 'new' recording and decided to buy the Ambache Chamber Ensemble as a WAV DL from Qobuz for $10 USD; burned to a CD-R and playing beautifully this morning on my den speakers - its contents are shown below; single reviews of each are attached for those interested - now, there are some other 'Nonets' available but the other pieces included may not please or be desired?  Dave :)

   

Brian

Quote from: k a rl h e nn i ng on July 20, 2021, 10:07:37 AM
On the pastoral side:
You mind-reader, you! I was just getting ready to stream the Naxos album of Piston quartets 1, 3, 5, and noticed that the album only totaled 49 minutes. I thought "Why didn't they include 2 and 4? How long are they?" Well, there was plenty of room on that disc to include 4...but hey, you got me the connection with that YouTube video.

Symphonic Addict

Quote from: kyjo on July 19, 2021, 08:23:16 PM
You know what, despite being a huge admirer of Andreae, I don't think I've ever listened to his SQs nos. 1 and 2. Time to rectify that! What do you think of his two symphonies and two piano trios (which I love dearly)?

Yes, you should!

Both symphonies are splendid, expertly written, so I love them. The piano trios are good, but I have to say I prefer the string quartets to them, above all the 1st one. That's something else. The 2nd SQ is also fantastic, if a bit more restrained.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Karl Henning

Quote from: Brian on July 20, 2021, 10:09:42 AM
You mind-reader, you! I was just getting ready to stream the Naxos album of Piston quartets 1, 3, 5, and noticed that the album only totaled 49 minutes. I thought "Why didn't they include 2 and 4? How long are they?" Well, there was plenty of room on that disc to include 4...but hey, you got me the connection with that YouTube video.

Trippy.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

SonicMan46

Farrenc, Louise - Piano Works w/ Joanne Polk (from 2019) and Konstanze Eickhorst (2002); I do not own the third recording shown which includes mainly 'variations' (assume similar to transcriptions); of the two in my collections, there is some overlap w/ the Air russe varié, Op. 17 and the Etudes, Op. 26 - I'd probably recommend the Polk if just one is desired (see Dubins comments) - reviews of all attached.  Dave :)

   

   

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Harry

Quote from: Symphonic Addict on July 20, 2021, 10:10:36 AM
Yes, you should!

Both symphonies are splendid, expertly written, so I love them. The piano trios are good, but I have to say I prefer the string quartets to them, above all the 1st one. That's something else. The 2nd SQ is also fantastic, if a bit more restrained.

Would wish that the sonics were better, what I heard so far was disappointing.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

prémont

Quote from: Papy Oli on July 20, 2021, 09:14:25 AM
Completing the set of Bach Trios sonatas by Koopman (No.4,5,6).

Loving those.



Yes, I was about to recommend you these (as well as the 6 CD Novalis set), when I noticed you had purchased them already.
Reality trumps our fantasy far beyond imagination.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image

NP:

Dvořák
Cello Concerto in B minor, Op. 104, B. 191
Jean-Guihen Queyras, cello
The Prague Philharmonia
Bělohlávek



VonStupp

#45297
Ludwig van Beethoven
PS 14 in c minor "Moonlight", op. 27 No. 2
PS 23 in f minor "Appassionata", op. 57
PS 21 in C Major "Waldstein", op. 53

Daniel Barenboim
(rec. 1981 & 83)

This CD must have been slipped into my box at a rummage sale, because I have only bought complete cycles of Beethoven's sonatas. In any case I thought I would give it a listen regardless. From Barenboim's 2nd Beethoven sonata cycle and for those who enjoy a deliberately-paced Waldstein.

By the looks of the cover, Beethoven possibly signed this recording in absence of Barenboim, who looks none too happy about it.

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Papy Oli

Quote from: (: premont :) on July 20, 2021, 11:16:49 AM
Yes, I was about to recommend you these (as well as the 6 CD Novalis set), when I noticed you had purchased them already.

Hi Poul,
That sonatas CD is just wonderful. The Novalis was just a blind purchase based on the feedback found in the Bach Organ thread, at a very silly low price, I had to grab it. I'll start it tomorrow, I'll see how it goes.
Olivier

Irons

#45299
Moeran: Prelude for Cello and Piano & Stalham River.



Inspired to listen these two pieces by recent discussion on the Moeran thread. The Prelude played by the dedicatee, Peers Coetmore, Moeran's wife. The work is a pure and simple love song with an Irish accent. Listening I was struck by two points, whatever the trials and tribulations of the short-lived marriage, Moeran loved the woman and how on earth was Coetmore with the underlying emotion able to play this and the middle movement of the Cello Concerto by her late husband?

Stalham River, a work for piano is much more ambitious in scope. After a conventional opening Moeran appears to get more inspired as the work progresses. The twist and turns (ebb and flow of the river?) of the middle section are quite thrilling. Staltham River is unique in the piano pieces I have heard by him.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.