What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Traverso

Quote from: k a rl h e nn i ng on November 22, 2021, 06:49:31 AM
Very nice!

I'm listening for the first time to this piano quintet and it is as you say very nice.I hear heavy Brahms influences wich is not a bad thing. :)

Dry Brett Kavanaugh

Janacek: Glagolitic Mass. Ancerl/CPO.

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mirror Image


Spotted Horses

Quote from: Sergeant Rock on November 22, 2021, 06:53:06 AM
Havergal Brian Symphony No. 13, Brabbins conducting

Sarge

Quite the Brian binge!

Papy Oli

Olivier

The new erato

My experience with Medtner is somewhat limited, but this recent aquisition is really wonderful:


Karl Henning

Shostakovich, Pf Quintet, Op. 57
Ashkenazy & The Fitzwilliams
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Sergeant Rock

Quote from: Spotted Horses on November 22, 2021, 07:17:59 AM
Quite the Brian binge!

Yeah, I'm planning on listening to all the symphonies in chronological order, save the Gothic which I'll listen to last.

No. 14 is next:




Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Karl Henning

Quote from: Sergeant Rock on November 22, 2021, 07:51:19 AM
Yeah, I'm planning on listening to all the symphonies in chronological order, save the Gothic which I'll listen to last.

No. 14 is next:




Sarge

I salute you, friend!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

kyjo

Quote from: Pohjolas Daughter on November 21, 2021, 07:23:54 AM
Current listening:  Britten's first sweet for cello (hadn't listened to that in ages!) followed by George Crumb's Sonata for Solo Cello from 1955.  According to the liner notes, this was the first time that it had been recorded.  Both from a CD by Matt Haimovitz entitled "The 20th-century Cello".





PD

Two great 20th century solo cello works indeed!
"Music is enough for a lifetime, but a lifetime is not enough for music" - Sergei Rachmaninoff

vandermolen

Bax: Symphony No.6
LPO/Thomson
So much better (IMO) than Del Mar's disappointing, boxed-in performance on Lyrita.
Thomson allows the music to breathe.

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

vandermolen

"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Sergeant Rock

the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

VonStupp

#54314
Daniel Pinkham (1923-2006)

Introduction, Nocturne & Rondo
William Buonocore, mandolin & John Curtis - guitar

String Quartet
Boston Composers SQ


Probably all I will have time to listen to today:

I am really surprised Naxos hasn't picked up Pinkham as an American composer in their series. It seems a no-brainer to me, but maybe he isn't as well known or liked as I thought he was.  VS

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Traverso

Brahms

Symphony No.3

Concertgebouw Orchestra


Pohjolas Daughter

Quote from: k a rl h e nn i ng on November 22, 2021, 07:08:55 AM
Magnificent!
+2  :)

Taking a break from planning a last-minute meal for Thanksgiving to listen again to Aimard playing Ligeti's Musica Ricercar No. 1 and went on to watch him play No. 7 which was recommended to me by youtube.  Quite enjoyed it!  Also, it was cool to see him actually play it.  His left hand must have been exhausted after that one!  You can watch it here if you're interested:  https://www.youtube.com/watch?v=oXsRlMneOS0

PD


Karl Henning

Quote from: VonStupp on November 22, 2021, 08:36:24 AM
Daniel Pinkham (1923-2006)

Introduction, Nocturne & Rondo
William Buonocore, mandolin & John Curtis - guitar

String Quartet
Boston Composers SQ


Probably all I will have time to listen to today:

I am really surprised Naxos hasn't picked up Pinkham as an American composer in their series. It seems a no-brainer to me, but maybe he isn't as well known or liked as I thought he was.  VS



As Music Director at historic King's Chapel, he was certainly well regarded here in Boston. I was at a concert at St Paul's, Cambridge which featured by my Festive Voluntary for brass quintet and organ, and Pinkham's Christmas Cantata. His was a different era. The story goes that he pointed to his house and said: my Christmas Cantata paid for that.
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Pohjolas Daughter

Quote from: k a rl h e nn i ng on November 22, 2021, 09:40:53 AM
As Music Director at historic King's Chapel, he was certainly well regarded here in Boston. I was at a concert at St Paul's, Cambridge which featured by my Festive Voluntary for brass quintet and organ, and Pinkham's Christmas Cantata. His was a different era.  ;D
I don't know his music but will check out his Christmas Cantata but post-Thanksgiving.

Just watched another video with Pierre-Laurent Aimard, but this time he's explaining what's going on in Ligeti's music--specially his seventh M. ricercata (which I had just watched).  Boy, that was helpful and quite interesting--even for me who can't read music, etc.  You can watch it here:  https://www.youtube.com/watch?v=HuNavqECQZw

I think that he's done this with all of Ligeti's Musica ricercata.

PD