What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Que

Another Spotify excursion:



Really excellent!  :)

Traverso

Ravel

Tzigane

Pièce En Forme De Habanera

Sonate Posthume Pour Violon Et Piano

Berceuse Sur Le Nom De Gabriel Fauré

Sonate Pour Violon Et Violoncelle

Sonate Pour Violon Et Piano

Piano – Pascal Rogé
Violin – Chantal Juillet


Harry

Knudåge Riisager.

Ballet Music.

Qarrtsiluni.
Månerenen.

Aarhus SO, Bo Holten.


First listen. Another addition to what I already have of this composer.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Traverso

Holst

Hymns from the Rig Veda, 4th Group - The Homecoming - A Dirge for Two Veterans - Six Choral Folk Songs - Choruses, canons and carols

The Baccholian Singers of London
Englisch Chamber Orchestra / Ian Humhris


ritter

#54484
Cross-posted form the Opera sub-forum:

Quote from: ritter on November 24, 2021, 03:20:13 AM

Act II of Parsifal, in Daniel Barenboim's 1991 studio recording.


This, of course is the "Kundry act", and what a Kundry! Waltraud Meier was for decades the greatest exponent of the role, and here she is in extraordinary form. Barenboim is a Wagner conductor to reckon with, perhaps slightly of the traditional, "reverential" type, but the results here are first-class: a Berlin Philharmonic in excellent shape, the marvels of this wonderfully scored piece apparent in each bar, and the conductor manages to shape of the whole act perfectly. Gunther von Kannen is sounds simultaneously elegant and tormented as Klingsor (and this fits the rôle perfectly). Siegfried Jerusalem is perfectly adequate as Parsifal, singing with class, but I tend to find this tenor somewhat anonymous (even the two times I saw him live in this opera).

Harry

Jacques Offenbach.

Orchestral Works.

Orchestre de la Suisse Romande, Neeme Jarvi.


What a joy this music is, certainly in this moment in my life when I can still here reasonably well, but I have some loss in my left ear, and that's not good. Some upper frequencies are missing. Still have to live with it.
The sound and performance are superb.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

André


Pohjolas Daughter

Quote from: k a rl h e nn i ng on November 23, 2021, 07:11:04 PM
As for me, Dave, the day I stop listening to Mozart is the day I have tired of life.

+2!!!

PD

Traverso

Vaughan Williams

Symphony No.5
Norfolk Rhapsody No.1
The Lark Ascending


foxandpeng

Bohuslav Martinů
The Symphonies
Neeme Järvi
Bamberg Symphony Orchestra
BIS


A long time since I have heard these symphonies, so today and tomorrow I'll probably play them a fair bit. Not many available cycles on Spotify, so between Neumann and Järvi, I am listening with this set.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy

Tsaraslondon



So I come to Mahler's last completed symphony and Karajan's last Mahler recording. Having now listened to all the symphonies except the unfinished 10th, I think I can safely say that the 9th is my favourite and this Karajan performances is just wonderful. It really moved me today and I had to sit in silence afterwards to allow it to sink in properly.

\"A beautiful voice is not enough.\" Maria Callas

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Iota



Honegger: Sonatine 4 for Violin and Cello
Martinu: Duo for Violin and Cello No. 1, H. 157

Frank Peter Zimmermann (violin), Heinrich Schiff (cello)



Two highly enjoyable miniatures that manage to find their way to all sorts of delightful places, played by two performers with a rattling mojo going on. Brilliant czárdás-like passage in the Honegger sticks in the memory, but not a dull moment in sight anywhere.

Harry

Marin Marais.

Quatrieme Livre de Pieces de Viole (1717)
Disc I.

Francois Joubert Caillet, Bass Viol
L'Acheron.


First listen. Every bit as good as the previous volumes, Marais is clearly walking new territory. More embellishments, and Italian influences.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Todd




Disc two.  Liszt transcriptions.  Supreme execution, if perhaps a tad garish, of some occasionally garish transcriptions.  IOW, exactly as expected.  Sound is variable, even given the vintage. 
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Papy Oli

JS Bach - Orchestral Suite No.4 BWV 1069
Freiburger Barockorchester
Olivier

Mirror Image

NP:

Rachmaninov
The Bells, Op. 35
John Shirley-Quirk (baritone), Robert Tear (tenor), Sheila Armstrong (soprano)
London Symphony Orchestra & Chorus
Previn



Traverso

Gilbert & Sullivan

Isolanthe
Overture di Ballo

Pro Arte Orchestra
BBC Symphony Orchestra


André



Apart from an unconsciously dragged ending to the slow movement this is a wonderful performance of this evergreen work. And of the Hebrides overture as well (such a fine tone poem).

Dry Brett Kavanaugh

Pancho Vladigerov: Piano Concerto No. 4.