What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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NP:

Penderecki
Double Concerto for Violin and Viola
Bartłomiej Niziol (violin), Katarzyna Budnik (viola)
Polish Sinfonia Iuventus Orchestra
Penderecki



vers la flamme



Igor Stravinsky: Mass. James O'Donnell, Westminster Cathedral Choir, City of London Sinfonia

Wow, I love this recording. Mostly for the Symphony, but the Mass is growing on me. (The Canticum is still a challenge.)

vers la flamme



Charles Villiers Stanford: Songs of the Fleet, op.117. Benjamin Luxon, Norman Del Mar, Bournemouth Symphony Orchestra & Chorus

I'm more of a sucker for this echt-Edwardian, late Romantic music than I expected to be—still find it a bit pompous, but there's more sensitivity than you might expect.

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Quote from: vers la flamme on February 22, 2022, 05:58:19 PM


Igor Stravinsky: Mass. James O'Donnell, Westminster Cathedral Choir, City of London Sinfonia

Wow, I love this recording. Mostly for the Symphony, but the Mass is growing on me. (The Canticum is still a challenge.)

Pounds the table! A desert island Stravinsky recording for me. All of the works on this recording are outstanding.

Klavier1

Excellent playing, and the sound is good until it gets distorted by the FF passages in "Gaspard de la nuit." Scriabin's 5th Sonata is better in that regard (I guess the engineer was better prepared for her dynamic range!) and the opening set of Scarlatti has no distortion.


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First-Listen Tuesday

Mascagni
L'amico Fritz
Mirella Freni (soprano), Malvina Major (soprano), Vicente Sardinero (baritone), Luigi Pontiggia (tenor), Luciano Pavarotti (tenor), Laura Didier Gambardella (mezzo-soprano), Benito Di Bella (baritone)
Royal Opera House Covent Garden, Chorus of the Royal Opera House, Covent Garden
Gianandrea Gavazzeni



Karl Henning

Quote from: vers la flamme on February 22, 2022, 05:58:19 PM


Igor Stravinsky: Mass. James O'Donnell, Westminster Cathedral Choir, City of London Sinfonia

Wow, I love this recording. Mostly for the Symphony, but the Mass is growing on me. (The Canticum is still a challenge.)

Fabulous disc!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

listener

Quote from: (: premont :) on February 22, 2022, 06:02:42 AM
Feldbæk

Do you know her recording of The  AoF?
Not at all,  is that a recommendation?
"Keep your hand on the throttle and your eye on the rail as you walk through life's pathway."

Mirror Image

#62808
I finished Act I of Mascagni's L'amico Fritz, but that's all the opera I want to listen to tonight...

NP:

Korngold
Violin Concerto in D major, Op. 35
Nicola Benedetti, violin
Bournemouth SO
Kirill Karabits




Korngold's father died the same year this concerto was premiered (1945) and even though his father died many months after the premiere, I believe it represents, especially in the first and second movements an emotional release of sorts. His father was a famous critic and was, on many occasions, especially in his old age, rather verbally abusive to Erich and since he and his wife took care of his father later in life, he was "stuck" with him. I would never doubt that Erich loved his father, but it seems the works following 1945 showed the composer removed of these emotional shackles and free to finally express himself. You really hear it in works like the Symphonic Serenade in B-flat major, Op. 39 and the Symphony in F-sharp, Op. 40. Anyway, I just thought I would point this out to anyone that would be interested.

Que


Irons

Quote from: Papy Oli on February 22, 2022, 07:17:12 AM
Beethoven - Symphony No.4 (Celibidache / Munich Phil.)



A mesmerising conductor who unfortunately for us didn't like the recording studio. 
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Irons

Quote from: Pohjolas Daughter on February 22, 2022, 10:49:56 AM
Vaughan Williams' Songs of Travel with John Shirley-Quirk on a mono Saga LP.

What a voice!  Love it!

As as aside, looking again at the cover, it looks like he was quite young when he sang them--maybe twenties or early thirties (hard for me to tell).

Now on Side Two.  :)

PD

Pretty sure his first recording, PD.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

vandermolen

Honegger: Symphony No.2
I'm looking forward to hearing the Lazarof works as well:
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Harry

Johann Gottfried Walther,

Complete Organ Music.
CD X.
Chorale settings IX.

Simone Stella plays on a Francesco Zanin organ 2006.
Pitch: A=440 Hz.
Unequal temperament.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Mandryka

#62814
Quote from: Traverso on February 21, 2022, 04:32:53 AM
"Susanna Un gioir" ( Orlando di lasso) is one of the most attractive pieces from this eleven-part CD box set with works by Hassler.
Really enjoyable .  :)

Revisiting Susanna un gioir today, and I'm not enjoying it at all for this reason: there's no relief. Same colour, same texture throughout, same energy level. So no, today I am a grouch. It seems to me a superficial run through of a performance.
Wovon man nicht sprechen kann, darüber muss man schweigen

Harry

Quote from: Mandryka on February 23, 2022, 12:32:18 AM
Revisiting Susanna un gioir today, and I'm not enjoying it at all for this reason: there's no relief. Same colour, same texture throughout, same energy level. So no, today I am a grouch. It seems to me a superficial run through a performance.

I think you are right, throughout this set the energy level is high. He doesn't seem to relax very often. I got a feeling of fatigue after listening to CD 2 of this set. So I took some Hassler out of my collection, and sure enough I found where the problem lies. Never the less, the box is of prime importance to me.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Mandryka

#62816
Quote from: "Harry" on February 23, 2022, 12:42:01 AM
I think you are right, throughout this set the energy level is high. He doesn't seem to relax very often. I got a feeling of fatigue after listening to CD 2 of this set. So I took some Hassler out of my collection, and sure enough I found where the problem lies. Never the less, the box is of prime importance to me.

Yes I'm listening to Franz Raml's Hassler CD and . . . that's better! Much better.
Wovon man nicht sprechen kann, darüber muss man schweigen

Harry

Quote from: Mandryka on February 23, 2022, 12:46:53 AM
Yes I'm listening to Franz Rail's Hassler CD and . . . that's better! Much better.

Agreed!
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

aligreto

JS Bach: Complete Organ Works [Foccroulle] CD 16





This CD comprises Triosonaten BWV 527, 528 & 530 and also eight kleine Präludien und Fugen played on the Holzay organ of the Neresheim Abbey and the Thomas organ of L'Abbaye de Leffe.



Que

Quote from: Mandryka on February 23, 2022, 12:32:18 AM
Revisiting Susanna un gioir today, and I'm not enjoying it at all for this reason: there's no relief. Same colour, same texture throughout, same energy level. So no, today I am a grouch. It seems to me a superficial run through of a performance.

I agree. I like set up and style, I like the voice, but it seems there is the same emotion/feel for every song with no connection to the text...

My apologies to resident fans!  :)