What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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ritter, Harry and 19 Guests are viewing this topic.

Que


The new erato

I picked this set from my shelves, bought sometimes in the 1990'ies, and discovered that discs 7-12 had obviously never been played, so I got down to it and played nos 7 & 8, and very rewarding it was.  >:(


Mandryka

Wovon man nicht sprechen kann, darüber muss man schweigen

Que

Quote from: The new erato on March 26, 2022, 01:31:12 AM
I picked this set from my shelves, bought sometimes in the 1990'ies, and discovered that discs 7-12 had obviously never been played, so I got down to it and played nos 7 & 8, and very rewarding it was.  >:(



I absolutely love that set!  :)

Harry

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Madiel

Quote from: Mirror Image on March 25, 2022, 06:23:25 AM
Hmmm...have you heard Leontyne Price in this song cycle? She's amazing, but the recording is early 50s and Barber is on the piano. Not a bad performance, but the fidelity leaves much to be desired.

I have no great interest in listening to it precisely because the fidelity leaves much to be desired.
Nobody has to apologise for using their brain.

Operafreak

The true adversary will inspire you with boundless courage.

aligreto

Beethoven: Sonata No. 12 Op. 26 [Brautigam]



aligreto

Quote from: Symphonic Addict on March 25, 2022, 07:13:51 PM



Good description! One of my favorites and it's greatly played there.

Cheers. I have been greatly impressed with this set so far.

Madiel

Dvorak, Alfred



Honestly doesn't do a whole lot for me. Possibly it would do more for me if it was published with a proper libretto. Apparently the CDs come with a .pdf file. But I'm streaming, and so having access to "the booklet" doesn't give me access to the .pdf file. [EDIT: By a freak chance of a mention in Gramophone, I've discovered there's an online version of the libretto. Yay!]

But the music... well it's very early Dvorak when Dvorak was being ultra-Wagnerian. And it's Dvorak writing in German, when later in life he got cranky about constant German translations of his Czech works and titles and even his own name.

The performance seems fine. Ever so slightly shouty German singers are probably appropriate here.
Nobody has to apologise for using their brain.

Biffo

Haydn: Symphony No 49 in F minor La Passione - Academy of St. Martin in the Fields conducted by Sir Neville Marriner. The opening Adagio reminded me of Haydn's later work The Seven Last Words. Annoyed that Marriner's recording of that work hasn't appeared on CD, can't think why.

André


Operafreak

The true adversary will inspire you with boundless courage.

Traverso


Mirror Image

NP:

Bacewicz
Music for Strings, Trumpets & Percussion
New London Orchestra
Corp



aligreto

Prokofiev: Symphony No. 4 [Weller]






I like the musical language of the opening phase of the first movement. It is very engaging and appealing. I also find the tempo and subsequent change of atmosphere to be equally engaging. This is very engaging and innovative orchestral writing. There is quite a lot to be heard in this movement and this is a very fine presentation of this music which has a rich lyrical base.
The second movement is also richly lyrically endowed. It has a gentle, almost pastoral atmosphere to it. The musical language is also very engaging even if it is on the edge.
The third movement is a quasi Scherzo movement. I find it to be very interesting and quirky. The scoring for the woodwinds is particularly noticeable here.
The final movement is a jaunty affair. I particularly like the contribution of the lower register tones towards the overall tone and atmosphere of the scoring. There is also a high level of energy presented towards the conclusion of the work.
All of the music here is very well delivered under the baton of Weller.

Mirror Image

NP:

Britten
Sinfonia da requiem, Op. 20
New Philharmonia
Britten


From this set -


Linz

Bruckner 9 Yaov Talmi Oslo Phiharmonic Orchestra

VonStupp

Richard Strauss
Tod und Verklärung, op. 24

Cleveland Orchestra - George Szell


I don't know how I missed it before, but there is a direct crib by John Williams for his Superman (1978) 'Love Theme' (Can You Read My Mind) that really took me out of this work anytime that motive appeared. No fault of Richard Strauss, of course, and luckily that theme doesn't appear full force until the midway point, so there is much to enjoy without that distraction.

This is an outstanding performance of Death and Transfiguration, though.

VS

  https://www.youtube.com/v/iutWOk0cejc&ab_channel=MartyIzaguirre
All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

SonicMan46

Last few days have been on Corelli & Couperin - own about 30 discs (2/3 Couperin) so just doing some 'selective' listening to the ones shown below: