What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mandryka

Quote from: Florestan on May 09, 2025, 06:16:34 AM

Ciccolini's Nocturnes are gentle, tender, caressing, amiable, soft, warm, singable and humane. Star-lit Mediterranean nights. One of the best versions I've ever heard, highly recommended.

Absoloutely, the Cascavelle recordings, all of them, are wonderful.
Wovon man nicht sprechen kann, darüber muss man schweigen

Harry

Johan Halvorsen.
Orchestral Works, Volume 1.
See back cover for details.
Marianne Thorsen, Violin.
Bergen Philharmonic Orchestra, Neeme Järvi.
Recorded: 2009, Grieghallen, Bergen, Norway.


Not to know this composer is a serious omission in one's classical upbringing ;D
For the richness of melodies, his excellent view on creating the best in his ability, and succeeding admirably without any trouble at all is a great plus for liking him. It will be impossible to find some music of him to dislike, nay you will not find it :) Järvi is the conductor to meet his standards, so a perfect symbiosis, in good sound.

I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

prémont

Quote from: Mandryka on May 09, 2025, 05:48:07 AMWhat I've found is that you have to be in the right frame of mind for Vartolo's rubato in a piece which is as familiar as The Goldberg Variations. Sometimes it sounds totally natural to me, sometimes it sounds too much of an intervention. Vartolo is wonderful in Froberger, Scarlatti on harpsichord and Frescobaldi too.

I think his Rossi and Trabaci also deserves mention.
Reality trumps our fantasy far beyond imagination.

Linz

Pyotr Il'yich Tchaikovsky Symphony in B Minor, Op. 58 "Manfred"
USSR State Symphony Orchestra, Evgeny Svetlanov

Traverso

Mozart

Violin Sonatas KV,301-304-376-378

Arthur Grumiaux
Clara Haskil


SonicMan46

Boccherini, Luigi (1743-1805) - Flute Quintets on the recordings below - he wrote 26 works according to the list below (Source) (likely 'some' reworkings of his string quintets?). The Auryn Quartet record Op. 55 w/ Michael Faust on a modern flute; Auser Musici perform Op. 19 w/ Carlo Ipata on a historic one-key instrument after Grenser; the Goya SQ does Op. 17, 19, & 55 w/ de Torres on a historic Grenser reproduction; and Rampal on a modern flute performs G437-442 - reviews attached.  Dave

QuoteBoccherini's Flute Quintets
Flute Quintets, Op. 17, Nos. 1-6 (G419-424) (1773)
Flute Quintets, Op. 19, Nos. 1-6 (G425-430) (1774)
Flute Quintets, Op. 55, Nos. 1-6 (1797) (G431-436)
Flute Quintets w/ cello, Nos. 1-6 (G437-442)
Flute Quintets w/ flute/oboe, x 2 (G443, 444)

 

 

Harry

#129146
Johann Gottlieb Janitsch. 1708–1763
Chamber Music.
See back cover for details.
Die Freitagsakademie, Katharina Suske.
Recorded: 22–24 May 2022, Radio studio Zürich.


Recorded are five quartet sonatas (two of which are first recordings!). In 1752, Johann Joachim Quantz called this genre the "touchstone of a true contrapuntists," and Janitsch's contributions are indeed true gems in this supreme discipline. They masterfully combine the melodic elegance of the galant style popular around the middle of the 18th century with contrapuntal finesse and expressive harmony. Added to this is a calm but clear recording and ditto performance.
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Linz

Zoltán Kodály Dances of Galánta, Concerto for Orchestra, Variations on a Hungarian Folk Song, The Peacock
Dances of Marosszék (Version for Orchestra)
Buffalo Philharmonic Orchestra, JoAnn Falletta

Traverso

Delibes

Sylvia
Coppelia


JBS

New arrival.

CD 1
Opus 145
No.1 in C
No.2 in e minor
No.3 in A

Hollywood Beach Broadwalk

brewski

#129150
Live from Stuttgart, this amazing lineup. I've never heard the Lutosławski, nor the second Saariaho.

Lutosławski: Kleine Suite für Kammerorchester
Saariaho: Graal théâtre für Violine und Orchester
Saariaho: Verblendungen für Orchester und Tonband
Debussy: La Mer

Carolin Widmann, violin
Matthias Schneider-Hollek, sound direction
SWR Symphonieorchester
Bas Wiegers, conductor

"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Florestan

Quote from: Traverso on May 09, 2025, 09:28:36 AMDelibes

Sylvia
Coppelia



Two of the most charming ballets ever written.
"Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory." — Thomas Beecham

Linz

b]Anton Bruckner[/b] Symphony No. 3 in D Minor,
Staatskapelle Dresden, Eugen Jochum

Lisztianwagner

Karl Amadeus Hartmann
Concerto for Piano, Wind and Percussion
Symphonische Hymnen

Maria Bergmann (piano)
Rafael Kubelik & Symphonieorchester des Bayerischen Rundfunks


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

JBS

Quote from: JBS on May 09, 2025, 09:34:44 AMNew arrival.

CD 1
Opus 145
No.1 in C
No.2 in e minor
No.3 in A

Continuing on to CD 2
Wo035
No.1 in d minor
No.2 in G
No.3 in a minor

Hollywood Beach Broadwalk

Symphonic Addict

Quote from: Der lächelnde Schatten on May 08, 2025, 09:19:03 PMYes, having a structure of some kind, especially when doing a deeper dive into a composer's oeuvre is always a good thing or, at least, I'm speaking from my own experience.

Have you got to Henze's SQs yet? I recall enjoying these works, but, as I mentioned previously, I'm long overdue for a Henze-a-thon.

Yes, I have heard them. I remember liking the first one the most. The others sounded more challenging and at that time they didn't impress me as much as I wanted.
Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Symphonic Addict

Quote from: ritter on May 08, 2025, 11:27:31 PMBoth those discs look very interesting. Particularly (for me), Heliogabalus Imperator, since I read it is based mainly on Héliogabale, ou l'anarchiste couronné by Antonin Artaud (an author I find fascinating).

That Wergo CD also includes Los Caprichos, Englische Liebeslieder and Ouvertüre zu einem Theater.
Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

ritter

Quote from: Symphonic Addict on May 09, 2025, 11:06:37 AMThat Wergo CD also includes Los Caprichos, Englische Liebeslieder and Ouvertüre zu einem Theater.
I've just ordered it...  :)
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Symphonic Addict

Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Spotted Horses

#129159
Maconchy, "The Land." A suite of four movements titled by the four seasons. An early work, which nevertheless has a stamp of originality, to my ears.


Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.