What are you listening 2 now?

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Der lächelnde Schatten

Quote from: Madiel on May 11, 2025, 05:35:27 AMStravinsky: Scenes de Ballet



Wow. Fabulous music, lively and inventive and packing a lot into 16 minutes. This is immediately a top Stravinsky work for me.

I've always loved this piece as well. Do check out the Bernstein/Israel PO performance on DG. It'll knock your socks off!
"To send light into the darkness of men's hearts - such is the duty of the artist." ― Robert Schumann

Harry

#129261
GRIEG, Edvard (1843–1907)
Sonata in A minor for Cello and Piano Op.36 (1882–83).
Intermezzo in A minor for cello and piano, (1866).
Allegretto from Violin Sonata No.3 in C minor, Op. 45, arr, by the composer for cello and piano(1887)
Andante con moto in C minor, (1878)  for Violin, Cello and Piano.

GRAINGER, Percy (1882–1961)
La Scandinavie (Scandinavian Suite) (1902) for cello and piano.

NIELSEN, Carl (1865–1931).
Sænk kun dit hoved, du blomst -Just Bow Your Head, Oh Flower. No. 4 of Strophic Songs, Op.21.

Andreas Brantelid cello
Christian Ihle Hadland piano
Lars Bjørnkjær violin (Grieg: Andante con moto).
Recorded: March 2014 at Potton Hall, Suffolk, England.


Third rerun now, and with every listen this gets better and better even. Performance and sound are absolutely wonderful.

I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Der lächelnde Schatten

Following @Madiel

Now playing Stravinsky Scènes de Ballet


"To send light into the darkness of men's hearts - such is the duty of the artist." ― Robert Schumann

Der lächelnde Schatten

Quote from: Madiel on May 11, 2025, 05:15:25 AMVilla-Lobos: Choros No.10, 'Rasga o Coração', for orchestra and choir



"Cinematic" is about the best adjective I can come up with for this. Honestly, I wasn't really feeling it in the first half, and while it's very atmospheric I found myself wondering where the music was going (it's some years since I listened to the recording). Is it really a choros? WELL. It turns out it's a preparation for the amazing second half. When the choir comes in, the music takes off. Amazing stuff that feels like you should be standing in front of a waterfall in the jungle.

Yes, this is a work that kind of took me by surprise when I first heard it. I thought the first half of the work was meandering, rambling and then as you mentioned, things all of sudden take off. First starting with that kind of tribal, ritualistic percussion part and then the chorus comes in and it does feel like I'm deep in the jungle with Tarzan or Mowgli. :D
"To send light into the darkness of men's hearts - such is the duty of the artist." ― Robert Schumann

Spotted Horses

#129264
I noticed DavidW listening to Weinberg string quartets and was reminded that I never made it through them. Maybe a revisit is in order. I listened to the forth quartet, the first work in volume I of the series.



Now I remember why I never made it through. Horrid!

But then I noticed that there is a new cycle from the Arcadia quartet on Chandos. Listened to the first movement of the fourth quartet.



What a difference! I may like Weinberg string quartets after all. (I think my issue with the cpo set is the audio, which to my ears is congested and opaque, compared to the audio in the Chandos recording.) Alas, the cycle is not complete yet. One installment to go.
Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

Traverso


André

Quote from: AnotherSpin on May 10, 2025, 08:17:39 PMMichael Gielen did a recording of the Missa Solemnis with Orgonášová too. Have you ever compared Gielen's versions?

I didn't listen to his other version, just this Zurich one.

AnotherSpin

Quote from: André on May 11, 2025, 09:24:32 AMI didn't listen to his other version, just this Zurich one.

I see four versions of Missa Solemnis conducted by Michael Gielen on Qobuz, each with different orchestras and soloists. I don't think I've heard any of them, but I usually find Gielen's recordings interesting, so I'll definitely try some.

Madiel

Shostakovich insomnia edition: Violin Concerto no.1 (Lydia Mordkovitch)
Every single post on the forum is unnecessary. Including the ones that are interesting or useful.

Symphonic Addict

Sauguet: Tableaux de Paris
Korngold: Between Two Worlds - Judgement Day

Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

Dry Brett Kavanaugh

Wagner: Orchestral Music. Ormandy/Philadelphia. 1954.







ritter

Jumping on the Scènes de ballet bandwagon, with this performance by the London Symphony Orchestra conducted by Michael Tilson Thomas.



Also listening, on the same CD,  to Stravinsky's Ode, Scherzo à la russe, Concertino, Canon, and Variations: Aldous Huxley in memoriam.
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Linz

#129272
Wolfgang Amadeus Mozart Trio for Clarinet, Viola and Piano in E-Flat Major, K. 498 "Kegelstatt"
Louis Spohr Adagio-Allegro from Octet, Op.32
Arthur Bliss Conversations, Oboe Quintet, Clarinet Quintet:
Cecil Aronowitz, Gervase de Peyer, Melos Ensemble

brewski

This afternoon, a last-minute ticket to the concert below, with pianist Emanuel Ax, conductor Dalia Stasevska and The Philadelphia Orchestra. At the opening, Stasevska entered with her 2-year-old daughter, and asked all "mothers, grandmothers, and mothers in spirit" to stand, a nice gesture.

The whole program was superb, especially the Lutosławski, which I'd never heard.

Ravel: Pavane for a Dead Princess
Mozart: Piano Concerto No. 17
Ax encore: Liszt: Valse oubliée No. 1

Lutosławski: Symphony No. 4
Ravel: La Valse
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Karl Henning

Quote from: ritter on May 11, 2025, 12:27:26 PMJumping on the Scènes de ballet bandwagon, with this performance by the London Symphony Orchestra conducted by Michael Tilson Thomas.



Also listening, on the same CD,  to Stravinsky's Ode, Scherzo à la russe, Concertino, Canon, and Variations: Aldous Huxley in memoriam.
Superb disc!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Quote from: brewski on May 11, 2025, 02:31:15 PMThis afternoon, a last-minute ticket to the concert below, with pianist Emanuel Ax, conductor Dalia Stasevska and The Philadelphia Orchestra. At the opening, Stasevska entered with her 2-year-old daughter, and asked all "mothers, grandmothers, and mothers in spirit" to stand, a nice gesture.

The whole program was superb, especially the Lutosławski, which I'd never heard.

Ravel: Pavane for a Dead Princess
Mozart: Piano Concerto No. 17
Ax encore: Liszt: Valse oubliée No. 1

Lutosławski: Symphony No. 4
Ravel: La Valse
The Ravel is a little creepy on Mothers Day. Just saying. 
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

DavidW

#129276
Quote from: Spotted Horses on May 11, 2025, 08:34:06 AMWhat a difference! I may like Weinberg string quartets after all. (I think my issue with the cpo set is the audio, which to my ears is congested and opaque, compared to the audio in the Chandos recording.) Alas, the cycle is not complete yet. One installment to go.

You may also want to try this ensemble:

And while you're at it, Silesian is also great in Bacewicz:



Symphonic Addict

Roussel: Le Festin de l'araignée

Much as I love Roussel's music, I have to say that this is one of my least favorite works by him. Probably this performance has to do with my impression.

Part of the tragedy of the Palestinians is that they have essentially no international support for a good reason: they've no wealth, they've no power, so they've no rights.

Noam Chomsky

brewski

Quote from: Karl Henning on May 11, 2025, 02:33:15 PMThe Ravel is a little creepy on Mothers Day. Just saying.

OK, that made me chuckle.  ;D  ;D Maybe an Addams Family occasion?
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

foxandpeng

Ruth Gipps
Symphony 4
Rumon Gamba
BBC NOoW
Chandos


Gipps is back on the horse with this, after #3. I still don't know why #3 doesn't resonate with me, but #4 brings her back in the game.
"A quiet secluded life in the country, with the possibility of being useful to people ... then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbour — such is my idea of happiness"

Tolstoy