What are you listening 2 now?

[DavidW]

The Honeck/Pittsburgh recordings I've heard — maybe half of their output so far — have been terrific. Their work and repertoire aside (mostly "yes"), the recordings themselves are superb. Of the many outstanding labels today, Reference Recordings almost always does an impressive job.

Especially his Bruckner and Tchaikovsky.

[Der lächelnde Schatten]

NP: Glass String Quartet No. 1

[Henk]

This afternoon:

Just added some Von Bingen to my library on Qobuz. Didn't realize she was a composer (too).

[Linz]

Joseph Haydn Symphony No. 93 in D Major
Symphony No. 94 in G major "Surprise"
Symphony No. 103 in E flat major "Drum Roll"
London Philharmonic Orchestra, Eugen Jochum

[Der lächelnde Schatten]

Continuing on with the Glass symphonies --- NP: Symphony No. 5, "Requiem, Bardo, Nirmanakaya"




Glass' Symphonies Nos. 5-7 are all vocal-oriented symphonies. The 8th marks his return to purely orchestral music.

[André]

Although I didn't detect the spark of genius anywhere, I thoroughly enjoyed Busch's unfailing inventiveness in crafting interesting phrases and sounds in these works - a lot of which are in the familiar Theme and Variations trope. The Divertimento is definitely a mini masterpiece and deserves to be listened to.

[Karl Henning]

NP: Reich The Desert Music

With texts by Wm Carlos Williams. An early Reich favorite of mine.

[Symphonic Addict]

Hindemith: Lustige Sinfonietta, Rag-Time (wohltemperiert) and Symphonic Dances

The Lustige Sinfonietta is in his early late-Romantic, quasi-expressionistic period (the 2nd movement has a more neoclassical countenance, though). Supremely phenomenal work. Rag-Time uses ideas of the Fugue in C minor from Bach's The Well-Tempered Clavier, book I, and the result is a fun and clever orchestral realization. The Symphonic Dances is more like a proper, robust symphony that has his unmistakable stamp. All in all, a superb CD from beginning to end.

[Der lächelnde Schatten]

With texts by Wm Carlos Williams. An early Reich favorite of mine.

Nice, Karl. I don't know this work too well. I've only heard it perhaps 2-3 times in 15 years, so I'm definitely due for more listens. But I really liked what I heard. Reich is rather pushing himself in some new harmonic directions in The Desert Music.

[AnotherSpin]

This night my city has once again been attacked by the Russians. There are civilian casualties; a maternity hospital was among the places hit. Residential buildings are burning in the city center, which is under UNESCO protection — but who will care? This post has been edited by the moderation to remove inappropriate remarks regarding other members' musical tates and listening habits.

It's hard to keep sleeping on a night like this, so I'm listening to music.

[AnotherSpin]

Sweelinck
Leo van Doeselaar

[JBS]

Third or fourth listen to this CD.

Amazon blurb

Philip Cannon's Concertino for piano and strings (1951) dates from his formative years. It was written for the Petersfield Festival, where it was premiered on 27 January 1951 by soloist Joseph Cooper, with the Petersfield Orchestra conducted by Kathleen Merritt. This lively, neo-classical piece has achieved over a thousand performances internationally. Though John Addison's Concertino for piano and orchestra is, for the most part, couched in a light-hearted language, it is the product of a serious, and unfailingly inventive, approach to keyboard and orchestral writing. Speaking of the work to Lesie Ayre of the London Evening News, the composer remarked that, 'it is a real concerto in the full sense of the word I would not be ashamed to show the work to any first-class pianist'. Francis Chagrin maintained an intensely practical and unpretentious attitude towards his own craft, observing that, 'My music is not for first performances - it is just to be played'. His Piano Concerto was first performed by soloist Franz Osborn, with the London Symphony Orchestra, conducted by the composer, at an SPNM Experimental Rehearsal held at the Royal College of Music on 4 February 1944. Conversation Piece by John Addison was written in 1958 to a commission from the BBC Concert Orchestra for that year's British Light Music Festival. John Addison felt that, by the late-1950s, too great a divide had opened up between serious and light music: 'Concertgoers think contemporary music is so alarmingly serious that when confronted with a mildly witty turn of phrase, they assume something has gone wrong. I remember the astonished sigh of relief when, in the course of introducing one of my chamber works, I told the audience I would not mind if they smiled'. In Conversation Piece, Addison exploits to the full his talent to amuse and divert.

To the best of my knowledge none of the composers has any influence on the decisions of the current British government.

[Der lächelnde Schatten]

NP: Reich Jacob's Ladder and Traveler's Prayer

[Der lächelnde Schatten]

NP: Reich Music for Ensemble and Orchestra

[Der lächelnde Schatten]

NP: Schnittke String Quartet No. 1

[Der lächelnde Schatten]

NP: Brahms String Quintet No. 1 In F Major, Op. 88

[SimonNZ]

[steve ridgway]

This night my city has once again been attacked by the Russians. There are civilian casualties; a maternity hospital was among the places hit. Residential buildings are burning in the city center, which is under UNESCO protection — but who will care? This post has been edited by the moderation to remove inappropriate remarks regarding other members' musical tates and listening habits.

It's hard to keep sleeping on a night like this, so I'm listening to music.

Ugh, I can't stand brutal Soviet propaganda art 🤮.

Now playing Scelsi - Chukrum

[steve ridgway]

Webern - Cantata No. 1, Op. 29

[Harry]

This night my city has once again been attacked by the Russians. There are civilian casualties; a maternity hospital was among the places hit. Residential buildings are burning in the city center, which is under UNESCO protection — but who will care? This post has been edited by the moderation to remove inappropriate remarks regarding other members' musical tates and listening habits.

It's hard to keep sleeping on a night like this, so I'm listening to music.

I read about this my friend, and you and all Ukrainians have my compassion. This murderous Russian idiot has made it his business to exterminate an entire population, and the world looks on.