What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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VonStupp and 11 Guests are viewing this topic.

JBS

From the MEOL set

The third of the five CDs that form this subset

Hollywood Beach Broadwalk

Der lächelnde Schatten

Last work for the night --- Feldman Why Patterns?



All of these Feldman recordings on hat ART are fantastic. I bought most of them from a seller off of Discogs years ago.
"To send light into the darkness of men's hearts - such is the duty of the artist." ― Robert Schumann

steve ridgway

An enjoyable first listen to Stravinsky - Jeu De Cartes 8) .


steve ridgway

Scelsi - In Nomine Lucis

Nice organ piece.


steve ridgway

Stravinsky - Ebony Concerto

I'm finding much of Stravinsky's work to my taste now 8) .


Que



On disc 1: masses by Lupus Hellinck and Pierre de Manchicourt and a few motets by Johannes Flamingus and Franciscus Mergot de Novo Portu.

Harry

#131546
Heinrich Ignaz Franz von Biber (1644-1704)
Fidicinium Sacro-Profanum.
XII Sonatas for 2 violins, 2 violas & basso continuo Nuremberg 1683.
tam Choro, quam Foro, Pluribus Fidibus concinnatum et concini aptum, also ,,Geistlich-weltliches Saitenspiel, für Kirche wie Marktplatz, für mehrere Streichinstrumente kunstgerecht komponiertund für das gemeinsame Spiel geeignet".
Harmonie Universelle, Florian Deuter & Mónica Waisman.
Recorded: 2018, Kirche St. Leodegar, Niederehe (Germany)


I greatly appreciate this ensemble to start with. In Biber's collection "Fidicinium Sacro-Profanum" (1683) for four-to five-part string ensemble, despite numerous beautifully cantabile sections, the listening experience is repeatedly marred by the far too rapid, sometimes downright 'brutal outbursts in the continuo, thus destroying the sonata structure and blowing it to smithereens. Maybe Deuter"s former teacher "Reinhart Goebel" was too much of an influence, for he tops him in speed among other things that are not that positive,  Added to this is the sometimes washed-out spatial sound and a garishly used historical church organ from the Bach era and not the Truhe chest organ that is common today, which would have adequately supported the string character. The tempo is also quite over-the-top and unbalanced, with only sharp and rushed string sounds. In general the harsh and sharp sound of the Violins, plus a ridiculous large organ as continuo makes this  interpretation a bad choice. But this happens if ones checks out other recordings of this renown ensemble, it is likely that one can be disappointed. And I am!
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Traverso

Haydn

 sonata in C minor No.20
 sonata in E flat  No.49




Harry

#131548
Pieter Hellendaal (1721–1799)
Cambridge" Sonatas.
World premiere recording.
See for more details back cover.
Recorded: Südwestrundfunk, 2018-2019, SWR Studio Kaiserslautern, Germany.
Cover: Engraving (c. 1767) attributed to Sir Abraham Hume.


Unknown repertoire, which is always a pleasant discovery. Hellendaal, is not a minor composer, thus the Cambridge sonatas are ample proof of his art and skill as a composer. He is little recorded as it is so the interpretation is doubly welcome. Johannes Pramsohler is a well respected violinist in my book, so I expected no less as a thoroughly researched and executed recording, which is what I got. Very invigorating and pleasant music, well chosen tempi, and a balanced sound. This ensemble connects in a musical sense, and that is what this is all about. Projecting the music can only be done where there is synergy between musicians.

I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Iota

In Memoriam


Haydn Piano Sonata No.59, Hob XVI 49 in E flat
Alfred Brendel (piano)


Exquisite.

Que

Quote from: Harry on Today at 12:00:06 AMBut this happens if ones checks out other recordings of this renown ensemble, it is likely that one can be disappointed. And I am!


What would be you pick?  :)

Ars Antiqua Austria/Letzbor (Challenge)
Der Musikalische Garten (Coviello)
Purcell Quartet (Chandos)
Les Plaisirs du Parnasse/Plantier (Zig-Zag)
Clemencic Consort (Accord)

Que


Irons

From Liszt to Bach - no problem.
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

Florestan

In memoriam.



Going through the whole thing in the next days and nights.
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part. ." — Claude Debussy

pjme


Traverso


Harry

Quote from: Que on Today at 01:36:32 AMWhat would be you pick?  :)

Ars Antiqua Austria/Letzbor (Challenge)
Der Musikalische Garten (Coviello)
Purcell Quartet (Chandos)
Les Plaisirs du Parnasse/Plantier (Zig-Zag)
Clemencic Consort (Accord)

The ZIG-ZAG recording is quite good, but if I had to choose I would go first to Clemencic and on an equal footing Les Plaisirs.
I've always had great respect for Paddington because he is amusingly English and a eccentric bear He is a great British institution and emits great wisdom with every growl. Of course I have Paddington at home, he is a member of the family, sure he is from the moment he was born. We have adopted him.

Traverso

Lute Music from the royal Courts

A relisten....




VonStupp

All the good music has already been written by people with wigs and stuff. - Frank Zappa

My Musical Musings

Karl Henning

Quote from: VonStupp on Today at 05:23:33 AMThis is a fun piece. What is the text from?
VS

An old friend of mine has a daughter, back when said daughter was eight years old, one evening she did not wish to be sent to bed. Mara shared this text as her daughter's expression of protest. 
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot