What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Spotted Horses

Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

Der lächelnde Schatten

Now playing Act II from Weill's Aufstieg Und Fall Der Stadt Mahagonny from this recording:


AnotherSpin



The album of compositions by Johann Kaspar Kerll, performed by Adriano Falcioni, was released in September 2009. The organ of the Basilica of Santa Maria di Collemaggio in L'Aquila, featured in the recording, was destroyed in the collapses caused by the earthquake earlier that year. While the choir and the organ case were later restored, the instrument itself was not rebuilt. It is difficult to say how long before the earthquake the recording was made.

steve ridgway

Webern - Slow Movement For String Quartet

A pleasant enough piece in the Romantic style.



AnotherSpin



Thanks, @Mandryka, for the recommendation. I didn't know de Grigny's music, and it's rather intriguing. That said, I'm not quite sure what to make of the chants. Feels a bit like two separate recordings have been spliced together.

Que

Quote from: Mandryka on June 27, 2025, 01:23:24 PMThis may be of interest

Much obliged!  :)  You either discovered a way to make the forum's serach engine actually work, or, more likely, found a way around it...

Morning listening:



My hopes are for a new big Palestrina edition.
Which seems ungrateful, considering the extensive series by the Sixteen (CORO) and by Sergio Vartolo (Naxos). But there it is... I'm picky...  8)

Iota



Granados: Goyescas Book 2
Alicia de Larrocha (piano)


Magnificent. Both Granados and Larrocha reaching the skies in expressive intensity.


Mandryka

Quote from: AnotherSpin on June 27, 2025, 10:10:51 PM

Thanks, @Mandryka, for the recommendation. I didn't know de Grigny's music, and it's rather intriguing. That said, I'm not quite sure what to make of the chants. Feels a bit like two separate recordings have been spliced together.

Well that's what an organ mass is. But it's easy to cut the tracks with the chanting if you feel like.

Wovon man nicht sprechen kann, darüber muss man schweigen

Que

#132008


None of the music is new to me, though this selection of French pre-revolutionary harpsichord music might have surprises for many.
Good performances. I love the instrument. Recording sounds good but doesn't strike me as optimal - in the way many other recordings on this label do.

Mandryka

Wovon man nicht sprechen kann, darüber muss man schweigen

Traverso

Dvořák & Grieg



part of this box




prémont

#132011
Quote from: Mandryka on June 28, 2025, 01:01:01 AMWell that's what an organ mass is. But it's easy to cut the tracks with the chanting if you feel like.

You wrote somewhere that you have another recording made on the Garnier organ of l'Eglise de la Chaise-Dieu.

Marie-Claire Alain's second Grigny set (which I had on LP but stupidly culled long ago, and it has not been rereleased on CD) was made on this organ and there is a Nivers recording with  Francois Clement. Is it one of these?
Reality trumps our fantasy far beyond imagination.

Mandryka

#132012
Quote from: prémont on June 28, 2025, 01:21:18 AMYou wrote somewhere that you have another recording made on the Garnier organ of l'Eglise de la Chaise-Dieu.

Marie-Claire Alain's second Grigny set (which I had on LP but stupidly culled long ago, and it has not been rereleased on CD) was made on this organ and there is a Nivers recording with  Francois Clement. Is it one of these?

It's the Nivers with François Clement. You are welcome to have it if you want. It's a wonderful organ.

Wovon man nicht sprechen kann, darüber muss man schweigen

AnotherSpin


AnotherSpin



À l'orgue de la cathédrale Saint-Pierre de Poitiers

prémont

Quote from: AnotherSpin on June 28, 2025, 02:02:10 AM

À l'orgue de la cathédrale Saint-Pierre de Poitiers

I prefer Houette's set to Alain's (third) set on the same organ. Houette's set is better recorded and he feels more inspired than Alain.
Reality trumps our fantasy far beyond imagination.

pjme

#132016
Quote from: JBS on June 27, 2025, 04:48:59 PMReturned for the 3rd and 4th movements of the 4th symphony. I have to make a note never to listen to this again.

Des goûts et des couleurs .... :)
I find the inclusion of three female voices (vocalising) just wonderful. Quite late Finnish Art Nouveau.Beautiful.

" Symphony No. 4 was a piece of work that Melartin was particularly focusing on during the end of 1912. The composer himself thought that it was peculiar to compose a work to praise summer and the joy of life during the darkest time of the winter – and end it with the theme of a traditional Finnish summer hymn. "But is it not the same way as in life", he wrote to his mother, "that in the darkest moment you have to cherish the joys of summer in your heart". This hymn, originally Swedish Den blomstertid du kommer, is number 571 in the Finnish Evangelical Lutheran hymn book. It has been traditionally sung at the end of the school year and therefore it is much beloved by the Finns. "
https://erkkimelartin.fi/em/wp-content/uploads/2017/02/Symphony-4-preface.pdf




Dry Brett Kavanaugh


AnotherSpin

#132018
Quote from: prémont on June 28, 2025, 03:26:59 AMI prefer Houette's set to Alain's (third) set on the same organ. Houette's set is better recorded and he feels more inspired than Alain.

Your opinion is always interesting, thank you. I liked both. I especially appreciated Marie-Claire Alain's recording because the chants seemed to blend organically with the organ parts.

AnotherSpin