What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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André and 7 Guests are viewing this topic.

ritter

A wonderful programme recorded by Ingo Metzmacher and the Bamberger Symphoniker. Karl Amadeus Hartmann's Misersae and Gesangszene (with baritone Wolfgang Schöne), and Luigi Dallapiccola's Canti di liberazione (with the South German Radio Chorus and the RIAS Kammerchor).

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Linz

#132881
Luigi Cherubini Mass for the coranation of Charles X
Kölner Rundfunker
Cappella Coloniensis, Gabrielle Ferro
MichaeL Haydn,, Te Deum in D major MH 829:
Kammerchor Cantemus
Deutsche Kammerakademie Neuss am Rhein.  Werner  Ehrhiardt

Symphonic Addict

Alwyn: Lyra Angelica

A sumptuous rendition of a sublime work in stupendous sound quality. One of my favorite pieces of all time.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.

Dry Brett Kavanaugh

Fiesta Criolla - Latin American Orchestral Works. It's a little secular music.




ritter

And now, on to some Krenek: Sestina (with soprano Bethany Beardslee, and an instrumental ensemble conducted by the composer) and excerpts from Lamentatio Jeremiae Prophetae, op. 93 (Choir of the State School for Church Music in Dresden, directed by Martin Flämig).



CD 5 of this set:
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Linz

Ernst Boehe Tragic Overture op. 10
From Odysseus Voyages
Staatsphilharmonie Rheinland-Pflaz, Werner Andreas Albert

Dry Brett Kavanaugh

Moriz Rosenthal - The Complete Recordings (Recorded 1928-1942).





Linz

Anton Bruckner Symphony No. 8 in C Minor
Saarbruckern Radio Sinfonie Orchester, Hans Zender

Symphonic Addict

#132888
Prokofiev: Symphonies 3 and 4, op. 47

It's always rewarding and satisfactory when you find, detect new details or simply marvel at the pieces' uniqueness by your favorite composers. These two symphonies have elicited that on me.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied.