What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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SonicMan46, Linz (+ 1 Hidden) and 18 Guests are viewing this topic.

AnotherSpin


Number Six

Saturday Symphony!



Beethoven: Symphony No. 4
Chamber Orchestra of Europe & Yannick Nézet-Séguin

Like many people, I give little time to the non 3,5,6,7,9 from LvB. I am not convinced I have ever intentionally listened to 1,2,4, or 8. :o

Traverso


Cato

Quote from: Karl Henning on August 23, 2025, 04:59:55 AM@Cato It doth appear that this chap played all six the same day, during an AGO conference.



WOW!  What a musico-spiritual spirito-musical adventure that must have been!

 
"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

SonicMan46

Fasch, Johann Friedrich (1688–1758) was a German violinist and composer. Much of his music is in the Baroque-Classical transitional style known as galant. He was quite prolific in nearly all genres - check his LINK - "This listing is based on Rüdiger Pfeiffer's now out-dated Fasch Werke Verzeichnis."

My current collection includes 14 CDs - see attachment - works listed (all instrumental) along with their catalog number and the corresponding recordings.  Below the first five up for the day, some of my favorites - Fasch is worth exploring if you like this early 18th century music in transition.  Dave

P.S. just saw a Vol. 4 of Tempesta di Mare on Amazon - need to check on pricing!

   

   

Florestan

Quote from: Number Six on August 23, 2025, 05:48:33 AMSaturday Symphony!



Beethoven: Symphony No. 4
Chamber Orchestra of Europe & Yannick Nézet-Séguin

Like many people, I give little time to the non 3,5,6,7,9 from LvB. I am not convinced I have ever intentionally listened to 1,2,4, or 8. :o

I'd take 4 and 8 over 3, 5, 7, 9 any time.  ;D
"Ja, sehr komisch, hahaha,
ist die Sache, hahaha,
drum verzeihn Sie, hahaha,
wenn ich lache, hahaha! "

Karl Henning

Quote from: Florestan on August 23, 2025, 06:36:00 AMI'd take 4 and 8 over 3, 5, 7, 9 any time.  ;D
To paraphrase Benedick: Thou art become an obstinate heretic in the despite of the Opp. 67 & 72. That said, I've always loved Nos. 4 & 8.

TD:
Vol. 7/CD 11

Shostakovich
Symphony № 13 in bb minor, « Babi Yar » Op. 113 (1962)
Sergei Leiferkus
Men of the Prague Philharmonic Choir
Kurt Masur

Britten
Sinfonia da Requiem, Op. 20 (1939-40)
Stefan Asbury
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Spotted Horses

Quote from: Number Six on August 23, 2025, 05:48:33 AMSaturday Symphony!



Beethoven: Symphony No. 4
Chamber Orchestra of Europe & Yannick Nézet-Séguin

Like many people, I give little time to the non 3,5,6,7,9 from LvB. I am not convinced I have ever intentionally listened to 1,2,4, or 8. :o

I have loved 8 since I first heard it, as a "filler" on this LP.



Symphonies 2 and 4 only became beloved after I heard them on PI, Immerseel.


Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

JBS

Quote from: Number Six on August 23, 2025, 05:48:33 AMSaturday Symphony!



Beethoven: Symphony No. 4
Chamber Orchestra of Europe & Yannick Nézet-Séguin

Like many people, I give little time to the non 3,5,6,7,9 from LvB. I am not convinced I have ever intentionally listened to 1,2,4, or 8. :o

Oh dear...
1 and 2 are understandable. But 4, 7, and 8 are his best symphonies.
[That doesn't mean 3 is not a great symphony. It means those three are even greater.]

Hollywood Beach Broadwalk

JBS


CD 4
D810 in d minor (Death and the Maiden)
D74 in D major
D86 Minuet in D major

Hollywood Beach Broadwalk

Karl Henning

Quote from: Karl Henning on August 23, 2025, 07:04:02 AMTD:
Vol. 7/CD 11

Shostakovich
Symphony № 13 in bb minor, « Babi Yar » Op. 113 (1962)
Sergei Leiferkus
Men of the Prague Philharmonic Choir
Kurt Masur

Britten
Sinfonia da Requiem, Op. 20 (1939-40)
Stefan Asbury
Superb program (assembled onto the disc, to be sure, the performances from 12 May 2006 and 9 Mar 2007, respectively) and superb performances!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Madiel

Vivaldi: Bassoon concertos in F (RV 488) and B flat (RV 503)



The B flat one is particularly good.

I can go through new purchases quite quickly... when I'm conscious that 10 times as much is waiting behind it.  :o

One interesting thing I'm realising is that the numbering of the edition has varied considerably over its life. There wasn't a single "Vivaldi Edition" numbering for a long time. This was volume 5 of the concertos for wind instruments. It was also volume 45 of the "Treasures of Piedmont" series... which is mostly things in the Vivaldi Edition but also some things that are not. I did know about some of these other numbers, but what I didn't realise is that you just won't see the Vivaldi Edition number anywhere on the first 50+ releases!
Nobody has to apologise for using their brain.

Linz

Joseph Haydn Symphonies Volume  6 CD 2
Symphony 43  'Merkur'
Symphony 44 'Trauer'
The Academy of Ancient Music, Christopher Hogwood

Mister Sharpe

"Too slow, chicken marengo!," rhymes the Cat in Red Dwarf (sorry, that series so impacted my mind that lines from the show - years after it aired - still ring loud and clear whenever they even vaguely appertain to events in daily life). Levi, like said chicken, takes Mathis much too slowly for my taste. Still, I've kept this CD for the rich textures in the score this performance reveals, aided and abetted by Telarc's fabled engineering. Along with "brown paper packages tied-up with string," Mathis is one of my favorite things; Lenny, Steinberg, and Szell are my preferred purveyors.  Still have not heard Järvi's, though it gets positive reviews.

     
"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross

DavidW

Quote from: Number Six on August 23, 2025, 05:48:33 AMLike many people, I give little time to the non 3,5,6,7,9 from LvB. I am not convinced I have ever intentionally listened to 1,2,4, or 8. :o

The first and second were my introduction to classical music. If I didn't love them, I wouldn't be here today.

prémont

Quote from: DavidW on August 23, 2025, 11:10:43 AMThe first and second were my introduction to classical music. If I didn't love them, I wouldn't be here today.

The first was mine.
Reality trumps our fantasy far beyond imagination.

Lisztianwagner

Johannes Brahms
Violin Concerto

Frank Peter Zimmermann (violin)
Bernard Haitink & Royal Concertgebouw Orchestra


"You cannot expect the Form before the Idea, for they will come into being together." - Arnold Schönberg

Linz

Anton Bruckner Symphony No. 1 in C Minor, 1877 Linz version with revisions - Ed. Leopold Nowak
Staatskapelle Dresden, Eugen Jochum

Cato

Quote from: JBS on August 23, 2025, 07:51:49 AMOh dear...
1 and 2 are understandable. But 4, 7, and 8 are his best symphonies.

[That doesn't mean 3 is not a great symphony. It means those three are even greater.]


As I recall, Igor Stravinsky thought the Symphony #4 was the best of the symphonies.


Carlos Kleiber is always a great choice:


"Meet Miss Ruth Sherwood, from Columbus, Ohio, the Middle of the Universe!"

- Brian Aherne introducing Rosalind Russell in  My Sister Eileen (1942)

Mister Sharpe

Quote from: Cato on August 23, 2025, 12:52:48 PMAs I recall, Igor Stravinsky thought the Symphony #4 was the best of the symphonies.


Let's not forget, no less a figure than Jean-Paul Sartre considered the 7th the best.  Gets my vote, as well.
"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross