What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Todd



Revisiting this Covid freebie download from Qobuz.  Every five years seems like a good listening frequency.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Harry

Karol Szymanowski-Mythes, opus 30 & Romance, opus 23.
Cesar Franck, Violin sonata.
Performed by: Franziska Pietsch (Violin), Detlev Eisinger (Piano.)

I seem today to fall from strange music in even stranger music. I was not prepared for the sound world of Szymanowski, for the eerie atmosphere in the 3 movements of Mythes is setting a tone of wayward longing, mirrored a thousandfold and creating almost silence and nothingness. A empty space yet expressive of dialogue, in a strange language when one rolls into "Dryades et Pan". I had not much interest in this composer, yet he seems to attract me more as I thought possible. Stranger things happen I guess. Franck is a great contrast and I love this Violin sonata. A clear recording, the Violin a bit too prominent, and forward, as happens quite often with Audite. I found the performance a bit cold and distanced, a technical approach, more rational as emotional.
 
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Linz

Joseph Haydn Symphonies - Volume 10  CD 2
Symphony No. 71 in B flat: major
Symphony  No. 73 in D major: ''La Chasse'
The Academy of Ancient Music, Christpher Hogwood

Spotted Horses

Contining with Hindemith Viola sonatas, the Sonata for Viola and Piano (1939), Kashkashian, and the Sonata for Viola Solo (1937), Power.





The Sonata for Viola and Piano is yet another engaging work for the instrument. I returned to the Solo Viola Sonata (1937) in the Power recording. Power is more of a virtuoso tour de force, and there is something to be said for that approach, compared with Kashkashian's more sensuous performance.

Overall I am finding these works require repeated listening before they come to life for me.
Formerly Scarpia (Scarps), Baron Scarpia, Ghost of Baron Scarpia, Varner, Ratliff, Parsifal, perhaps others.

Que

Quote from: AnotherSpin on September 09, 2025, 05:13:12 AM

Following @Que

That one is next on my listening list!  :D
Anyway, great performances. And the Egidius Kwartet & College is (are) definitely (an) ensemble(s) to explore further - they made many priceless recordings.

ritter

Christoph von Dohnányi in memoriam. Beethoven's Symphony No. 3, 'Eroica', op. 55 and Symphony No. 8, op. 93, with The Cleveland Orchestra.

CD2 of this set:

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

JBS



Tannhauser from Bayreuth 1961, with Windgassen in the title role, DFD as Walther, De Los Angeles as Elisabeth, and Grace Bumbry as Venus.

Hollywood Beach Broadwalk

Linz

Arnold Bax In the Faery Hills
The Garden of Fand
Symphonie Nr. 1 in E flat
Royal Scottish National Orchestra, David Lloyd-Jones

Todd



Grosvenor here seems to be going down a path similar to Volodos.  Everything is performed at the highest possible level of refinement and beauty.  Not sure this will become a go-to for the rep, but man is it something to listen to.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Linz

Anton Bruckner Symphony No 4 in E Flat Major, 1880 (aka 1878/80) - Ed. Robert Haas
Staatskapelle Berlin, Otmar Suitner

ritter

Heitor Villa-Lobos conducts the French National Radio Orchestra in his Bachianas Brasileiras No. 1 (for an ensemble of cellos), No. 2 (for orchestra) and No. 3 (for piano and orchestra —with Manoel Braune as soloist).

CD2 of this set:

 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Linz

Wolfgang Amadeus Mozart Symphony No.41 in C major, KV 551 'Jupiter'
Orchestra of the 18th Century, Frans Brüggen

hopefullytrusting

Quote from: hopefullytrusting on September 08, 2025, 04:48:40 AMRankings: Del Pueyo, Schepkin, Schoenhals, Gentet, Irfan, Sango, Frolova, Czech, Maciejowski, Muller

Insanity: Sanna

Biggest Miss:
Fritz Jank (this is super important for @Todd as Jank did record all the Piano Sonatas), but something happened in the digitalization process - the sound is so bad it is, in my opinion, unlistenable. I was able to hear the vinyl of Op. 2 No. 1 - and it was superb (shelved that for later), so if the vinyl ever gets uploaded, I suspect this would be one of the best, but in its current state - I can only declare it the biggest miss (yet, lol).

Next 4:

Eliseo Villar: https://www.youtube.com/watch?v=BhIa0y6gTdA
Seokyoung Hong: https://www.youtube.com/watch?v=Nz4UTEQzEPc
Nicolas Namorade: https://www.youtube.com/watch?v=d8C-8veReZU
Drew Petersen: https://www.youtube.com/watch?v=a9nI34a89CA

Linz

Anton Bruckner Symphony No 4 in E Flat Major, 1874 First version - Ed. Leopold Nowak
Bruckner Orchester Linz, Dennis Russell Davies

hopefullytrusting

Quote from: hopefullytrusting on September 09, 2025, 01:25:21 PMNext 4:

Eliseo Villar: https://www.youtube.com/watch?v=BhIa0y6gTdA
Seokyoung Hong: https://www.youtube.com/watch?v=Nz4UTEQzEPc
Nicolas Namorade: https://www.youtube.com/watch?v=d8C-8veReZU
Drew Petersen: https://www.youtube.com/watch?v=a9nI34a89CA


Updated rankings:
Del Pueyo, Schepkin, Schoenhals, Gentet, Irfan, Namoradze, Petersen, Hong, Sango, Villar, Frolova, Czech, Maciejowski, Muller

Insanity: Sanna
Bad Transfer: Jank

Up next, a new find today:


Karl Henning

Quote from: Spotted Horses on September 07, 2025, 09:59:25 PMHindemith, Sonata for Solo Viola (1937). I find Kashkashian a bit more sensuous, a bit less of a virtuoso tour de force compared with Imai.



I read that Hindemith wrote this piece on a train journey from New York to Chicago, and played it in recital when he arrived. How do you do that? Was he hashing it out on his Viola on the train?
He was a marvel and a genius. 
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Brian



My phone identified the very first bars of John Ireland's piano concerto, in this performance, as the theme from Jurassic Park by John Williams.

Linz

Joseph Haydn Symphonies Volume 10 CD 3
Symphony No. 74 in E flat major
Symphony No. 75 in DI major
The Academy of Ancient Music, Christopher Hogwood

Brian

Quote from: Brian on September 09, 2025, 02:31:05 PM

My phone identified the very first bars of John Ireland's piano concerto, in this performance, as the theme from Jurassic Park by John Williams.
Gosh, this concerto is growing on me tremendously. It even outshines the splashy, loud, but not quite mature Walton.