What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Karl Henning

Chris Forbes' (the artist here known erewhile as weirdears First Piano Sonata:

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Karl Henning

Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Linz

Claude Debussy Nocturnes, Préludes and La Mer
Orchestre Du Capitole De Toulouse, Michel Plasson

Daverz

Saint-Saëns: Violin Concerto No. 2 - Leia Zhu, ORF Vienna RSO, Howard Griffiths


Such a sweet tone.

Mister Sharpe

Gearing-up for Hallowe'en and bumped into this soundtrack of the Stendahl Syndrome, an Argento film I have not seen.  Some of you will recognize this psychological term - yes, it's named after the French novelist who experienced the condition in Florence. It refers to an overwhelming psychical and/or physical response to art, especially objects of great beauty, ranging from unease to hallucinations. It is a real illness and there are many documented cases; it's also sometimes called an "art attack." I'm wondering if anyone here knows of or has personally had that kind of response to any classical music. I think Morricone's score might be capable of inducing it...   
"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross

Karl Henning

Quote from: Mister Sharpe on September 24, 2025, 05:02:37 PMGearing-up for Hallowe'en and bumped into this soundtrack of the Stendahl Syndrome, an Argento film I have not seen.  Some of you will recognize this psychological term - yes, it's named after the French novelist who experienced the condition in Florence. It refers to an overwhelming psychical and/or physical response to art, especially objects of great beauty, ranging from unease to hallucinations. It is a real illness and there are many documented cases; it's also sometimes called an "art attack." I'm wondering if anyone here knows of or has personally had that kind of response to any classical music. I think Morricone's score might be capable of inducing it...   
Most interesting. Also, thanks for the apostrophe in Hallowe'en. You're my kind of people!
Karl Henning, Ph.D.
Composer & Clarinetist
Boston MA
http://www.karlhenning.com/
[Matisse] was interested neither in fending off opposition,
nor in competing for the favor of wayward friends.
His only competition was with himself. — Françoise Gilot

Mister Sharpe

Quote from: Karl Henning on September 24, 2025, 05:14:56 PMMost interesting. Also, thanks for the apostrophe in Hallowe'en. You're my kind of people!

Ha-ha, you're the best.  Not even my wife likes that!
"We need great performances of lesser works more than we need lesser performances of great ones." Alex Ross

hopefullytrusting

My listening for the next few days: Alphabetical order

Bonis's Femme de Legende: https://www.youtube.com/watch?v=eleNWYmc_xY
Florence's Sonata Fantasia: https://www.youtube.com/watch?v=TuRponzvG60
Gomes, Ravel, and Villa-Lobos: https://www.youtube.com/watch?v=2UGVghHKns0
Heller's Piano Sonata No. 3: https://www.youtube.com/watch?v=0tQHMV0ccEM
Miguez's Ave Libertas: https://www.youtube.com/watch?v=Xl_CHwFkThE
Mozart's Concerto No. 9: https://www.youtube.com/watch?v=ANvTd6Tl600
Tavares's Andre de Leao e o Demonio de Cabelo Encarnado: https://www.youtube.com/watch?v=5UtYmsTwPV8
Vieira's Te Deum in stilo barocco: https://www.youtube.com/watch?v=E6VCIQ8QG-E
Villani-Cortes's Cinco Miniaturas: https://www.youtube.com/watch?v=ffc6ddahgWw

Symphonic Addict

#135989
Thanks to this Hyperion series one is able to discover really interesting off-the-beaten-path repertoire such as the concertos by the Hungarian composer Jeno Hubay (1858-1937). Truly lovely, entertaining yet not frivolous music, especially the first concerto in A minor 'Dramatique' (dedicated to Joachim) which is up to the finest ones from the Romantic period in my view. A real find.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

AnotherSpin



Bruce Dickey
Liuwe Tamminga

Que



Irons

Grieg: Sonata for Violin and Piano No.3

Josef Suk (violin) Josef Hala (piano).

A passionate rendition and the Allegro animato finale takes off like a rocket!
You must have a very good opinion of yourself to write a symphony - John Ireland.

I opened the door people rushed through and I was left holding the knob - Bo Diddley.

AnotherSpin


Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Traverso

Cypriano De Rore

Prompted by an earlier post.....a recording from 2002




Madiel

Now and to come a little later.

Mozart: Divertimento for string trio in E flat, K.563
Beethoven: String trio in E flat, op.3



With no planning, 2 of my listening lists have coincided perfectly. There are a number of instances where Beethoven in his early career used a Mozart work as a model. The liner notes of the Beethoven express an odd kind of skepticism arguing that the Beethoven is stylistically different, but it's clear as day that the Mozart work was his starting point even if it was to say "how would I do this differently?". The same number of movements (6), the same keys (E flat overall, with an Adagio in A flat and an Andante in B flat), the same arrangement of movements bar switching the Adagio and the Andante.

I don't think I've ever heard the Mozart before, but it's excellent and I clearly need to buy a recording. Quite possibly this one.
Nobody has to apologise for using their brain.

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Florestan

"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy