What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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SonicMan46

More Vivaldi today!  :D  Cello Concertos - he wrote a total of 28 works (one a double cello concerto) - own the complete solo ones w/ Wallfisch & Galliginni (each 4 discs), and 2 of 3 Coin recordings; now over the years I've culled out others, so plenty out there to pick!  Dave

 

Madiel

The Kyrie movement of each of Haydn's 6 late masses.



The Kyrie is a good place to start this comparison not just because it's the opening movement, but also because it's a place where the focus is fairly purely on the music rather than the words.

It's fascinating to hear both the general similarities and the differences. Haydn varies the length of the instrumental introduction (none whatsoever in the Heiligmesse, nearly a minute in the Harmoniemesse), the tempo changes (4 masses have a slower introduction, but the length of it varies significantly and in 2 masses the slower tempo returns later), and whether the focus is on the choir or soloists (the 'Theresa' mass gives a lot of material to a quartet of soloists singing together).

All of it is top quality, and all of it is music I want to know better which is why I'm doing this breakdown.
Nobody has to apologise for using their brain.

Harry

Quote from: prémont on November 21, 2025, 05:56:36 AMEqually fine is this, also on the label Lindoro, with Miguel Rincón playing the suites BWV 1010 - 1012 on archilaúd. Rincon varies the repeats a bit more than Rivera, but not in excess, and the results are still very convincing.

https://www.prestomusic.com/classical/products/8870609--johann-sebastian-bach-suites-1010-1011-1012-archilaud

Right, it is a coincidence but I had this CD already bookmarked for in general I like Miguel Rincon's art. Thank you though for alerting me to him. I will certainly play this very soon. I enjoyed Rivera enormously by the way.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Nostromo

#138603
I will be enjoying these two new releases today.


(I bought the hi res 24 bit/192kHz version from Presto. Fortunately it's on sale for just $10! No digital booklet, but I downloaded the one on Qobuz.)


Harry

#138604
The Celtic Viol Vol.2.
An Homage to the Irish and Scottish Musical Traditions.
Jordi Savall (viola da gamba), Andrew Lawrence-King (Irish harp & psaltery), Frank McGuire (bodhrán = Irish frame drum)
Recorded 2010 in the Monastery of St Pere de Rodes (Catalonia)


Closing the day with the second volume after I played this morning volume I. Still it's an ongoing pleasure to come back to them after so many years. Performance and soundwise all is correct and proper. Come to think of it,  Savall is too prominently recorded. The other instruments have to fight a little to stay aboard, and Savall is still moaning as if he complains. It is not to follow that the sound engineer does not say to Savall that he should stop doing that, for it adds an unwelcome layer of notes that are not compatible with the music.

Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

pi2000

Enescu: String Octet (string orchestra version! :)), Op. 7 – Britten: Lachrymae, Op. 48a
Tabea Zimmermann , Ensemble Resonanz

Linz

Claude Debussy Preludes Book I; Images Book I; Estampes CD 1
Claudio Arrau

Florestan

#138607
"Beauty must appeal to the senses, must provide us with immediate enjoyment, must impress us or insinuate itself into us without any effort on our part." - Claude Debussy

Mandryka

Quote from: Que on November 20, 2025, 10:56:48 PMMorning listening:



Amazon review by "Gio"

What a pleasure to be reminded of this lovely recording - how can it be that music of such beauty has fallen into near oblivion?
Wovon man nicht sprechen kann, darüber muss man schweigen

brewski

Still replaying moments from this incredible concert last night by cellist Nicolas Altstaedt and lutenist Thomas Dunford — the latter new to me. The program was not in the order below, but threaded with the Marais selections connecting everything.

Plus, the audience was as quiet and focused as any I'd ever seen. Fitting for an evening of extremely quiet music.

Marais: Selections from Pièces de viole, Book II, IV
Forqueray: Selections from Suite No. 2 in G Major
Duparc: Lento
Bach: Cello Suite No. 1 in G Major, BWV 1007 (Arr. for Lute)
Bach: Cello Suite No. 5 in C Minor, BWV 1011
"I set down a beautiful chord on paper—and suddenly it rusts."
—Alfred Schnittke (1934-1998)

Linz

Anton Bruckner Symphony No 5 in B Flat Major, 1878 Version Ed. Robert Haas
SWR Stuttgart Radio Symphony Orchestra, Sergiu Celibidache

Mandryka

#138611
Quote from: Nostromo on November 21, 2025, 07:08:01 AMI will be enjoying these two new releases today.


(I bought the hi res 24 bit/192kHz version from Presto. Fortunately it's on sale for just $10! No digital booklet, but I downloaded the one on Qobuz.)



Thanks for reminding me of Wee's Beethoven - have you heard his Thalberg? If he plays Beethoven with such cantabile it'll be special. (Just a random and probably inappropriate thought - @Kalevala, you may well enjoy the Thalberg.)
Wovon man nicht sprechen kann, darüber muss man schweigen

Dry Brett Kavanaugh

Baroque Dialogues. La Sfera Musicale.





Kalevala

Quote from: Mandryka on November 21, 2025, 09:33:12 AMThanks for reminding me of Wee's Beethoven - have you heard his Thalberg? If he plays Beethoven with such cantabile it'll be special. (Just a random and probably inappropriate thought - @Kalevala, you may well enjoy the Thalberg.)
Thanks for thinking of me.  I'll see if I can sample it somewhere.

K

Todd

The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

AnotherSpin



Music by:

Thomas Crecquillon
Benedictus Appenzeller
Joachimus De Monte
Johannes De Cleve
Christian Hollander
Jean Richafort
Nicolas Gombert

Egidius Kwartet & College

Harry

Quote from: AnotherSpin on November 21, 2025, 11:10:01 AM

Music by:

Thomas Crecquillon
Benedictus Appenzeller
Joachimus De Monte
Johannes De Cleve
Christian Hollander
Jean Richafort
Nicolas Gombert

Egidius Kwartet & College

For me those discs are the best in their repertoire. Legendary performances. There is nothing to compare it with. All volumes are necessary food for thought.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

AnotherSpin

Quote from: Harry on November 21, 2025, 11:12:10 AMFor me those discs are the best in their repertoire. Legendary performances. There is nothing to compare it with. All volumes are necessary food for thought.

I only started with vol.1, but already tend to agree wholeheartedly. :)

71 dB

On TV: Yle Areena: Radion sinfoniaorkesterin konsertti

Chamber music festival opening concert "Omistettu sinulle" ("Dedicated to you")

André Jolivet: Fanfares pour Britannicus*
Igor Stravinsky: Septet
Benjamin Britten: Russian Funeral*
Richard Wagner: Siegfried Idyll, WWV 103
Arvo Pärt: Fratres*
Pekka Jalkanen: Viron orja "slave of Estonia"
Georg Philipp Telemann: Alster Suite, TWV 55: F11**

Members of Finnish Radio Symphony Orchestra
József Hárs*, conductor
Han Shi**, concertmaster


Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW July 2025 "Liminal Feelings"

Iota

Quote from: Nostromo on November 21, 2025, 07:08:01 AM
(I bought the hi res 24 bit/192kHz version from Presto. Fortunately it's on sale for just $10! No digital booklet, but I downloaded the one on Qobuz.)


I always find Ólafsson a distinctive and thought-provoking pianist, and nearly always in a good way. I listened to the Beethoven Op.109 from the above, only a first hearing and sometimes my opinion changes with greater familiarity, but by the end I was won over. It sounds so fresh, his vision emerges with great clarity and not for the first time it feels like a shot in the arm for a much recorded piece.