What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Symphonic Addict

Quote from: vandermolen on December 03, 2025, 12:41:24 AMThe Symphonic Studies are best of all!

The Lyrita recording is the finest one available.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Symphonic Addict

Quote from: André on December 03, 2025, 09:35:42 AMA truly marvellous disc. I purchased it for the Braunfels sextet but through it I got to discover Busch as a composer - and a fine one. Really worth exploring.

If I'm not mistaken, the same ensemble (on the same label) performed some stuff by Röntgen with exceptional results too.
The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

Symphonic Addict

d'Indy: Jour d'été à la montagne

In some way, this work is a sort of precursor of Strauss' Eine Alpensinfonie in that it also depicts a day in the mountain and it ends as it begins, featuring vividly atmospheric nocturnal sounds, doing the whole cycle of the day, and I must say, in a very effective manner. I think d'Indy is kind of underappreciated nowadays. He excelled in his craft: tone painting. He was a real master in that regard and this composition exhibits that skill most magnificently.

The current annihilation of a people on this planet (you know which one it is) is the most documented and at the same time the most preposterously denied. The terror IS REAL!

JBS

Third listen. The Bach (Partita 6 in e minor BWV 830 being the main entry*) is better than the Beethoven (Op 90 in e minor and Op 109 in E Major) or the Schubert (Sonata in e minor D566).

*The Prelude in E Major BWV 854 and the Sarabande from French Suite No 6 in E Major BWV 817 bookend the CD.


Hollywood Beach Broadwalk

AnotherSpin


vandermolen

Quote from: Spotted Horses on December 03, 2025, 12:16:08 PMAnd worst cover in any format...
Yes, it's really weird!
The performance was more recently issued on Melodiya.
"Courage is going from failure to failure without losing enthusiasm" (Churchill).

'The test of a work of art is, in the end, our affection for it, not our ability to explain why it is good' (Stanley Kubrick).

Que

Quote from: Nostromo on December 03, 2025, 06:35:26 PM

Interesting!  :)

Melnikov redid these pieces with some HIP powerhouses... and it didn't quite live up to my high expectations...



Roasted Swan

Quote from: Symphonic Addict on December 03, 2025, 07:18:52 PMd'Indy: Jour d'été à la montagne

In some way, this work is a sort of precursor of Strauss' Eine Alpensinfonie in that it also depicts a day in the mountain and it ends as it begins, featuring vividly atmospheric nocturnal sounds, doing the whole cycle of the day, and I must say, in a very effective manner. I think d'Indy is kind of underappreciated nowadays. He excelled in his craft: tone painting. He was a real master in that regard and this composition exhibits that skill most magnificently.



the first piece of D'Indy I ever got to know and certainly the one that 'hooked me in'.  Very attractive and appealing work.

Daverz

#139229
Quote from: Brian on December 03, 2025, 12:00:45 PM

Ernesto Halffter's Sinfonietta is quickly becoming one of my favorite finds of 2025!

His ballet Sonatina is in a similar neo-Classical vein:


This evening's listening:

Bartok String Quartet No. 6 - Quatuor Diotima


I don't remember this work sounding so difficult before.  I must need more fiber in my musical diet.


Madiel

Ravel: Sonata for violin and cello



I think I've only listened to this work once before. But as played here at least... GOSH it's good. This sounds completely marvellous.
Nobody has to apologise for using their brain.

Que

Quote from: Que on December 01, 2025, 01:32:30 AMThe recent exchange here on Italian cello sonatas did trigger some listening ideas:  :laugh:

 

PS These are sonatas by Venetian composers. Nasillo also did a recording with Neapolitan cello sonatas.

Remainder. This selection shows some interesting repertoire by lesser known composers.

San Antone

Monteverdi | Vespers for the Blessed Virgin


VENICE MONTEVERDI ACADEMY
Solo Soprano, Paolo Lopez
Solo Soprano, Federico Fiorio
Solo Mezzosoprano, Antonio Giovannini
Alt,o Matteo Pigato
Tenor I Solo, Alessio Tosi
Tenor II Solo, Raffaele Giordani
Tenor III Solo, Claudio Zinutti
Bass Solo, Mauro Borgioni
Bass Solo II, Gugliemo Buonsanti

Soprano I, Sheila Rech
Soprano II, Silvia Pollet
Alto, Marco Petrolli
Tenor I, Claudio Zinutti
Tenor II, Peter Gus
Bass, Claudio Pistolato

SCHOLA GREGORIANA
Reale Corte Armonica "Caterina Cornaro"
Psalmist, Danilo Zeni

ORCHESTRA LORENZO DA PONTE
Violin I, Massimiliano Tieppo
Violin II, Gianpiero Zanocco
Viola, Mario Paladin
Viola da Gamba, Francesco Galligioni
Violoncello, Simone Tieppo
Double Bass, Paolo Zuccheri
Cornetto I, Gustavo Gargiulo
Cornetto II, Ludmila Krivich
Trombone I, Robert Lugosi
Trombone I, Kasza Nándor
Trombone III, Narancsik Norbert
Organ I, Nicola Lamon
Organ II, Lorenzo Feder

Papy Oli

one more:

Mendelssohn: Symphony No. 1
London Symphony Orchestra / Claudio Abbado

Olivier

Madiel

Medtner: Piano sonata in C, op.11/3



Provisionally my favourite of the op.11 sonatas.
Nobody has to apologise for using their brain.

Traverso

Bach

CD 9

Kantate BWV 80 "Ein feste Burg ist unser Gott"; Orgelchoral BWV 720 "Ein feste Burg ist unser Gott / Martin Luther: Ein feste Burg ist unser Gott
  Sonntag nach Trinitatis (5.11.1724) - Kantate BWV 115 "Mache dich, mein Geist, bereit" / Gottfried August Homilius: Orgelchoral "Mache dich, mein Geist, bereit" / Anonymus (ca. 1700): Mache dich, mein Geist, bereit
  Sonntag nach Trinitatis (12.11.1724) - Kantate BWV 139 "Wohl dem, der sich auf seinen Gott" / Johann Christoph Oley: Orgelchoral "Mach's mit mir, Gott, nach deiner Güt" / Johann Hermann Schein: Wohl dem, der sich auf seinen Gott



Madiel

Prokofiev: Piano sonata no.1 in F minor, op.1



I've been having an urge to make a comparison, ever since the liner notes in the Hamelin Medtner set made a mention of Scriabin's and Prokofiev's piano sonata cycles. Three Russian composers who all wrote quite a few piano sonatas, although for all of them there was a fair bit of departure from the Classical multi=movement form.

It's been ages since I've listened to most of the Prokofiev sonatas, around 8 or 9 years (that damn spreadsheet tells me). His op.1 frankly sounds more like Medtner than it sounds like Prokofiev. Which is no bad thing.
Nobody has to apologise for using their brain.

Madiel

Rachmaninov: Two pieces for cello and piano, op.2

Nobody has to apologise for using their brain.

Papy Oli

The last one:

Mendelssohn: Symphony No.1

Chamber Orchestra of Europe/ Yannick Nézet-Séguin

A very enjoyable survey of this work.

Might start Symphony no.2 on the weekend.
Olivier

Madiel

Quote from: Papy Oli on Today at 03:53:08 AMMight start Symphony no.2 on the weekend.

It ain't catalogued as a symphony anymore.  ;D
Nobody has to apologise for using their brain.