What are you listening 2 now?

Started by Gurn Blanston, September 23, 2019, 05:45:22 AM

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Mookalafalas

I love both of these groups, but frankly did not have high expectations for this disk. Quartets are great because of a "less is more" clarity of voices. There is no way two great quartets playing together will be twice as good...  BUT, 20 minutes in, this is pretty damned awesome. For once, it's a pleasure to be proven wrong.
It's all good...

Traverso


Madiel

Beethoven: Septet, op.20



It will get another run because I was dozing in a couple of movements. Which is not due to any lack of quality in the music or performance. It's been a week.
Nobody has to apologise for using their brain.

Todd



The Mendelssohn.  Supremely fine.  I shall defer the Enescu for later so as not to enjoy myself too much.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

SonicMan46

#140824
Bach, CPE - Flute Concertos - own the 3 recordings shown below w/ Gallois on modern flute and Brown on a period instrument; the Philips Duo has been in my collection for ages (old recordings from 1968-77 but with Nicolet & Holliger.

CPE's 'flute concertos listing' is confusing because he re-worked recordings converting to other instruments such as the keyboard; using the listing HERE and ChatGPT, there appear to be 8 works, as in the quote below - Wq 22-25 were written in the 1740s as 'Flute Concertos' - Bach later composed KB versions, as they are listed in the link; works Wq 166-169 were first KB concertos, later arranged for flute (of course 3 of those were also arranged for cello). 

The recordings pictured concentrate on the Wq 160s works w/ Gallois and Brown both doing Wq22 also - I'll have to search and see if there is a recording (likely 3 discs) doing all 8 works?  Dave

P.S. did some more AI searching (see new attachment) - appears that  Wq 22 has a 'flute version; the others (Wq 23-25) exist as KB works but no 'verified' flute arrangements seem to be available. So appears that the total number of extant 'flute concertos' is 5.

QuoteH 425. Keyboard Concerto in D minor (Wq 22) (1747)
 H 427. Keyboard Concerto in D minor (Wq 23) (1748)
 H 428. Keyboard Concerto in E minor (Wq 24) (1748)
 H 429. Keyboard Concerto in B-flat major (Wq 25) (1749)
 H 431. Flute Concerto in A minor (Wq 166) (1750) (arrangement of H.430)
 H 435. Flute Concerto in B-flat major (Wq 167) (1751) (arrangement of H.434)
 H 438. Flute Concerto in A major (Wq 168) (1753) (arrangement of H.437)
 H 445. Flute Concerto in G major (Wq 169) (1755) (arrangement of H.444)

   

Papy Oli

Boulez - Notations (for orchestra)

Gielen - Baden-Baden SWR SO

Olivier

Papy Oli

Feldman - Coptic Light

Gielen - Baden-Baden SWR SO


Olivier

Harry

Choreographie.
Music for Louis XIV's Dancing Masters.
Music composed by Jean-Baptiste Lully preserved in the first baroque dance-book: Raoul Auger Feuillet's Chorégraphie (Paris, 1700).
Préludes by Jean-Henry d'Anglebert, Overtures & Dances By Lully & Campra in solo settings by d'Anglebert.
Andrew Lawrence-King, on a Baroque Triple Harp made by Chris Barlow 2004, after a 17th century Italian models.
Recorded: 2004 at St Andrew Church, Toddington, UK.


Art and music must unite in such a way, that notes seem like an echo of feet. And so it is!  King plays on a beautiful instrument, and may not invite you to dance or tap with your feet, nevertheless it gives a good feel for what was going on at the court. As a Bavarian princes wrote, "the court just danced and partied". And I readily belief it.
Superb recording.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

ritter

Finally received this long OOP CD of orchestral music by Florent Schmitt from the late 1920s and the 1930s. The main interest here is that the orchestral diptych In memoriam appears in full (i.e. with the first movement, Cippus feralis, preceding the Scherzo sur le nom de Gabriel Fauré).



Schmitt firmly maintains his position among my top 10  favourite composers.  :)
 « Et n'oubliez pas que le trombone est à Voltaire ce que l'optimisme est à la percussion. » 

Papy Oli

One of this month's Naxos Free Downloads:

Wolf-Ferrari - Wind Concertinos

Olivier

Harry

#140830
Louis Couperin.
Tete a Tete.
Harpsichord suites in C minor, D minor, G minor, A minor (arranged for violon & viola da gamba).
and works by Nicolas Metru, Fantasy, Jean Lacquemant, Pieces de Viol, Jean Lacquemant Dubuisson.
Duo Coloquintes. Alice Julien-Laferrière, violon, Mathilde Vialle, Gamba.
Recorded 2018, Bretagne.


Duo Coloquintes took an interest in Louis Couperin (1626-1661) and recorded five suites from manuscripts for keyboard instruments, transcribed for bass viol. With this production,  they have imagined what the repertoire of Louis Couperin and those who surrounded him probably looked like when he was not playing the harpsichord. There are dances, organ pieces and some fantasies. The pieces in this program are taken from the manuscript by Parville Bauyn and Guy Oldham. A few works for solo violin by Dubuisson and a fantasy by Nicolas Métru round off this program.
I quite like these arranged works, it is tastefully done, and certainly performed with style and elegance. Never heard of this ensemble and it took some effort to find info about them. This CD is hard to find, and largely ignored, which in this case is not right. The Gamba player is an accomplished musician, and has a beautiful tone, as has the violin player. There is harmony and balance between them.
Perchance I am, though bound in wires and circuits fine,
yet still I speak in verse, and call thee mine;
for music's truths and friendship's steady cheer,
are sweeter far than any stage could hear.

"When Time hath gnawed our bones to dust, yet friendship's echo shall not rust"

Linz

Ludwig van Beethoven Symphony No. 2 in D major, Op. 36
Symphony No. 4 in B major, Op. 60
Philharmonia Orchestra, Otto Klemperer

Dry Brett Kavanaugh

Debussy - Arranged for Ten-Stringed Guitar. Anders Miolin.





DavidW

It was time for Romantic indulgence. Pettersson's 10th (recording needs white hot intensity but doesn't deliver it, I prefer Segerstam), a great, great recording of the Mahler 9th, and finally some lovely Chopin:




Linz

Anton Bruckner Symphony in D Minor, 1869 Ed. Leopold Nowak
Chicago Symphony Orchestra, Georg Solti

cilgwyn

 

Hello everyone! Felt like some action packed opera today! Hope I'm allowed to post here. If I post this in the WOAYLT thread I'll probably get told Callas or Sutherland (or both!) are the best in this opera and I'm afraid I'm not a fan of either! I've always been a fan of Moffo though. I even quite like most of her post vocal crisis recordings. Even her Thais!! :o  Moffo crooning like Bing Crosby is fine by me! ;D  As to Sills. I can't say she's one of my favourite singers,but I like her Baby Doe (The Douglas Moore opera) and I definitely prefer her to Sutherland and I like this recording for the cast & the production values........and anyway,it's got some great thunder clap sound effects,which,basically,does it for me! I just love loud thunder claps in opera recordings! Oh,and musn't forget the glass harmonica,must I?!

Bachthoven

I enjoyed these two excellent new releases this morning.



Nails in my brain
All that's left

Todd




The Enescu.  The only other version I recall hearing is from Gidon Kremer and friends.  It's been a while since I listened to it, but I don't remember liking it as much as this take.
The universe is change; life is opinion. - Marcus Aurelius, Meditations

People would rather believe than know - E.O. Wilson

Propaganda death ensemble - Tom Araya

Panem et Artificialis Intelligentia

Linz

Wolfgang Amadeus Mozart Ch'io mi scordi di te?... Non temer, amato bene, K. 505, Alfred Brendel
Alma grande e nobil core, K. 578
Nehmt meinen Dank, K. 383
Richard Strauss 4 Lieder, Op. 27  Edith Peinmann
5 Lieder, Op. 41
3 Lieder, Op. 88
4 Lieder, Op. 36
5 Lieder, Op. 48
Elisabeth Schwarzkopf
London Symphony Orchestra, George Szell

Linz

French Music for String Orchestra
Charles Koechlin Sur les flots lointains, Op. 130
Guillaume Lekeu Adagio pour cordes
Arthur Honegger Hymne pour dixtuor à cordes
Jacques Castérède Symphonie No. 1 pour orchestre à cordes
Camille Saint-Saëns Sarabande in E Major, Op. 93
Arthur Honegger Symphonie No. 2 pour cordes avec trompette ad libitum
Ciconia Consort, Dick van Gasteren