The most beautiful Adagio

Started by Thom, April 14, 2007, 10:36:39 AM

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BachQ


op.110


Steve

Quote from: op.110 on April 18, 2007, 01:28:16 PM
Why Leon Fleisher of course!

I have yet to arrive at Ravel in my explorations, but I have heard of this concerto. I've got to pick this one up.

Ten thumbs

Beethoven Piano Concertos are well covered (No4 for me)
Tchaikovsky Piano Concerto No2 with its gorgeous triple concerto.
Haydn Piano Sonatas - Ab - UE31 and F - UE38
Chopin Piano Sonata No3
Prokofiev Piano Sonata No7
A day may be a destiny; for life
Lives in but little—but that little teems
With some one chance, the balance of all time:
A look—a word—and we are wholly changed.

stingo

I'd also add the middle movement of Bach's Concerto for 2 Violins (the BWV number escapes me atm).

Guido

Any of Barber's slow movements. The obvious one is the Adagio for strings, but the slow movement from the violin concerto, or the more anguished cello concerto, or even the more mysterious piano concerto slow movements are all sumptuous.

Rodrigo's slow movements are all remarkably fine, especially the violin concerto, and the second cello concerto (the first is lovely too actually).

I thought the slow movement of Carter's Symphonia: sum fluxae pretium spei was very beautiful.

Also Finzi's slow movements are all extremely lovely (but then almost everything by him is a slow movement!) - especially the cello and violin concertos, and also the the Eclogue for piano and strings

Shostakovich, Hindemith, Bliss, Bax and Burger all wrote cello concertos with remarkable slow movements. Schumann, Haydn and Dvorak cello concerto slow movements are all much more famous of course, but all hav gorgeous slow moevements.
Geologist.

The large print giveth, and the small print taketh away

Harry

The seventh movement from the first symphony from Ernst Krenek, a fine Adagio lasting 6:18 delicious minutes followed by a Fuge which is also played kind of Adagio! :)

Haffner

Quote from: stingo on April 19, 2007, 05:20:47 AM
I'd also add the middle movement of Bach's Concerto for 2 Violins (the BWV number escapes me atm).





The one in D minor? A favorite of mine as well.


One of the most gripping adagios is from Joseph Haydn's Symphony no. 102.


Also, Haydn's "Largo" string quartet, op.76, no.5. A real masterpiece of emotion, in my humble opinion.

Christo

One of the 'most entirely beautiful' adagios ever composed must be, imho: the Molto Adagio from the posthumously discovered symphonic poem Türkiye by Turkish composer Cemâl Resit Rey, to be found in this CD:

                      
... music is not only an 'entertainment', nor a mere luxury, but a necessity of the spiritual if not of the physical life, an opening of those magic casements through which we can catch a glimpse of that country where ultimate reality will be found.    RVW, 1948

Sergeant Rock

Quote from: 71 dB on April 15, 2007, 03:07:22 AM
Okay. I don't see Mahler a composer of complex music

:o ??? :o

dB, you're thinking too freely again, dude.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Sergeant Rock

Quote from: Symphonien on April 15, 2007, 06:40:13 PM
Has anyone mentioned the slow movement from Mahler's 6th?

Wrong thread, dude ;D  That's an Andante.

But I have to agree with you; it's a ravishingly beautiful slow movement. My favorite, in fact.

Sarge
the phone rings and somebody says,
"hey, they made a movie about
Mahler, you ought to go see it.
he was as f*cked-up as you are."
                               --Charles Bukowski, "Mahler"

Haffner

Quote from: Sergeant Rock on April 21, 2007, 06:41:08 AM
:o ??? :o

dB, you're thinking too freely again, dude.

Sarge




Mahler's 4th Symphony alone is magnificently complex, and highly rewarding. I won't even go into his unbelievably brilliant 8th and 9th.

71 dB

Quote from: Sergeant Rock on April 21, 2007, 06:41:08 AM
:o ??? :o

dB, you're thinking too freely again, dude.

Sarge

Sorry, can't help it.  :-\

Quote from: Haffner on April 21, 2007, 09:28:45 AM
Mahler's 4th Symphony alone is magnificently complex, and highly rewarding. I won't even go into his unbelievably brilliant 8th and 9th.

Okay Andy.  ;)
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Haffner

Quote from: 71 dB on April 21, 2007, 01:58:02 PM


Okay Andy.  ;)





Sorry, db, I should have mentioned that my admiration of Mahler was according to personal taste (I usually remember).

karlhenning

Third movement of the 'Leningrad' Symphony.  Especially a moment of espagnolerie in a magnificent moment about halfway through.

71 dB

Quote from: Haffner on April 22, 2007, 04:04:31 AM
Sorry, db, I should have mentioned that my admiration of Mahler was according to personal taste (I usually remember).

It's okay Andy. I understand.  ;)
Spatial distortion is a serious problem deteriorating headphone listening.
Crossfeeders reduce spatial distortion and make the sound more natural
and less tiresome in headphone listening.

My Sound Cloud page <-- NEW Jan. 2024 "Harpeggiator"

jochanaan

Hindemith: Symphony in Eb, 2nd mvt. Sehr langsam.  An unjustly neglected symphony anyway, and this movement is utterly gorgeous.

Irving Fine: Partita for Wind Quintet, finale (and also 3rd movement, on a smaller scale).

Did somebody already mention Tchaikovsky's Symphony #1's second movement? :D

Imagination + discipline = creativity

btpaul674

Quote from: karlhenning on April 18, 2007, 10:30:15 AM
The Adagio to the Braga Santos String Sinfonietta is the bee's roller skates.

In my opinion, nobody does Adagios like Braga Santos...

wow...... :o

Operahaven

Unbelievable.... After 5 pages there is not a single mention of the great Adagio from Bruckner's  Fifth  symphony.

It is simply ecstatic...
I worship Debussy's gentle revolution  -  Prelude To The Afternoon of A Faun  -  for its mostly carefree mood and its rich variety of exquisite sounds.

Ephemerid

Well, after losing a longish post and frustration with computers in general, I'll give the short version-- some are a bit obvious choices-- some may not technically be "adagios" proper:

Barber: Adagio for Strings (I actually prefer the 4tet version)
Mahler: Adagietto from Symphony No. 5 (one of the few things by Mahler I enjoy)
Shostakovich: The opening and closing largo movements from String 4tet No. 8
Beethoven: Third movement from String Quartet No. 16
Vivaldi: The adagio from "Autumn"
Bach: Air from Orchestral Suite No. 3 (adagio?)
Bach: The melancholic adagio from Brandenburg Concerto No. 1
Beethoven: 3rd movement from String Quartet No. 15
Sibelius: The Swan of Tuonela (adagio?)
Britten: the final movement from Sinfonia da Requiem

and some other ones I'm forgetting now...